CommunistCuddlefish

joined 2 years ago

Obviously I want to believe but I find it hard to.

[–] CommunistCuddlefish@hexbear.net 2 points 5 hours ago (1 children)
  1. Is that FDR in the newspaper on the right? Who's the guy on the newspaper on the left?

  2. I see why chuds want to go back to the good ol' days when men like this could punch way above their weight class when it comes to marriage and relationships because women had to settle for less

  3. The kid's face is funny.

This painting is funny. What is Norman Rockwell trying to say here?

[–] CommunistCuddlefish@hexbear.net 3 points 5 hours ago* (last edited 5 hours ago) (1 children)

this ain't your grandaddy's world war bean

Took me forever to actually get back to this, but thank you for the answer and the example! It looks like a way to make your own custom Reddit feed without the comments and spam, and get updates. That looks pretty useful.

I was thinking about the use of "scientific socialism" and "objective reality": I think there is pretty clearly such a thing as reality, and many aspects of reality are not subjective. Like you can't say "in my opinion the people Israel/America just blew up are actually still alive" and be taken seriously; Reality contradicts that opinion.

But, people's feelings are very much a part of that objective reality. The grief and torment people feel, the void in their lives where the people who were taken from them should have been, those are real and that pain matters immensely. That pain destroys lives. That pain gives people incurable PTSD. That pain tortures people. That pain drives people to suicide. That pain poisons the rest of their lives. To argue that it is irrational to take people's feelings into account is bad methodology at best, evil at worst.

In some cases, while pretending that it's not even about their feelings

idk about that so much anymore: http://archive.ph/2x19K

Things have changed in the decades after the inflation of the armed forces through conscription during the Vietnam “war” (read: Genocide) and the subsequent defeat and deflation. In the transition to a primarily volunteer force, something counterintuitive to the first-worldist left occurred. The first-worldist left expected the military to be utilized as some kind of refuge for the poor periphery of the united $tates population. However that is not what happened. Especially in the decade after 9/11, the military has transitioned into a gun club for amerikkka’s wide-eyed middle class sons. The imperialist volunteer vengeance force that was raised to fight international “terrorism” in the Muslim countries of Iraq and Afghanistan (as well as those who were trained to rain missiles on a dozen more) were less and less the victims of a “poverty draft” which had been imagined into existence by those who remembered the inequities of conscription and service in the 1960s.

This has been documented by the neo-conservative Heritage Foundation in their study on the recruitment demographics of the united $tates military, which found that only about 10-11% of the united $tates military recruits come from the poorest quintile (defined as making less than $33,000 annually), with a fourth of the military coming from areas whose median income is more than $65,000 annually.[1] They gathered this information using addresses of personnel at the time of recruitment, which has faced much criticism by those who argue for the existence of a poverty-draft. What problems do they see with this method? Well, according to the Boise Weekly the statistics are unreliable because “[m]any recruits are college dropouts who list their last address—their college dorm—when they sign up”, which they believe would provide an inflated statistical portrait of average income.[2] They assert that this is the case without actually presenting any evidence.

As for the validity of the claim that, by and large, the military is made up of college dropouts who use their college residence as their permanent address: that is already a questionable assertion. It also raises questions about the kind of people they assume are “forced into the military by poverty” who are still equipped with the financial support to move out on their own to attend university. Furthermore, their label of “uneducated” seems a hardly fitting descriptor for a military which does not accept people without a highschool diploma.[3] This is a deliberate deception; their assertions rarely contain vital evidence and rely on definitions of “education” that hardly fit the bill. Even more interestingly, this article assumes that those who do not finish college or do not attend must automatically be poor and forced into the military for that reason. This assumption is further jeopardized by the fact that most amerikans have not earned a college degree. It is true that the Heritage Foundation, being quasi-fascist troop-worshippers, have their own motives for promoting a class-collaborationist and prosperous image of the military, however we judge their study on its merits rather than the inconvenience of its results.

[–] CommunistCuddlefish@hexbear.net 9 points 1 day ago (1 children)

Troop struggles, liberal zionism struggles, votebluenomatterwho struggles, each time I think "ah, surely now we've shed the last of the dross" — alas! remnants stubbornly persist.

