CommunistCuddlefish

joined 2 years ago

The antisemitism thing is so stupid and disingenuous anyway. The term was contrived to give a veneer of scientific racism to Judenhasse and to racialize white Jews by lumping them in with Arab people

[–] CommunistCuddlefish@hexbear.net 1 points 2 days ago* (last edited 2 days ago)

Remember the ep of magic School bus where Arnold takes his helmet off on Pluto and almost dies?

They made a season 2?! OK nevermind I need to show up for that!

Utah? Mormon? This is just manifest destiny

Sometimes I want to dust off my lemmygrad alt to go heckle these shitlibs, then I remember I deleted reddit so I wouldn't waste so much time and energy getting upset at shitlibs. To all who go into the trenches to fight these posters, I salute you

I'll vote for you!

There is an even more pressing issue, however. If we accept that the so-called “victims” of propaganda in the imperial core don’t really believe fabricated facts and figures but instead more casually go along with them, a controversial but essential conviction of mine follows: we should not treat the content of news media and entertainment media all that differently, and we should treat entertainment media much more seriously than we currently do. In the realm of opposing atrocity propaganda I’d say communists already far outclass imperial propagandists. The writing is more rigorous and the evidence is much more clearly laid out and readily verifiable. The problem is that we’re failing to get people to the point where they even care about facts in the first place!

It’s absurd to see people rabidly complaining about, say, BBC’s China reporting being rife with orientalist falsehood, then turn around to make excuses for why the same exact stereotypes must be tolerated or even praised as they worm their way through high-budget entertainment productions. It’s absurd to see communists defend sinking dozens upon dozens of hours into reactionary, soul-crushing media like Breaking Bad or Mad Men or Game of Thrones, then turn around to ridicule and condemn the entire realm of ideological struggle as mere superstructure. A common refrain goes: “The news must be reported correctly, but let people enjoy things — artistic freedom is sacrosanct.” I deem this nonsense liberalism. When we do this, what we throw out the window comes right around through the backdoor.

In reality, entertainment media and news media serve the same propaganda purpose: they target not our reasoned beliefs about right and wrong, but our perception of social risks and rewards. People’s actual rationality, their ability to discern cause and effect, is far too resilient to be tampered with when their own immediate interests are at stake. People’s pride, however, is much more malleable. For communists to refuse to challenge media that makes them invisible — or, worse, aggressively humiliates them — is to surrender before the fight is even scheduled. And I genuinely believe that we do this every single time we refuse to challenge an Orwellism, or a Nietzscheanism. We have largely failed to create nourishing communist alternatives — not only in reality, as with the Black Panther breakfast program, but also as far as the imagination goes. And in the realm of imagination, as in others, nature abhors a vacuum. In absence of social-realist agitprop, Orwellism thrives.

Lenin titled his world-changing revolutionary pamphlet directly after Chernyshevsky’s beloved and influential revolutionary fiction novel What Is To Be Done? [46] Stalin took his pseudonym “Koba” from The Patricide, a heroism-romance novel that was popular in Georgia when he was a youth. [47] We could speak similarly of Mao’s esteem for Lu Xun [48] and Water Margin. [49] Assata has spoken about the insidiously grim messaging in our media. [50] Where is our revolutionary fiction today? Anarchist authors like Ursula K. Le Guin often appear the closest thing we’ve got to mainstream communist literature. I genuinely think that if one can truly imagine in fiction a viable transition from our current state of affairs into a better one, that plays a huge role in mustering the conviction to assert that it can be achieved in reality. Conversely, if we cannot even imagine what a transition might look like in our wildest dreams, any “real” organization is doomed.

I feel strongly about the idea that politics in art matters because art has affected how I view the world. Therefore, since I reject the idea there’s some kind of unbridgeable gap between me and “the masses,” I imagine it has to matter to everyone else too. More generally, I imagine that what I feel are my needs — food, peace, society, ego, dignity — are also the needs of others. This categorical rejection of “entertainment vs. news” segues into the rejection of the “heart vs. mind” divide, the “feelings vs. facts” divide, and the “morality vs. intelligence” divide. These are all liberal delusions arising from the powerful justifying their abuse, and the powerless coping with the consolation prize of self-righteousness.

As long as we Marxists continue to operate in environments where everyone’s ideas about what the past was like and what the future can be like remain vague and noticeably beholden to the reactionary elitism of the likes of Orwell and Nietzsche and other cultural gatekeepers, any kind of revolutionary communist movement will rely solely on material desperation to rally adherents. If we want to take the initiative here, we must cease to celebrate the “telling of hard truths” for their own sake. We must begin to demonstrate to people how social organization can solve our problems, with schematics as well as with stories, so that rather than pity or scorn the collective as self-styled outsiders, we take pride in seeing and recognizing ourselves as individuals within it.

