UmbraVivi

joined 5 years ago
MODERATOR OF
[–] UmbraVivi@hexbear.net 32 points 5 days ago

Harry Pottery kelly

[–] UmbraVivi@hexbear.net 35 points 5 days ago (17 children)

I feel like these chickens are gonna come home to roost eventually. Rising antisemitism is real among right-wingers, and it's easy to see how chuds could believe "Jews control the media" narratives when every politician ever is seemingly bending over backwards to serve Israel. Many "America First" chuds are upset that their guys are prioritizing a foreign country over their own.

There's gonna come a turning point where the Zionist entity falls or support is no longer beneficial to the US, at that point right-wing figures will no longer pretend to care about antisemitism and I fear all hell will break loose for Jews in the West.

[–] UmbraVivi@hexbear.net 18 points 5 days ago

The funniest thing about fascists is how little respect and how much disdain they have for one another

[–] UmbraVivi@hexbear.net 6 points 6 days ago (2 children)

Just had a Anakin/Padme meme moment except I was Anakin.

[–] UmbraVivi@hexbear.net 51 points 6 days ago (4 children)

This doesn't seem real to me. At that point, why take pictures at all?

[–] UmbraVivi@hexbear.net 29 points 6 days ago

Start building tunnels

[–] UmbraVivi@hexbear.net 12 points 1 week ago

I think elites are kinda aware but they don't really give a shit because they're 60+ years old and will be long retired or dead by the time the consequences of their actions really kick in

[–] UmbraVivi@hexbear.net 12 points 1 week ago

the-democrat Ah, all the radicals who hate bipartisanship have left. Clearly, every voter who still votes for us wants us to work with Republicans. We must go further right.

[–] UmbraVivi@hexbear.net 11 points 1 week ago

I saw some other discussion on hexbear about people asking why the USA loves israel so much.

I think it's a multitude of factors. The geopolitical one you mentioned is probably the most significant, Israel destabilizes the middle east and terrorizes Arab nations without any Americans being put at risk. It's very convenient.

There's also the religious factor for fundamentalist Evangelicals, which is a non-insignificant fraction of Republican lawmakers. They believe that Jews returning to Israel is necessary to start the rapture or something.

Then you have the ideological factor of racial supremacy. Israeli settlers are overwhelmingly white. They support Israel because it's whites against browns and they believe white people have a right to take from lesser races as they please.

And lastly, corruption. AIPAC turns US support for Israel into a self-perpetuating cycle. The US government gives money to Israel and lobbyists pay a fraction of it back to individual US lawmakers so they keep voting to send Israel more.

[–] UmbraVivi@hexbear.net 48 points 1 week ago (5 children)

One of the biggest online personalities is literally "Mr Beast"

 

https://www.vice.com/en/article/gyazzj/meet-the-taylor-swift-stan-who-went-to-jail

Posting this partly because it's classic taylor-commie lore and partly because I was an actual stan twitter Swiftie at the time and not only that, I was friends with this girl and had met her irl when she went to prison.

She was an Israeli communist and while she was in prison, she'd write notes that her friend would post to twitter. I don't remember much of what she said about her time in prison but I do remember that she apparently got laid a lot while in there, so good for her.

Our friend group drifted apart over the years and I'm not in contact with her anymore. The story has gone viral a few times since then and I've seen a lot of upvoted comments say that it's fake and the girl was actually from Michigan or some shit?

I'm here to tell you that no, this girl was real, she was from Israel (I distinctly remember her having to quit a skype call because of a bomb alarm) and she really did go to prison for refusing to join the IDF. I remember her tweeting in hebrew on her main account and repeatedly posting pro-Palestine stuff. This story is 100% real and I can confirm it to you first-hand.

Also fun fact: "LegitTayUpdates" was a bit account. It was not a "real" update account that would post paparazzi shots with real things Taylor did today, it was mainly Swiftie shitposting. The content was not too dissimilar of c/taylorswift, honestly. Maybe that's why people thought the prison thing was fake? But no, that really did happen, she texted us about it ahead of time as well.