[–] CommunistCuddlefish@hexbear.net 5 points 1 day ago (1 children)

I appreciate that you took the time to explain, and I also regret asking for it and reading it.  I fervently disagree with almost everything you argue here but I'll just leave it at this:

You may be surprised how many people who've been brutalized by the empire want -- no, need -- revenge in order to move on and perform some semblance of rebuilding.

No, they don't "need" it, and this is a ridiculous idea when you look at it seriously.

Yes in fact I am looking at it seriously, more than you.  I know how I feel, and I've seen people on hexbear and lemmygrad and substack and elsewhere being very clear about their antagonism to the empire and their burning pain.  I consider any "leftist" who stands in the way of the oppressed taking vengeance upon their oppressors to be a peace policing collaborator at best, and I think people -- and yes, I will include revolutionary heroes in this category too -- are uncaring, unfeeling fools if they deny victims their deserved retribution.  The material outcome is worse than spitting in the faces of the surviving victims and pissing on the graves of the dead.

Che ... was emphatic that they could not be tried by their victims, but by uninvolved people (with extensive testimony from surviving victims who wanted to offer it, of course) so that they could determine the best way of dealing with each defendant rather than have their actions dictated by maladaptive sadism (which is what this "need" for revenge fundamentally is).

Well, I guess nobody's perfect, even Che had his flaws and made his missteps.

And fuck you for calling a need for revenge, which is the closest thing possible to justice when justice is physically impossible (or do you know of a way to bring the dead back to life?), "maladaptive sadism".  Maladaptive, certainly, but that is a maladaptation foisted upon the victims by the oppressors' sadism; paying that sadism back is not sadism.  Bring our loved ones back, heal them and us, pay reparations, and we'll no longer want (need) vengeance.

Theoretically, a lot of people here are Marxists

Ok.  I'm cherry picking, but didn't Marx say these?

We have no compassion and we ask no compassion from you. When our turn comes, we shall not make excuses for the terror.

and

Far from opposing so-called excesses, such as sacrificing to popular revenge of hated individuals or public buildings to which hateful memories are attached, such deeds must not only be tolerated, but their direction must be taken in hand, for examples' sake."

[–] CommunistCuddlefish@hexbear.net 4 points 1 day ago (1 children)

I see how they're different: They use a worse reframing because Wokisme didn't get the point the first time, so I ran what I said through a respectability politics filter to rephrase my points.

 

I actually flinched when I saw her face, the face of smug chastisement for caring about people's lives, the face of terror.  I flinched, and then had to make art to cope with the fear she struck in my three hearts

[–] CommunistCuddlefish@hexbear.net 10 points 1 day ago (3 children)

Shockingly this one wasn't even about antisemitism, they didn't even have that flimsy pretext, as far as I can tell it's just a discomfort with the idea of counterviolence.

 

Fuck the so-called "Weϟϟt", and marg bar amriKKKa

Album description:

On September 22, 1980, the Iraqi military under the command of Saddam Hussein, unprovoked, supported and heavily armed by the Western and Arab worlds, invaded an economically devastated and militarily weakened Iran following the events of the Islamic Revolution of 1979. Through a brutal campaign of violence, terror, and the illicit use of chemical weapons against civilian populations, the Ba'athist dictator sought to quickly conquer his oil-rich neighbor in order to fulfill his nationalist fantasy of becoming the region’s dominant power. Despite facing crippling economic sanctions, a substantial lack of proper military equipment and training, and the world's major powers collaborating against them, the Iranian people retaliated and held their ground throughout one of the bloodiest conflicts in modern history and prevented Hussein from taking even one inch of their land.

This album is dedicated to the myriad Iranian soldiers (many of whom were young volunteers) and civilians who lost their lives as a result of the eight-year Iran-Iraq war, as well as the countless Kurdish victims of the Al-Anfal genocide. May they rest in peace and remain forever free from the failures of mankind.

Notes:

The title of this release is derived from the moniker used by Iranian forces in reference to the first battle that took place in the city of Khorramshahr / خرمشهر‎. Due to the heavy loss of life sustained by the extreme and brutal violence carried out by the Iraqi army against both Iranian soldiers and civilians alike, the city which was once home to many of Iran's upper class families became known as خونین شهر (transliteration: Khooninshahr), the City of Blood.