[–] CommunistCuddlefish@hexbear.net 5 points 1 week ago* (last edited 1 week ago) (1 children)

https://redsails.org/masses-elites-and-rebels

What do you know, this essay is awesome and touches on the importance of communist fiction

[–] CommunistCuddlefish@hexbear.net 0 points 1 week ago (1 children)

Approximate start time for backrooms? I could go for some late night horror slop

 

I’m supposed to be doing important life logistics self care stuff but I saw a book in a used bookstore and decided not to get it and then I saw a video dunking on Sim Kern’s "tankies are calvinists” brainworms and now here I am thinking about the outsized role that speculative fiction has had upon the political landscape.  This is leading me down a rabbit hole of my own thoughts and idk if I’m cooking or if I am cooked (my AC can’t keep up so I’m at least partially cooked.  Heat maketh for odd thoughts) so I’d like some outside perspectives.  I don’t know where I’m going with this but if these disjointed ramblings inspire interesting related thoughts please, let’s chat.

Thread 1: Speculative fiction:

The book I considered picking up today was A Country of Ghosts by Margaret Killjoy, about an anarchist society that fights against colonizers and tries to defend themselves using asymmetrical warfare.  Sounds cool.  It’s short and I perhaps should have picked it up to read, but I ended up not, preferring to read other books (well tbh I’ve been mostly reading Red Sails essays of late).  I can predict that she has them win the fight and that it will be inspirational, given what passing familiarity I have had with her body of work previously — she focuses on uplifting stories, “cool people doing cool stuff”, hope! (¿though might one say “hopium”?).

This reminded me that I’d read Alien Clay by Adrian Czajkowski and while I enjoyed it, I couldn’t help but note that

spoilersthe decentralized revolutionary organizing failed until the entire alien planet biosystem stepped in!

Which sent a message, likely not what the author intended, that anarchist organizing doesn’t work without some big unreal maguffin to back it up.  But that wasn’t the point, the point was to show how it could work well and explore some cool xenobiology

Brave New World?  Speculative fiction.  1984?  Speculative fiction.  Lord of the Flies?  Fiction.  Fiction, fiction, fiction, ideas must be explored in fiction, and those explorations are as valid as explorations that are not in fiction but are in the realm of real analysis.

Thread 2:  Fleeing from the Horror of Reality into the Comfort of the Dream

Or, denying reality in favor of some hopeful message about how we can solve the unreal problems instead of doing the hard work to understand and grapple with the real problems

Liberals get upset with me for pointing out that the Democrats are genocidal Nazis and I think in some cases it’s because that makes them feel like the problem is too big to solve.  As long as the problem is just with Trump, the problem is solvable or endurable.  But if the problem is both wings of the AmeriKKKan Nazi Party, then it’s too insurmountable.  “Stop fascism in the Fourth Reich?  Better to hope that a pig will sprout wings!  Therefore I need Cuddlefish to be wrong so that I can have hope, therefore she must be wrong.”  Even though my message is not one of hopelessness, but a call to action, a naming of the problem so that the problem can be fought!  They cannot conceive of a way and so turn to fiction and nebulous dreams to comfort them.  Empty platitudes about community, about civil society and norms.  Or perhaps they are upset about the threat to their privileges, their class positions, and so turn to comforting fictions instead.  There are many reasons they turn their backs on reality, but they always do for whatever reason.  They have to, to preserve the fiction.

Anarchists have gotten upset with me for going “hell yeah dude, that sounds awesome!  Let’s look at these ideas of a better future more and delve into how that would work!  What are some historical examples, successes and failures?”  Or worse, when I asked questions about how to solve certain problems, I wasn’t even trying to poke holes in their utopian vision, I was trying to figure out how it would work, but somehow I was bourgeois for not being ok with letting people just die of cancer at age 30.  I’ve tried to really dig in, but their answers are so nebulous and involve a lot of “just-so” magical thinking.  It’ll work out somehow.  Hookworm isn’t real.  We will be greeted as liberators rather than as those bastards who destroyed the systems upon which people rely for survival.  Every small community will figure things out through cooperation so we don’t need to think about what comes next.  Source?  Trust me bro.  Read some poetry.  The dream is beautiful.

