A lot of things are possible when you have a population that is deeply socialized to believe completely in the cause, and/or has few viable economic options, and/or is literally compelled to do the work. We also have a lot of survivorship bias as the we only see the stuff that was done so well as to stand the test of time. In the early days of Egyptology for example, they would sometimes realize (or learn from the locals because the locals knew best) that the big heap of rubble over there in the desert was actually a pyramid where somebody half-assed it with mud bricks instead of the giant limestone slabs from Giza.
Absolutely. Without "uncanceling," the Acolyte, they need to find a way to get him back for a project. What an utter waste if they don't. The physicality for the role and choregraphy was perfect, and he "sold" the Dark Side without an appeal to raw coercive power at a political scale, and it worked better than maybe any other approach I can recall. Even the comedic timing and "dude from Jacksonville" vibes (Go Jags!) slotted in perfectly for the (super telegraphed) reveal and the interactions with Osha and Sol. I also liked that Sol brought a lot of humanity and Qui-Gon energy despite Lee Jung-jae's awkward line readings (the reasons for which I completely understand), and Jecki was good.
I went into that show fully ready to embrace everything about it and almost preemptively give it the grace I knew certain toxic fans wouldn't, and I still couldn't love it, though it has its moments and it's not awful TV. The structure is awkward, the mystery unappealing and self-important, many of the performances unengaging, and frankly despite all the money they blew it often looks cheap. They also killed two out of the three characters I liked the best. Easy targets like the singing and the fire in space and the chubby lightsaber hilts were just people fixating on unimportant shit because they didn't like the show but lack the ability to say why, or some of them are ashamed to say why. The whole thing needed another couple of passes through the editing process and maybe some hard discussions about why making the entire show look like Disney's Galaxy's Edge is not a good use of the budget.
Or, you think you lost one and get the second, but the original was tucked into some zippered sub-pouch all along.
Got a lot of sticktuitiveness.
I don’t think I should go against the grain here.
leave things more open or unresolved or ambiguous, which is simultaneously dissatisfying and refreshing
Agreed, and it absolutely depends on the episode. Also agree that they sometimes (often?) bit off more than they could chew, but in general they weren't so disastrous that I didn't appreciate the effort. I imagine there was a lot of compromise and horse trading on those scripts, and people were probably relieved to get out something as good as they got. I like to imagine the Ferengi episodes were generally the penance exacted from writers who insisted on too much self-respect.
I've never had a BC, but I have had a sheltie, and Aussi, and a couple of Heelers. The Heelers in particular just treat you like a cow and boop and nip as necessary to make you do what they want. They are brilliant too, but not subtle and don't seem to view challenges as amusing for their own sake.
If a BC is the master thief carefully working the treasure chest with a lock-pick, the Heeler is the tank who just bashes the thing open, traps be damned, but they're smart enough to remember to chug a bunch of potions first.
I enjoyed B5 and would consider it one of the shows that did things well. The production values haven't held up quite as well (except for the prosthetics and hair, which are easily Star Trek quality I think), and I never fully warmed to either station commander, but for what it was trying to be and within the constraints of its budget, it is a really good show.
I did stop watching after the "original" finale though. I didn't see where it was likely to get any better and I wasn't quite invested enough to tolerate a significant downturn.
Excellent! And just so I don't send you off on a wild goose chase, "Electron" is not the app's name, just the platform (a browser wrapper, basically) that VIA uses for its desktop app. It'll be on VIA's github page, if not their main page. Glad you got it all squared away though. That's a truly silly default keymap for what I understand is a super nice keyboard.
Those are actually becoming an artform of their own. The best ones subtly hint at the areas of focus in the upcoming episode and get your mind tee'd up.
Herding dogs assume they're smarter than humans. Border Collies are probably right.
On the other hand, if they do depart from a joyless slog from one plot point to the next, people scream "filler" like it's a crime against humanity. I do have some sympathy for people writing shows, but I agree that too many of these shows began life as single-movie pitches that were padded (or at least never edited down) rather than a traditional mini-series, which is what they are, or a season of TV slimmed down to the high-points.