In Narrow Graves - The title of this track references a line from the poem " A Poem for War / شعری برای جنگ" by the acclaimed contemporary Iranian poet Qeysar Aminpour / قیصر امین‌پور, whose work is renowned worldwide for its innovative prose and compelling anti-war themes.

Halabja - As implied by its title, this track was inspired by the horrific events that took place on March 16, 1988 in the Kurdish city of Halabja, Iraq during the final days of the Iran-Iraq war. The opening lyrics, "come and see", allude to director Elem Klimov's eponymous masterpiece, which captures the horrors of war with an unsettling and harrowing realism very few filmmakers have been able to achieve.The lyrics "a silent city" are a nod to the stunningly beautiful collaboration album by the legendary Kayhan Kalhor and Brooklyn Rider, whose title track also serves as a requiem for the events that took place on that dark day in Halabja.  

Song Lyrics: Beyond the filter Of this stifling mask Through the noxious fog Of mustard gas Past the barbed terrain Mined and vast Lies the playground Of blood and ash Where Saddam's dogs Shall breathe their last As we advance And push The bastards back Like choking rats In an iron grasp Their weakened battalions Succumb to Our violent wrath

Bullets burrow through Flesh, skulls, and jaws On gushing wounds Death tears and gnaws Men's intestines suspend From barbed wire Caustic sprays of Machine gun fire We wade through A mire Of guts and limbs In a void absent Virtue or sin Where Western arms And an upper hand Prove futile against A child who would Die for his land

For the innocent Lives consumed By the jaws Of Sarin's fumes With malice We incinerate The cowards and Their puppet state

For our children Burned alive While aboard IR655 Slaughtered by The U.S of lies We send their pawns To their grim demise

Every corpse Adorned with lead Every sundered bone And severed head Every drop of blood That is shed Paves the path to Avenge our dead

Blood demands blood

Alone, against the world We stand And vanquish all Who invade our land

Through a hail Of grenades and scuds We reclaim The City of Blood

The West And their puppet Saddam Are no match For Mother Iran

By the blood of پارس خلیج فارس Forever ours  

 

Two movies tonight!  Returning to John Carpenter land with The Fog (1980), followed by dark comedy / milfs ¿rock? film Death Becomes Her (1992)!  We will will start P R O M P T L Y at 4:30PM Eastern US time.

A note: timezones hard, feel free to use https://www.worldtimebuddy.com/ or something similar to do timezone conversions to your local time

We will be using Blorptube tonight: https://blorp.bot.nu/o/visual_cuisine. IMPORTANT NOTE: please use a good VPN whenever visiting Blorptube due to how peering works.

The Fog (1980)

A small town in California experiences strange happenings as a terrifying fog rolls in from the sea. 90 minutes long.

Content Warnings for The Fog (1980)*

Violence and gore: moderate

  • There are stabbings, impalings, mangled skin, maggot-filled wounds, and decapitation

Sexual violence: None

  • Domestic violence between partners, attempted murder, but it is cartoonish and mild.

Other: mild

  • alcoholism
  • A bunch of body image issues, dysmorphia, grappling with beauty standards and aging, fatness and an eating disorder feature briefly

Doesthedogdie: https://www.doesthedogdie.com/media/31058

UnconsentingMedia: https://www.unconsentingmedia.org/items/7366

IMDB Parental Guide: https://www.imdb.com/title/tt0080749/parentalguide/

TankieTube link to movie: https://tankie.tube/w/bPPNtfHMzgesRP53WA3AhD

Death Becomes Her (1992)

Bruce Willis is not an action hero and is inexplicably irresistibly sexy to Meryl Streep and Goldie Hawn.  Also featuring Isabella Rossellini being confusingly enchanting. The former 2 fight over him and in their fight seek immortal youth and beauty.  The perils of immortality and the pursuit of eternal beauty/youth will be on full display, as well as universally important philosophical questions such as "If I have to be the personal attendant and sex toy of 2 banging undead milfs forever, is eternal life even worth living?" 104 minutes

Content Warnings for Death Becomes Her (1992)*

Violence and gore: mild

  • Some limbs fall off and there’s a bit of body horror but it is cartoonish, mild, and played for laughs
  • Decapitation, amputation, breaking of necks. And yet it’s all mild!