The dream is beautiful.  It is, and it’s a dream.  They’re all dreams.  But I try to work in the realm of reality, and reality is a nightmare from which we can never wake.  Instead we must do what we can to fight against what makes it a nightmare, and that is ugly and difficult.  It helps to look at what people have done that have survived for longer than 10 years, which means looking to the Soviet Union, Vietnam, Cuba, China, North Korea, all these countries that we’re not supposed to look at because they’re “authoritarian”.  And it means looking at the ones that didn’t survive long either — rest in power, Comrade Sankara! — to understand why they were able to be defeated and try to avoid similar defeats if possible.

I don’t have a list of those historical examples from Anarchists other than the Zapatistas and Rojava, both of which have heavy asterisks (Zapatistas don’t even call themselves anarchist; Rojava had to make a deal with The Great Satan to win its wars against Daesh and it paid the devil’s price).  The Liberals are even worse, as they give me historical examples which are all brutal genocidal colonialist states whose crimes they either wave away or dismiss as a result of corruption (not venal, but spiritual) that has been purged or will be purged.  The liberals live in a dream too, a dream where AmriKKKa wasn’t evil from the start, where France and Britain were not evil empires.  They reject reality because the dream is so much more soothing.

“Another world is possible”, the dreamers say at these community meetings where people dream and brainstorm other ways of being.  But it’s always abstract, hypothetical, nebulous.  Their zines ask thought-provoking questions without proposing hard answers that can be cross-examined, and perhaps they must never pin down something specific because specifics can be evaluated and scrutinized, and the dream cannot survive scrutiny.

“Another world is possible because it was possible, we had it” said anarchists who recommended to me The Dawn of Everything, and they were silent when I brought up serious critiques I’d read of it which point out its many methodological flaws.

“If you will it, it is no dream” arch-Zionist Theodor Herzl said.  Evola and Nietzsche were both quite taken with the dream of a past that never was.  Is it inherently reactionary to fixate so much on dreams instead of on hard reality?

I think there’s a difference between saying “I think things should be different in these ways, both vague and specific, and I am willing to fight for that and to take steps to achieve those changes even though they may not happen in my lifetime because I may die in the struggle”, which is what I think Marxist-Leninists do, and dreaming of a nebulous future wherein things will just work out if we want it badly enough to figure out the details later.

The union of those threads:

Thread 1, speculative fiction, and thread 2, denial of reality and emphasis on dreams, intersect.  What is speculative fiction but a fictional exploration of dreams?  In a fictional story, anything can go because the author can write it so.  Sherlock Holmes can solve any mystery because the universe is created to allow him to do so, save for when his own genius must be subverted for the sake of the plot.  Margaret Killjoy’s anarchist commune can win the asymmetrical war.  The boys on that island can turn against each other and fall to barbarism rather than what actually happened when boys were stranded at sea.  In all cases they are the argument the author puts forth to defend their views, but then they become examples people can point to as proof of those views, as if fiction is somehow not made up!  And these threads intersect with that Sim Kerns “tankies are calvinists” thread — Sim decries commenters who bring up the very real fact that social democratic politicians keep betraying the socialist part of their base, or that social democracy does not even attempt to acknowledge the problems of imperialism but simply focuses on redistributing the spoils of said imperialism.  Sim retreats into the dream that a better world is possible through elections.  (I think?  The video has actually been taken down before I could watch it so I’ve only seen clips).  I found this comment in a Hexbear thread on their take though, detailing the blurb for a book they wrote: https://hexbear.net/comment/7190533

 In an alternate 2020 timeline, Al Gore won the 2000 election and declared a War on Climate Change rather than a War on Terror. For twenty years, Democrats have controlled all three branches of government, enacting carbon-cutting schemes that never made it to a vote in our world. Green infrastructure projects have transformed U.S. cities into lush paradises (for the wealthy, white neighborhoods, at least), and the Bureau of Carbon Regulation levies carbon taxes on every financial transaction.

English teacher by day, Maddie Ryan spends her nights and weekends as the rhythm guitarist of Bunny Bloodlust, a queer punk band living in a warehouse-turned-venue called “The Lab” in Houston’s Eighth Ward. When Maddie learns that the Eighth Ward is to be sacrificed for a new electromagnetic hyperway out to the wealthy, white suburbs, she joins “Save the Eighth,” a Black-led organizing movement fighting for the neighborhood. At first, she’s only focused on keeping her band together and getting closer to Red, their reckless and enigmatic lead guitarist. But working with Save the Eighth forces Maddie to reckon with the harm she has already done to the neighborhood—both as a resident of the gentrifying Lab and as a white teacher in a predominantly Black school.