 

90% of her twitter is complaining about tankies and the uyghurs and the authoritarianism

someone in the comments says "im cuban and castro was not a real communist"

retweeted something about how can china eradicate poverty when people in hong kong live in tiny homes

I dunno, if the person with the most similar political development on Youtube was freaking Shoe0nhead, that would probably make me want to rethink my beliefs.

Like, there's non-tankie leftists online like hbomb, philosophytube, big joel, the chapos, contrapoints, hasanabi, but they talk about actual fucking left-wing ideals, the injustices in the present day and what could be done to fix them. They don't turn their entire online presence into "im one of the good lefties, not like these evil tankies, im one of the good and reasonable ones"

12
submitted 2 years ago* (last edited 2 years ago) by UmbraVivi@hexbear.net to c/games@hexbear.net
 

In my subjective opinion, Stellaris' biggest issue is the lack of resource scarcity. The infinite abundance of resources means that there isn't much to fight over for most of the game, it means individual colonies will matter less and less as the game goes on and it often leads to games stagnating until a crisis shows up.

Wars are fought over resources, over material gains, and in Stellaris it rarely feels like that. I rarely feel compelled to go to war with another empire because between megastructures, ecumenopoli, habitats and ring worlds, i can generate infinite resources regardless of how many planets and systems I control. This wouldn't be as much of an issue if Stellaris had victory conditions outside of military victory, if you could win through diplomacy, science, faith or whatever like in Civilization, but with how the crises are designed, it's very apparent that you're supposed to win through combat. But wars don't feel "organically incentivized" to me a lot of the time, if that makes sense. I don't feel like I have much to gain from going to war, I just do it because that's the only way to make the game end.

I think the game would be more exciting, dynamic and strategic if colonies and system resource deposits had a limited amount of minerals, food and energy you could extract from them before their output greatly decreases.

That way, there would be a much bigger incentive to fight over colonies, especially in the lategame. Because when you have 20 colonies in the lategame, one more or less doesn't matter all that much, but when only 3 of these colonies are still running at full capacity, suddenly that one untapped planet becomes much, much more valuable. It would cause conflict much more organically, as eventually the exploitable galaxy gets smaller and smaller until there is only one last empire standing. While the crises are cool (and I don't think they should be removed), I think they are a very clunky way to force conflict, and it would be much nicer if the endgame was instead determined by the friends and enemies we made along the way rather than an outside entity randomly entering the playing field so you have to actually fight someone.

This is, again, subjective, as I'm sure a lot of people specifically enjoy Stellaris for its chill, relaxing pace that allows you to watch youtube on your second monitor while effectively playing stardew valley in space. I enjoy that aspect of it too sometimes, but still, it eventually always falls short for me. Wonder what you folks think about this.

Edit: I realize that this would be way too fundamental of a change to ever realistically make for the devs or a modder, as you would have to basically re-design and re-balance everything from scratch. This is purely theoretical.

 

I haven't played Dead by Daylight in a long time but I just read up on the new killers that have released since I stopped and I just have to share this.

DbD was never known for its great writing, but their previous OCs were, I'd say, competently written usually. But this one, the "Skull Merchant", has the most amateurishly bad backstory I have ever seen in a decently successful game and I am genuinely baffled as to how this could happen.

READThe self-made millionaire Adriana Imai came from a humble home in Fortaleza, Brazil. Her father, Seita, moved to Brazil as a young man, hoping to see a side of the world completely different than his hometown in Hokkaido. A talented illustrator, he spent his spare time designing colourful characters and worlds.

While sketching patrons of a local jazz club, he was approached by Belinda, the owner, to work on a logo. What began as a business partnership soon became a romantic one, and within a couple of years, Adriana was born.

Adriana excelled in all facets of education. A house full of art and music honed a brilliant mind, and her intelligence was only exceeded by her obsessive drive to be the best. While scoring at the top of every class, she was often on the receiving end of disciplinary action due to her overly competitive, and sometimes violent, nature during schoolyard games.