Sexual violence: Mild

  • Domestic violence between partners, attempted murder, but it is cartoonish and mild.

Other:

  • alcoholism
  • A bunch of body image issues, dysmorphia, grappling with beauty standards and aging, fatness and an eating disorder feature briefly

Doesthedogdie: https://www.doesthedogdie.com/media/16708

UnconsentingMedia: https://www.unconsentingmedia.org/items/3839

IMDB Parental Guide: https://www.imdb.com/title/tt0104070/parentalguide/

TankieTube link to movie: https://tankie.tube/w/oHq4CxBHzbznx8Ut5t5Xms

 

Just one movie tonight as I have become a busy busy bee!  Returning to John Carpenter land with Village of the Damned (1995)!  We will will start P R O M P T L Y at 6:00PM Eastern US time.

A note: timezones hard, feel free to use https://www.worldtimebuddy.com/ or something similar to do timezone conversions to your local time

We will be using Blorptube tonight: https://blorp.bot.nu/o/visual_cuisine. IMPORTANT NOTE: please use a good VPN whenever visiting Blorptube due to how peering works.

Village of the Damned (1995)

A story about a bunch of strange children being born in a village and then doing terrible things to everyone with their supernatural powers.  “It is based on the 1957 novel The Midwich Cuckoos by John Wyndham. The 1995 version is set in Northern California, whereas the book and original film are both set in England. The 1995 film was marketed with the tagline, "Beware the Children".

The film received negative reviews from critics and failed at the box office upon release. This was Reeve's last theatrically released film before he was paralyzed in an equestrian accident in May 1995.”

Content Warnings for Village of the Damned (1995)*

Violence and gore: Moderate

  • Lots of injuries, burning, disfigurement, but somehow IMDB still calls it “moderate” so it must not be that bad right?

Sexual violence: Mild

  • The most nonconsensuality of it is that the premise is a bunch of women wake up and find that they are mysteriously pregnant, so, about as violent as the biblical story about Jesus’s conception

Other:

  • Stillbirth

Doesthedogdie: https://www.doesthedogdie.com/media/12513

UnconsentingMedia: https://www.unconsentingmedia.org/items/9621

IMDB Parental Guide: https://www.imdb.com/title/tt0114852/parentalguide/

TankieTube link to movie: https://tankie.tube/w/mzdteCUtE5UhqpqoQc6UsW

 

Cud & Tith’s Death and Dismemberment Thursday Movie: Surreal nightmarish silent film Begotten (1989) at 6:30PM Eastern US Time

Just one movie tonight as I have become a busy busy bee!  It’s only 72 minutes long.  We will will start P R O M P T L Y at 6:30PM Eastern US time.

A note: timezones hard, feel free to use https://www.worldtimebuddy.com/ or something similar to do timezone conversions to your local time

We will be using Blorptube tonight: https://blorp.bot.nu/o/visual_cuisine. IMPORTANT NOTE: please use a good VPN whenever visiting Blorptube due to how peering works.

 Begotten (1989)

“Begotten is an experimental 1989 American film written and directed by E. Elias Merhige. It stars the largely unknown actors Brian Salzburg, Donna Dempsey, Stephen Charles Barry and members of Merhige's theatre company Theatreofmaterial. Its unconventional narrative depicts the suicide of a godlike figure and the births of Mother Earth and the Son of Earth, who undertake a journey across a dying world. Merhige directed two short film sequels: 2006's Din of Celestial Birds and 2022's Polia & Blastema: A Cosmic Opera.

Merhige conceived the film as a dance piece for experimental theatre. Inspired by documentary footage of the aftermath of the bombing of Hiroshima, he decided on a full-length film. Begotten has a gritty visual style, intended to give the impression of damaged film stock which has been degraded through time and wear. As with the Hiroshima footage, Begotten is silent. After completion, Merhige spent two years trying to find a distributor. It debuted at the Montreal World Film Festival and later screened at the San Francisco International Film Festival, with the film critics Tom Luddy and Peter Scarlet in attendance. The two brought it to the attention of the critic Susan Sontag, whose enthusiastic praise was instrumental to its eventual release. It was ignored by most mainstream critics and the few reviews were polarized.