When police respond to Save the Eighth protests with violence, the Lab becomes the epicenter of “The Free People’s Village”—an occupation that promises to be the birthplace of an anti-capitalist revolution. As the movement spreads across the U.S., Maddie dreams of a queer, liberated future with Red. But the Village is beset on all sides—by infighting, police brutality, corporate-owned media, and rising ecofascism. Maddie’s found family is increasingly at risk from state violence, and she must decide if she’s willing to sacrifice everything in pursuit of justice.

What on earth.  What the actual fuck.  I cannot express verbally my horror.  Oh wait we have emotes.  visible-disgust  This is speculative fiction!  This is a radlib fever dream.  (I do not know Sim Kern’s politics other than that apparently they oppose Iϟϟntreal’s genocide in Palestine, and they hate “tankies”, so I don’t know what to call them but the vibe I get is somewhere in between liberal and anarchist, hence “radlib”).

I keep coming back to this:  when I ask liberals and anarchists to demonstrate their politics, they point to fiction, that is, things that by definition have not happened.  When I ask Communists, they point to history, that is, things that actually happened.  “But history is booooooring”, say consumers of slop.  History is hard.  They turn to the realm of dreams instead.

Dreams can be comforting, and they outcompete bleaker material analysis precisely because they allow people to avoid looking at how fucked things are and how much of an uphill battle we have.

I have to ask then, is there value in writing Communist speculative fiction?  I don’t want to say fiction is inherently reactionary and cede that ground.  I love reading fiction.  I’ve enjoyed writing a few stories, and I have ideas for many more myself.  Or is that counterproductive, because our task is not to lie to people, not to encourage people to stay in the realm of dreams where they can avoid grappling with reality, but to teach people about the real world?

My current partner is the first person I’ve ever dated who was not a big reader when young.  They mostly read nonfiction.  And it got me wondering if perhaps, much as being a “reader” and an “intellectual” is fetishized, there is not just as much value and honor in being fully immersed in the world, in the present, in the here and now, grappling with material reality as it is, enjoying what is to be enjoyed and fighting what is not?

Fuck it I have no idea what I’m saying anymore but I’ve procrastinated long enough.  Time to go read more about heat mitigation so I don’t boil.  inshallah-script I may even do my dishes.

 

Cud & Tith’s Death and Dismemberment Thursday Movies night, Anime Edition: Vampire Hunter D (1985) (1h20m) and its sequel, Vampire Hunter D Bloodlust (2000) (1h43m) at 4:30 PM US EDT

Ending a bit early as I have to leave for something

A note: timezones hard, feel free to use https://www.worldtimebuddy.com/ or something similar to do timezone conversions to your local time

We will be using Blorptube tonight: https://blorp.bot.nu/o/visual_cuisine. IMPORTANT NOTE: please use a good VPN whenever visiting Blorptube due to how peering works.  You can read more about Peertube and potential security concerns here: https://hexbear.net/post/3471120

These books caught my attention and I’m curious about reading them, but they are also dauntingly long, so I’m looking to watch the movies and see if I like them enough to put the time investment into the books. To me, they looked like a very weird and creative twist on vampire stories so I have high hopes.

Vampire Hunter D (1985)

Vampire Hunter D (Japanese: 吸血鬼ハンターD, Hepburn: Banpaia Hantā Dī) is a 1985 Japanese original video animation directed by Toyoo Ashida from a screenplay by Yasushi Hirano. It is based on the 1983 novel of the same name by Hideyuki Kikuchi.

The film is set in the year 12,090 AD, in a post-nuclear holocaust world where a young woman hires a mysterious half-vampire, half-human vampire hunter to protect her from a powerful vampire lord whom she is being forced to marry.

Content Warnings for Vampire Hunter D (1985) (1h20m)

Violence and gore: SEVERE

  • Cats and horses are killed on screen. I was not able to get a timestamp for the cat; the horses are brutally killed in the opening scene
  • eye stabbing
  • Body Horror
  • a lot of bloody violence with blades — stabbings, slicing, amputation, decapitation

Sexual violence: Moderate

  • Sexual objectification of women (both camera and characters do this)
  • Unwanted advances
  • A man rips a woman’s shirt open, forcibly exposing her -removed mentioned and praised

Other:

  • People are restrained
  • Abduction
  • Child abuse, domestic violence

Doesthedogdie: https://www.doesthedogdie.com/media/23166

UnconsentingMedia: https://www.unconsentingmedia.org/items/9205

IMDB Parental Guide: https://www.imdb.com/title/tt0090248/parentalguide/

TankieTube link to movie: https://tankie.tube/w/vwt3k2oSFHrJDo87kpr5VM

Vampire Hunter D Bloodlust (2000) (1h43m)

From Wikipedia:

Vampire Hunter D: Bloodlust, simply known in Japan as Vampire Hunter D (バンパイアハンターD, Banpaia Hantā Dī), is a 2000 dark fantasy[4] vampire adventure[5] anime film written for the screen and directed by Yoshiaki Kawajiri. It is based on the 1985 novel Vampire Hunter D: Demon Deathchase by Hideyuki Kikuchi.

