this post was submitted on 17 Mar 2026
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Chapotraphouse

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was leafing through a copy of the rough guide to cult films i picked up in a charity shop earlier today, its like one of those dime a dozen books written by some snarky opinionated film buff reccomending films he likes amd trashing ones he thinks suck with a vague pretence at objectivity amd ngl i think this is how all film discussion should be handled,online film discourse has gotten way too letterboxdified and now the prince charles inema basically only does reruns of the first quarter of the letterboxd top 250 narrative films list.

everyones got way too far up their own asses about this shit, we need to retvrn to the video store spiritually and get a beer, go on tubi and watch some dumb italian bullshit where a load of guys get shot and lose a bathtub of blood each and the title sounds like the name of the average 14 year olds first doom wad

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[–] JustSo@hexbear.net 3 points 3 hours ago* (last edited 3 hours ago)

What repulses me is that these social identity things are actually intrinsic to our psychology and are pretty much what healthy humans do naturally, but while the impulse is natural, the mechanics and focal points around which groups form is, I think, mostly inorganic and the product of marketing and consumer culture.

Not to just boil it down to a low brow critique of the "consoomer" but it feels like I'm seeing people being exploited for their money but are paying with their minds and sense of self and belonging.

Mind you, this pursuit of social identity is, in my opinion, orthogonal to a genuine pursuit of a love of art. Possibly antithetical. So this consumption of media commodities (encouraged by capitalism and exploiting the social identity drive) is actually wearing the skin and appropriating the symbols of art appreciation, but it's a obviously not the authentic thing.