Begotten is infused with multiple mystic and religious themes. Critics have debated if it reflects popular attitudes towards the origins of life and religion at the time of its production and portrays creation through the mythic and religious traditions. Some writers have interpreted the film as an examination of the cycle of life and mankind's relationship with nature. Other themes include the Nietzschean view of order and chaos, societal norms and the perception of reality.

I couldn’t find the sequels so while they are short, we won’t be watching them.

More from Wikipedia: “Begotten is shot in a dark, grungy and visceral style. Distorted perspectives and degraded image quality were used to evoke an ancient and otherworldly atmosphere.[38][39] The film has been described as "a cinematic Rorschach test of grotesque, imagery" and "a feature-length fever dream".[40][41] Merhige was interested in crafting imagery through analog format[14] and sought a decayed look that the footage had been damaged through time and wear.[42] He said:

   I wanted Begotten to look, not as if it were from the twenties, not even as if it were from the nineteenth century, but as if it were from the time of Christ, as if it were a cinematic Dead Sea Scroll that had been buried in the sands, a remnant of a culture with customs and rites that no longer apply to this culture, yet are somewhere underneath it, under the surface of what we call "reality."[43][44]”

Tith mentioned this one looks like the synthesis of both our Death and Dismemberment styles — Gory (me) and spiritually unsettling (her).  I think (hope) we’re in for a treat, and my apologies in advance if the film fails to deliver and double apologies if it does!

The imagery looked spooky and haunting which is what got my attention.  The images looked very unsettling, frightening, and disturbing to behold.  I’m expecting this one to be gnarly.

Content Warnings for Begotten (1989)

Violence and gore: Severe

  • Graphic suicide on screen at the beginning.
  • Disembowelment
  • Gore
  • Torture

Sexual violence: Severe-removed on screen. The filter is going to remove that so that should be interpreted as “sexual assault on screen”

Other:

  • "Extremely disturbing visuals and subject matter”

Doesthedogdie: https://www.doesthedogdie.com/media/15807

UnconsentingMedia: https://www.unconsentingmedia.org/items/2058

IMDB Parental Guide: https://www.imdb.com/title/tt0101420/parentalguide/

TankieTube link to movie:  https://tankie.tube/w/28Bvg91dmbPh4BXK1httxB

37
submitted 2 months ago* (last edited 2 months ago) by CommunistCuddlefish@hexbear.net to c/emoji@hexbear.net
 

This is from Smiling Friends S01E01. I think the character's name is Allan. I think this would go well with beanis-on-the-cross.

CW for show if you are curiousMajor CWs for suicidality if you do watch it. Someone recommended it to me without any CWs and I was a little shook but also it was a funny episode.

 

Cud & Tith’s Death and Dismemberment Thursday Movie: Halloween Counteroffensive against Christmas Edition, at 4PM Eastern US Time  (Evil Dead II and Army of Darkness)

The timeline is going to be very tight so in order to not cut into the evening time I will try to be actually very punctual and regimented.  We’ll only have time for Erika’s brilliant pee break song (https://tankie.tube/w/1GEpTVKWpxrzsmpui2pXEg) in between the movies

A note: timezones hard, feel free to use https://www.worldtimebuddy.com/ or something similar to do timezone conversions to your local time

We will be using Blorptube tonight: https://blorp.bot.nu/o/visual_cuisine. IMPORTANT NOTE: please use a good VPN whenever visiting Blorptube due to how peering works.

That’s right, we’re doing horror comedy instead of Christmas, because I can’t show my favorite Christmas movie (In Bruges) again so soon.

First up is Evil Dead II (1987) at 4:00PM Eastern Standard US Time.  It is a remake of Evil Dead and is considered much better.  It is 1h24m minutes long.  I have been assured this is a comedy, which is cool because I find the poster for it very unsettling and creepy.

Second will be the sequel, Army of Darkness (1992) at about 5:48PM Eastern US Time.  This is the director’s cut, and is 1h36m long. This gives us a total of 3 hours and 5 minutes (the 5 minutes for piss break), ending at 8:05PM Eastern US Time.