The film began production in 1997 and was completed with the intention of being shown in American theaters. It was shown in twelve theaters across the United States and received generally positive reception from American critics.

It sounds similar to the first one but is supposed to be better. We’ll find out!

Content Warnings for Vampire Hunter D Bloodlust (2000) (1h43m)

While there are entries in the usual places, they are pretty sparse on details so this list may be incomplete.

Violence and gore: Severe

  • Lots of blood
  • Someone burns alive
  • A horse dies, it is gory

Sexual violence: Mild, allegedly

  • However it is safe to assume there’ll still be some objectification.

Other:

Doesthedogdie: https://www.doesthedogdie.com/media/20305

UnconsentingMedia: https://www.unconsentingmedia.org/items/9213

IMDB Parental Guide: https://www.imdb.com/title/tt0216651/parentalguide/

TankieTube link to movie: https://tankie.tube/w/pK4vUG6jmoLQaCmLeXdsNo

 

I swear when I was a child and saw the logo I thought this dude was oooooooooooooooolllllllllllldddddddddd.  His face I recall crinkling with wrinkles in the TV ads when he smiled.  But now he just looks normal, not ancient. Yeah he's got white hair but I'm pretty sure that's just those powdered wigs.  Option 1: they made him look younger.  Option 2: I am no longer 9 years old.

 

We have an Amber bot. /r/shitliberalssay had aVaush bot. Why not add a bot that responds "AmeriKKKa" when it sees "America"? " iϟϟntreal" when it sees"Israel"?etc.

 

It has been over half my lifetime since I read an in depth history of the Spanish civil war.

Anyway, some anarchists I used to roll with criticized Stalin for turning against the Spanish Anarchists during the Spanish Civil War, killing some and abandoning the othera. I thought at the time, "what the hell? Why would the Communists betray those who were fighting against their common enemy? I see some of the historical basis for fighting the Anarchists within the USSR, but why in Spain, when the fascists were by far the biggest problem? It can't have just been " Stalin was a bad dude", that's not how it works. So what were the material and political reasons for that betrayal? Was it even a betrayal? (I am looking for the ML perspective on this more than the anarchist perspective because I've heard plenty of the Anarchist side and not the "tankie" side)

 

Cud & Tith’s Death and Dismemberment Thursday Movies April Fools x Easter Edition: Cud Converts to Christianity! Neo-Noir Max Payne (2008) (1h42) & Assassin 33AD (1h49m) starting at 4:20 US EDT

In honor of April Fool’s and Easter, we will be watching future Catholic saint Mark Wahlberg (famous for Mark Wahlberg’s 40 day challenge aka Lent) in the Neo-noir Max Payne (2008) (Unrated and bloodier cut) adaptation of the 2004 videogame, followed by Evangelical Christian thriller (really, an unintentional comedy) Black Easter: Assassin 33 A.D (2020) (Directors Cut).

(I would like to note that I ran these movies by Tith and she was horrified, but encouraged me to follow my hearts).

A note: timezones hard, feel free to use https://www.worldtimebuddy.com/ or something similar to do timezone conversions to your local time

We will be using Blorptube tonight: https://blorp.bot.nu/o/visual_cuisine. IMPORTANT NOTE: please use a good VPN whenever visiting Blorptube due to how peering works.  You can read more about Peertube and potential security concerns here: https://hexbear.net/post/3471120

Disclaimer: There are technical difficulties getting these added to TankieTube right now.  Inshallah we will have them uploaded by showtime (inshallah-script inshallah )

Max Payne (2008) (Unrated)

An adaptation of Remedy Entertainment’s video game series of the same name, this film was visually striking to my childish gaze when I was but a young cuttlefish.  Let’s see if it holds up.  “Max Payne is a detective assigned to the NYPD Cold Case Unit. He lost his wife Michelle and infant daughter Rose in a horrific murder; since that day, Max has been consumed by the desire to find his family's killer.”  The plot proceeds along pretty standard noir story beats.