Adriana’s mother did her best to keep her on the right track, but her father was increasingly absent as his own obsessive drive ramped up: Adi Valente, a manga about a young girl who saves and protects the weak with her quirky robot companion. Despite working long hours at a canning facility and writing his manga in his spare time, he somehow managed a little time every night to share his wild and highly imaginative illustrations with his daughter.

By middle school, Adriana was courted by a fancy private school due to her high performance, and, needing money, Seita spoke to publishers about his unpublished manuscripts. He managed to find a small local publisher to carry Adi Valente, but it meant more work than he could handle. He eventually lost his job at the cannery, giving him more time to develop and illustrate his series.

Adriana loved the manga, but the family was forced into hard times.

In her final semester, Seita requested higher royalties, but the publishing company went into administration and decided to cut the series. No longer able to afford the school fees, Adriana was pulled out of the elite academy where she was at the top of her class. Belinda was able to negotiate her graduation, but another student was able to take her place at the head of the class. Adriana was furious. On summer break, she learned everything about her rival: where he lived, where he hung out, what he liked to do in his spare time, what he listened to, what he watched, everything. She even stalked him on his way home one late summer evening and considered the myriad ways she could ruin his life. But, in the end, she did nothing, though something awakened within her and she felt like the anti-hero in a new story her father had been exploring.

Seita retreated further into himself and began producing this newer, darker manga, inspired by his visions and nightmares. A manga about a woman who hunts and guts the weak in a nightmarish realm with drones made of salvaged skulls and bones. But unable to sell this manga, Sonhadores Sombrios, the family became solely reliant on Belinda’s income.

Adriana, looking for ways to make her own money, started a website dedicated to the world of Brazilian manga. It became a runaway success and significant advertising dollars started to roll in. She realized she had no real interest in writing for it, though, so she convinced other kids to write for it for free while the money flooded in. The second she got an offer she sold the site and never looked back.

Proud of her accomplishment, she came home to show her parents the cheque. She never got a chance to show her father, though. He walked out the door that morning, never to return, leaving only a stack of unpublished manuscripts about The Skull Merchant mercilessly hunting those she deemed worthy of her efforts.

To help her mother, Adriana began to study at the library, teaching herself investment and economics, and soon tripled her money. By the age of 18, barely with a high school degree, she had already become a self-made millionaire. As stories of this investment wunderkind spread across Brazil, more and more doors opened for her.

Before long, she had the kind of money that allowed her to buy small companies—companies that she would gut, replace with non-union workers, and sell at a profit. The only breaks she took from her corporate obsession was to pore over her father’s manuscripts, trying to understand this chilling world he had created.

By her mid 20’s, she was regularly flipping companies. While finalizing on a real estate firm, two members of the board moved to block the sale, pointing to the trail of hollowed-out husks she left in her wake. Adriana was frustrated. It took her weeks to find out who the holdouts were, but once she did, she thought about how it would feel to hurt them.

She learned everything about the directors. Stalked their every move. Manipulated them into attending a conference in Switzerland. And, while on retreat in the Alps, she made her move. Inspired by The Skull Merchant, and feeling something within demanding expression, she tracked them with a prototype drone, and brutally dismembered them with a cruel two-bladed weapon. The rush of emotion and adrenaline was unlike anything she had ever experience before. And the company was hers!

Thus began an unsettling cycle. Swoop in on a business, destroy anyone standing in her way, and gut the company for maximum profit. She targeted companies with larger-than-life CEOs and hoped one would present a challenge. None ever did. They just ‘disappeared’ unremarkably.

An aggressive manager of a fireworks company, known for his “survival tours,” was her last target, right at home in Brazil.

Survival tours… a perfect cover.

Adriana lured him to a decommissioned airship hangar.