 Evil Dead II (1987)

“A man vacations with his girlfriend to a remote cabin in the woods. He discovers an audio tape of recitations from a book of ancient texts, and when the recording is played, it unleashes a number of demons which possess and torment him. “

Content Warnings for Evil Dead II (1987)

Violence and gore: Severe

  • Very over the top gory, but it is all slapstick

sexual violence: Severe

  • Attemptedremoved: trees grab someone, tear off her clothes, and attempt to penetrate her.

Other:

  • “There is an entire scene where extremely loud sounds play such as ghostly screaming and moaning.” — unfortunately, no timestamp was provided with this so basically be prepared to rapidly lower the volume.

  • brutalization of women

Doesthedogdie: https://www.doesthedogdie.com/media/9524

UnconsentingMedia: https://www.unconsentingmedia.org/items/4168

IMDB Parental Guide: https://www.imdb.com/title/tt0092991/parentalguide/

TankieTube link to movie: https://tankie.tube/w/6ametnVrS2SXbqLpa3y1Sk

Army of Darkness (1922)

The sequel to Evil Dead II: “it follows Ash Williams (Campbell) as he is trapped in the Middle Ages and battles the undead in his quest to return to the present.”

Content Warnings for Army of Darkness (1922)

Violence and gore: Moderate

  • action film violence, much less gory than Evil Dead II

sexual violence: Moderate

  • "Towards the end of the film, all the women of a village get captured by an army of skeletons. Several of them are shown with their trops ripped off: their kidnappers forcefully kiss them. It is implied that they areremovedd and transformed into demons. “ — Unconsenting Media
  • A woman's dress is ripped off by a character, then said woman is forcibly kissed by the same character a few seconds later.” — DTDD

Doesthedogdie: https://www.doesthedogdie.com/media/14542

UnconsentingMedia: https://www.unconsentingmedia.org/items/1335

IMDB Parental Guide: https://www.imdb.com/title/tt0106308/parentalguide/

TankieTube link to movie:  https://tankie.tube/w/wS5KE9zPhR81sfksmPm3qA

New feature to these posts: sneak preview of 2 weeks hence:

Either Kwaidan (Japanese art horror film that looks amazing) or some wintery Toei Studio movies (Swan Lake and The Wild Swans) depending on how I feel.

 

These fuckers brutally abducted some dude who was just going out to get food, wouldn't even let him show his ID proving he was a citizen til after they'd taken him in for processing, and then when he asked for a ride home because they were the ones who'd fucked up, they told him to walk home in the snow.

Guy's been in the US since he was 1 year old.

ICE needs to burn -- not melt, burn -- in Hell or something.

https://sahanjournal.com/immigration/ice-arrest-cedar-riverside-minneapolis-somali-man/

 

Soy hates my intestines, gluten as well, but I saw some new meat alternatives at a fancy grocery store so I am once again attempting to wean down from animals.

I found some pumpkin seed tofu and some fava bean tofu at the fancy grocery store. Cooking experiment, procedure done with both kinds of tofu:

Tofus were frozen, but I thawed them in the fridge for a day before cooking. Cut them into bite sized cubes

Put pan on stove with spices and oil. Turn burner on to mid heat. When hot, put tofu in. Wait a while. Take tongs and use them to flip the tofu cubes..

The pumpkin tofu cooked fine. Stayed intact, got to a food safe internal temp. In contrast, the fava bean tofu kept sticking to the pan and leaving a layer behind when I flipped it, and that layer burned. Meanwhile, it never reached 165 degrees F. I think it was wetter as the pumpkin tofu was prepressed

Eventually in frustration I just macerated the fava bean tofu into crumbles, left it on high and covered for a bit to make sure it hit the food safe temp, called it done and scraped what wasn't ash out of the pan. I've been adding the crumbs to daal to make them palatable/tolerable. Based on this experience I think I should stick with pumpkin, but I need as much variety as I can get in my already limited diet so I'd like to make the fava bean tofu work too. It also did not seem to really take the spices I put in as well and was overall more bland.

This has to just be a skill issue. What did I do wrong? I was basically trying to cook these as if they were meat; was that conceptually the wrong approach? Seems to have been because they're more delicate.

Neither of these tofus have tried to claw their way out from inside my body, so at least if I can figure out how to cook them they could be viable.