The movie made a tidy profit and was ranked #1 at box opening due to in my opinion deceptive advertising.  It had a star-studded cast including (in order from least to most cancelled): Ludacris and Nelly Furtado, Mark Wahlberg, and Mila Kunis, but not even their combined star power could save it from the haters at Rotten Tomatoes who gave it a 16% rating.

How does this relate to tonight’s theme?  Great question!  See the attached image of Mark Wahlberg talking about Lent in an interview.

Content Warnings for Max Payne (2008) (Unrated) (1h42m)

Violence and gore: severe

  • There’s a lot of killing and shooting
  • The unrated version adds more blood (somehow they got it down to PG-13 for the theatrical release by scrubbing out the blood!)

Sexual violence: None

Other:

  • Drug use is a prominent theme
  • Dehumanization of people who use drugs
  • Copaganda
  • Sad ending
  • Fragile reality, hallucination

Doesthedogdie: https://www.doesthedogdie.com/media/31030

UnconsentingMedia: https://www.unconsentingmedia.org/items/11221

IMDB Parental Guide: https://www.imdb.com/title/tt0467197/parentalguide/

TankieTube link to movie: https://tankie.tube/w/3gKPNpMvC5mZXS9zTezUjz

Assassin 33 A.D (2020) (1h49m)

The plot: A crew of racially diverse (tokenized) must go back in time to stop a small group of Islamic extremists who are hell-bent on destroying The West by preventing Christianity from ever existing by assassinating Jesus Christ before he can be publicly tortured to death and resurrected. Jesus may save, but who will save Jesus?

Commentary:

Incredibly bad Christian Evangelical Time Travel movie that is also surprisingly clever/fun with its time travel.  It’s incredibly racist, Islam-hating, Judenhassianly-antisemitic, ableist, and they also somehow try to be woke about every single one of those which makes it even worse.  It’s so bad that they could not find a single middle-easterner to play in it (unless you count the Greek guy and the iϟϟntreali woman (I will count him but not her, in both cases to piss off the euros)).  

This movie is horrible, but it is also amazing.  Watch at your own peril. It's made by white AmeriKKKan evangelical christians for white AmeriKKKan evangelical christians.  As such, lethal levels of racism, tokenization, other bigotry, and kkkringe lie inside. LETHAL.  This movie is not a movie of honor.  Nothing valued is here.  This movie is best shunned.  What is in this movie is frightening and repulsive.  Those who made it made holy stigmata in the palms of their hands, those who watch it are cursed to bear those stigmata as well, and to bleed out or die of infection from their wounds.  THIS MOVIE HAS STAINED THE SOUL OF ALL WHO WATCHED IT. YOU WHO COME AFTER US, TAKE WARNING.

end bit(It’s not that bad, I just have standards and like being melodramatic sometimes.  It’s not supposed to be funny but it really is.)

Content Warnings for Black Easter: Assassin 33 A.D (2020) (Directors Cut)

Violence and gore: mild

  • People die brutally in a sudden car crash out of nowhere at the beginning of the film.  This is probably the scene that is the single most likely to severely someone’s PTSD.
  • The survivor of the car crash is left severely injured, disabled, grief-stricken, and comes close to killing himself. If either of those seem too heavy you can basically just show up 10-11 minutes late and those scenes will be over

Sexual violence: None

Other: Severe.  Cartoonish, but it’s chauvinist as fuck

  • Racial tokenization
  • War on Terror caricatures of Islam
  • Judenhassian Antisemitism
  • Brown-face

Doesthedogdie: https://www.doesthedogdie.com/media/122566

UnconsentingMedia: No Entry

IMDB Parental Guide: https://www.imdb.com/title/tt8064418/parentalguide/

YouTube link to the movie: https://www.youtube.com/watch?v=IUkeQM_QsCA

 

Since we're having a Posadist revival

 

I've been into a few bookstores while wandering around and have seen exciting novel interesting books in the genres of horror, sci fi, and even fantasy (a genre I thought had been self preferentially done to death). And it's cool! I want to read these! But I am no longer a crippled child with ample time to read, so if I'm going to spend money on books and then spend a bunch of time reading I damn well want it to be worthwhile. This has led to me snapping pics of books so that I can download them instead later and give them the old up-to-3-chapters-to-hook-me try, and then at that point if I like it I may as well just read the eBook and not buy the book at all. Not a terrible way to do it tbh! But there's still the time investment problem and there's still the problem of the books or plots getting terrible later as the author injects more of their terrible worldview into the mix.