The hunt started at dawn and went the distance, with her still tracking him well into the evening. Locating him, she used one of her drones to direct him to a dead end, when a pair of kites suddenly appeared on camera, and the feed died. Her face hardened. Her eyes widened in disbelief as she slammed her laptop shut and charged to where the drone had crashed. There she found her prey reaching out to someone in the growing dark for help.

Witnesses.

Not part of the plan!

Without a second to lose, she plunged her blade through his stomach, exposing meat, bone, and a dying heart. The vitiated body staggered left and right, sending a shower of red over the green foliage. As her victim collapsed with a thud she turned to the young witnesses. Wrong place, wrong time. They broke into a sprint. She gave chase, her blades thirsting for more blood. The lush green of the trees melted into a thick black fog. Real life warped into something like Sonhadores Sombrios. A sick grin crept across her face as she rushed forward to begin a new chapter in her life.

39
submitted 2 years ago* (last edited 2 years ago) by UmbraVivi@hexbear.net to c/the_dunk_tank@hexbear.net
 

He's using the fucking Sneako collage too, this is amazing. I never heard of unironic Lysenkoists outside of hexbear bits, just magnificent to see one in the wild. I'm gonna get "Mendeloid" tattoo'd on my forehead.

Zelda

Edit: Also a bold move to include moistcritikal in this collage, he's quite popular among the "apolitical gamer" crowd.

 

My friend made me install Bumble. I want something that leftists will recognize but that won't immediately scare off liberals (I can fix them)

Does anyone have any cool Lenin quotes for this purpose or something

 

Tesla is building a humanoid robot to do manual labor and this is up there with his idiotic hyper loop projects in being a perfect example of his insane obsession with form over function because FuUTuRee.

Proposed tasks for the product are ones that are "dangerous, repetitive and boring", such as providing manufacturing assistance.

This week, Mr Musk told investors the humanoid robot's first application would be at a Tesla plant "moving parts around the factory, or something like that". But in the future, he sees it helping solve labour shortages.

Tesla Bot will measure 5'8" (173 cm) tall and weigh 125lbs (57 kg) [...] and have a carrying capacity of 45 lb (20 kg).

Elon thought to himself "wow wouldn't it be like really futuristic if we had humanoid robots working in our factories" and then decided that was a good idea. We have thousands, thousands of machines that can do repetitive, boring tasks like these better than any human ever could. There is literally no practical reason to confine your machine to human form, which is absolutely not optimal for pretty much anything.

2 legs are stupidly impractical, they make you slow and incredibly easy to push over compared to something with 4 legs, let alone something with wheels. Even just walking is a balancing act. 2 legs are the reason this billion-dollar-punchline can only carry a pathetic 20 kilograms.

The only, and I mean the only reason this is done is because it looks futuristic. In practice, it's a massive step backwards and it will make any work place perform worse than without them. Elon doesn't want "machines", those don't look like the future, he needs "robots". Robots which are, in practice, just humans but worse.

 

I don't know if this is the right community or c/anime but whatever

I love Hololive and Hoshimachi Suisei is my absolute favorite. She has her first solo concert tomorrow but Hololive charges bizarre prices for these, 5000 yen (37,63€ or $43,80) for a stream of a digital concert is insane.

So I was wondering if anyone here knows where I could either find a recording of this afterwards or, alternatively, if there are other fans here maybe who'd be interested in buying one ticket together and then one person could stream it to the others and record it perhaps? After buying a ticket you can watch the archived stream until the 21st of November so it should be feasible.

Asking here because as a Hololive fan, most other Hololive fans would rather snap their own necks than pirate something like this. I just wanna watch my favorite anime girl sing ;-;

More info about the whole thing here: https://virtual.spwn.jp/events/21102102-engsuisei

Edit: Someone linked this and that is where we will hopefully get our comet content, fellow hoshiyomi https://nyaa.si/?f=0&c=0_0&q=星街すいせい

 

Answer with the most upbears will be deemed the one true leftist on hexbear

Edit: what the fuck there's no more upbears what is this reddit

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