3
submitted 2 months ago* (last edited 2 months ago) by CommunistCuddlefish@hexbear.net to c/vegan@hexbear.net
 

lorem ipsem dolor (I posted in the wrong comm)

 

Is there any reason NOT to switch to ProtonVPN from Mullvad?

Use cases: privacy, torrenting without getting a DMCA letter.

OSs: Linux, Mac.

I know there was a reason I didn't pick up Proton years ago when PIA got bought by Kape but I don't remember what it was. I'd read something on /r/VPNTorrents but that place has since been banned so I can't refer to it again.

 

Subtitle: Let the Right Oldsferatu In

A note: timezone shit has gotten weird lately with the end of daylight saving time in the US.  Please refer to https://www.worldtimebuddy.com/ or something similar to do timezone conversions to your local time

IMPORTANT NOTE: please use a good VPN whenever visiting Blorptube, or anywhere else on the internet, for that matter.  Protect your privacy.

We will be using Blorptube tonight: https://blorp.bot.nu/o/visual_cuisine.  It is still recommended to use a VPN for peertube.

The theme for tonight is dark bleakness because the weather finally matches my mood, and these vampire films make heavy use of darkness.

First up is Nosferatu: A Symphony of Horror (1922) at 4:30 Eastern Standard US Time.  It is 1h29m minutes long.

Second will be Låt Den Rätte Komma In (Let the Right One in) (2008) (1h55m) at about 6:00 PM Eastern US Time.

Nosferatu: A Symphony of Horror (1922)

A classic silent film inspired by Dracula.  The vibes are immaculate and I actually like it more than the original Dracula book it’s inspired by.  This film was ordered to be destroyed on copyright-infringement grounds!  “Even with several details altered, Stoker's widow Florence sued over the adaptation's copyright violation, and a court ruling ordered all copies of the film to be destroyed.”  Luckily, some copies survived.  This movie was also allegedly banned in Sweden until 1972 for “excessive horror”

Content Warnings for Nosferatu: Symphony of Horror (1922)

Mild across the board.  Some less than great depictions of a mental institution, and Count Orlock has been noted as based on antisemitic caricatures.

Doesthedogdie: https://www.doesthedogdie.com/media/236790

UnconsentingMedia: https://www.unconsentingmedia.org/items/2125

IMDB Parental Guide: https://www.imdb.com/title/tt0013442/parentalguide/

TankieTube link to movie: https://tankie.tube/w/1Xa9E8no42PTKvhMBiY9Ss

Låt Den Rätte Komma In (Let the Right One in) (2008)

This is billed as a “romantic horror film”.  I have my opinions on the matter and welcome discussion in the comments of this post about what you think of that label!  The film tells the story of a bullied 12-year-old boy who develops a friendship with a strange child in Blackeberg, a suburb of Stockholm.  Oops!  Turns out she’s a vampire!  A mix of horror and sweetness ensues.  Set against the bleak backdrop of the frigid North as Sweden is plunged into invernal darkness

Content Warnings for Låt Den Rätte Komma In (Let the Right One in) (2008):

Violence and gore: Severe

  • Depiction of graphic facial disfigurement from acid

  • Someone is burned alive.

  • Lots of blood

  • Someone’s neck is snapped on screen

  • Brief depiction of the aftereffects of genital trauma

sexual violence: Mild (text) to severe (subtext)

  • None depicted explicitly, however some aspects of the relationships between the characters are inextricable from considerations of child abuse

Other:

  • Some playing around with gender in ways that could be upsetting depending on how they're viewed.  The book was worse about it apparently, and the author reworked it to be much better for the film

  • ending that is supposed to be ambiguous or bittersweet.  I personally believe it is just bleak.

Doesthedogdie: not linking because it’s wrong.

UnconsentingMedia: Not linking because it’s wrong.

IMDB Parental Guide: https://www.imdb.com/title/tt1139797/parentalguide/

TankieTube link to movie: https://tankie.tube/w/4bgWzWSrGLbDF2epXLhRaZ

New feature to these posts: sneak preview of 2 weeks hence:

Next time I have this slot I am hoping to do the 2024 Nosferatu, aka Newsferatu, because I missed it when it came out, and the Nic Cage film Vampire’s Kiss (1988).  We’ll have to start half an hour earlier as they’re both longer.

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