My issue is that when I'm reading a blurb on a book from an author I don't already know is good, I have no way to know if it's going to be interesting, innovative, and good, or if it's going to be mediocre slop. I have no idea if it's going to be full of shitlib tokenism and selective peace-policing. I have no idea if it's full of anticommunist brainworms or not. I have no idea if this is a tropy snorefest.

Googling for reviews online is surprisingly not as helpful as I'd have expected! I suppose I could turn to social media to see what people in general think, but the credibility is immediately undermined by how vapid and superficial BookTok's taste is (does it tokenize minorities? Then it MUST be good even if everything else about the book is dogshit!) or by how much Reddit loves Brandon Sanderson (have you ever heard of Mistborn it's the best series ever). I can't take these sources seriously for recommendations anymore because they've burned me.

 

I actually flinched when I saw her face, the face of smug chastisement for caring about people's lives, the face of terror.  I flinched, and then had to make art to cope with the fear she struck in my three hearts

 

Fuck the so-called "Weϟϟt", and marg bar amriKKKa

Album description:

On September 22, 1980, the Iraqi military under the command of Saddam Hussein, unprovoked, supported and heavily armed by the Western and Arab worlds, invaded an economically devastated and militarily weakened Iran following the events of the Islamic Revolution of 1979. Through a brutal campaign of violence, terror, and the illicit use of chemical weapons against civilian populations, the Ba'athist dictator sought to quickly conquer his oil-rich neighbor in order to fulfill his nationalist fantasy of becoming the region’s dominant power. Despite facing crippling economic sanctions, a substantial lack of proper military equipment and training, and the world's major powers collaborating against them, the Iranian people retaliated and held their ground throughout one of the bloodiest conflicts in modern history and prevented Hussein from taking even one inch of their land.

This album is dedicated to the myriad Iranian soldiers (many of whom were young volunteers) and civilians who lost their lives as a result of the eight-year Iran-Iraq war, as well as the countless Kurdish victims of the Al-Anfal genocide. May they rest in peace and remain forever free from the failures of mankind.

Notes:

The title of this release is derived from the moniker used by Iranian forces in reference to the first battle that took place in the city of Khorramshahr / خرمشهر‎. Due to the heavy loss of life sustained by the extreme and brutal violence carried out by the Iraqi army against both Iranian soldiers and civilians alike, the city which was once home to many of Iran's upper class families became known as خونین شهر (transliteration: Khooninshahr), the City of Blood.

In Narrow Graves - The title of this track references a line from the poem " A Poem for War / شعری برای جنگ" by the acclaimed contemporary Iranian poet Qeysar Aminpour / قیصر امین‌پور, whose work is renowned worldwide for its innovative prose and compelling anti-war themes.

Halabja - As implied by its title, this track was inspired by the horrific events that took place on March 16, 1988 in the Kurdish city of Halabja, Iraq during the final days of the Iran-Iraq war. The opening lyrics, "come and see", allude to director Elem Klimov's eponymous masterpiece, which captures the horrors of war with an unsettling and harrowing realism very few filmmakers have been able to achieve.The lyrics "a silent city" are a nod to the stunningly beautiful collaboration album by the legendary Kayhan Kalhor and Brooklyn Rider, whose title track also serves as a requiem for the events that took place on that dark day in Halabja.  

Song Lyrics: Beyond the filter Of this stifling mask Through the noxious fog Of mustard gas Past the barbed terrain Mined and vast Lies the playground Of blood and ash Where Saddam's dogs Shall breathe their last As we advance And push The bastards back Like choking rats In an iron grasp Their weakened battalions Succumb to Our violent wrath

Bullets burrow through Flesh, skulls, and jaws On gushing wounds Death tears and gnaws Men's intestines suspend From barbed wire Caustic sprays of Machine gun fire We wade through A mire Of guts and limbs In a void absent Virtue or sin Where Western arms And an upper hand Prove futile against A child who would Die for his land

For the innocent Lives consumed By the jaws Of Sarin's fumes With malice We incinerate The cowards and Their puppet state

For our children Burned alive While aboard IR655 Slaughtered by The U.S of lies We send their pawns To their grim demise

Every corpse Adorned with lead Every sundered bone And severed head Every drop of blood That is shed Paves the path to Avenge our dead

Blood demands blood

Alone, against the world We stand And vanquish all Who invade our land

Through a hail Of grenades and scuds We reclaim The City of Blood

The West And their puppet Saddam Are no match For Mother Iran

By the blood of پارس خلیج فارس Forever ours  

 

Two movies tonight!  Returning to John Carpenter land with The Fog (1980), followed by dark comedy / milfs ¿rock? film Death Becomes Her (1992)!  We will will start P R O M P T L Y at 4:30PM Eastern US time.

A note: timezones hard, feel free to use https://www.worldtimebuddy.com/ or something similar to do timezone conversions to your local time

We will be using Blorptube tonight: https://blorp.bot.nu/o/visual_cuisine. IMPORTANT NOTE: please use a good VPN whenever visiting Blorptube due to how peering works.

The Fog (1980)

A small town in California experiences strange happenings as a terrifying fog rolls in from the sea. 90 minutes long.

Content Warnings for The Fog (1980)*

Violence and gore: moderate

  • There are stabbings, impalings, mangled skin, maggot-filled wounds, and decapitation

Sexual violence: None

  • Domestic violence between partners, attempted murder, but it is cartoonish and mild.

Other: mild

  • alcoholism
  • A bunch of body image issues, dysmorphia, grappling with beauty standards and aging, fatness and an eating disorder feature briefly

Doesthedogdie: https://www.doesthedogdie.com/media/31058

UnconsentingMedia: https://www.unconsentingmedia.org/items/7366

IMDB Parental Guide: https://www.imdb.com/title/tt0080749/parentalguide/

TankieTube link to movie: https://tankie.tube/w/bPPNtfHMzgesRP53WA3AhD

Death Becomes Her (1992)

Bruce Willis is not an action hero and is inexplicably irresistibly sexy to Meryl Streep and Goldie Hawn.  Also featuring Isabella Rossellini being confusingly enchanting. The former 2 fight over him and in their fight seek immortal youth and beauty.  The perils of immortality and the pursuit of eternal beauty/youth will be on full display, as well as universally important philosophical questions such as "If I have to be the personal attendant and sex toy of 2 banging undead milfs forever, is eternal life even worth living?" 104 minutes

Content Warnings for Death Becomes Her (1992)*

Violence and gore: mild

  • Some limbs fall off and there’s a bit of body horror but it is cartoonish, mild, and played for laughs
  • Decapitation, amputation, breaking of necks. And yet it’s all mild!

Sexual violence: Mild

  • Domestic violence between partners, attempted murder, but it is cartoonish and mild.

Other:

  • alcoholism
  • A bunch of body image issues, dysmorphia, grappling with beauty standards and aging, fatness and an eating disorder feature briefly

Doesthedogdie: https://www.doesthedogdie.com/media/16708

UnconsentingMedia: https://www.unconsentingmedia.org/items/3839

IMDB Parental Guide: https://www.imdb.com/title/tt0104070/parentalguide/

TankieTube link to movie: https://tankie.tube/w/oHq4CxBHzbznx8Ut5t5Xms

 

Just one movie tonight as I have become a busy busy bee!  Returning to John Carpenter land with Village of the Damned (1995)!  We will will start P R O M P T L Y at 6:00PM Eastern US time.

A note: timezones hard, feel free to use https://www.worldtimebuddy.com/ or something similar to do timezone conversions to your local time

We will be using Blorptube tonight: https://blorp.bot.nu/o/visual_cuisine. IMPORTANT NOTE: please use a good VPN whenever visiting Blorptube due to how peering works.

Village of the Damned (1995)

A story about a bunch of strange children being born in a village and then doing terrible things to everyone with their supernatural powers.  “It is based on the 1957 novel The Midwich Cuckoos by John Wyndham. The 1995 version is set in Northern California, whereas the book and original film are both set in England. The 1995 film was marketed with the tagline, "Beware the Children".

The film received negative reviews from critics and failed at the box office upon release. This was Reeve's last theatrically released film before he was paralyzed in an equestrian accident in May 1995.”

Content Warnings for Village of the Damned (1995)*

Violence and gore: Moderate

  • Lots of injuries, burning, disfigurement, but somehow IMDB still calls it “moderate” so it must not be that bad right?

Sexual violence: Mild

  • The most nonconsensuality of it is that the premise is a bunch of women wake up and find that they are mysteriously pregnant, so, about as violent as the biblical story about Jesus’s conception

Other:

  • Stillbirth

Doesthedogdie: https://www.doesthedogdie.com/media/12513

UnconsentingMedia: https://www.unconsentingmedia.org/items/9621

IMDB Parental Guide: https://www.imdb.com/title/tt0114852/parentalguide/

TankieTube link to movie: https://tankie.tube/w/mzdteCUtE5UhqpqoQc6UsW

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