this post was submitted on 14 Nov 2025
58 points (100.0% liked)

Chapotraphouse

14172 readers
630 users here now

Banned? DM Wmill to appeal.

No anti-nautilism posts. See: Eco-fascism Primer

Slop posts go in c/slop. Don't post low-hanging fruit here.

founded 4 years ago
MODERATORS
 

The Hussite Wars (1419 to c. 1434) were a series of conflicts fought in Bohemia (modern-day Czech Republic) between followers of the reformer Jan Hus and Catholic loyalists toward the end of the Bohemian Reformation (c. 1380 to c. 1436). Although the Catholics won, the Hussites were granted the freedom of religion they had fought for.

The wars were a direct response to the execution of Jan Hus (l. 1369-1415) in 1415 and that of his friend and colleague Jerome of Prague (l. 1379-1416) a year later after they had been condemned as heretics by the Catholic Church. The Bohemian Reformation, the first systematic attempt by Catholic clergy to reform the corruption and abuses of the medieval Church, had been underway since c. 1380 but became more radicalized after 1416, leading to the beginning of social unrest in 1419 when the Hussite Jan Želivský (l. 1380-1422) led a procession through the city that resulted in the First Defenestration of Prague on 30 July and the deaths of seven town council members.

Hus and Jerome were elevated to martyrs (later to saints), and Hus' followers were deeply devoted to his cause, but they were not a unified coalition. All that united them was their common enemy of the Catholic Church and the Catholic forces under the king of the Holy Roman Empire, Sigismund of Hungary (l. 1368-1437) who had been given permission by the pope to lead the crusade against Bohemian heresy. As soon as the Hussite general Jan Žižka (l. c. 1360-1424) defeated Sigismund in an engagement – as he did every time they met in battle – the Hussite factions would turn on each other.

Žižka, a brilliant tactician, made use of firearms and wagon forts in both defense and offense, continually surprising his opponents with the maneuverability of his mobile fortifications. The Hussite Wars are commonly referenced for Žižka's tactics and the early use of firearms in European military conflicts.

Žižka died of the plague in 1424 and was replaced by the general Prokop the Bold (also given as Prokop the Great, l. c. 1380-1434), also an effective military leader. He had no more success in unifying the Hussites after engagements than Žižka had, however, and at the Battle of Lipany in 1434 moderate Hussites sided with the Catholics against the more radical faction. The moderates (Utraquists) and Catholics defeated the radicals (Taborites), ending the conflict. Afterwards, the Utraquists were granted freedom of religion at the Council of Basel in 1346, ending both the Hussite Wars and the Bohemian Reformation, although issues concerning religion would continue to cause conflict afterwards.

Hussite Wars WHE

Hussite Wagenburg

In the 15th century, during the Hussite Wars, the Hussites developed tactics of using the tabors, called vozová hradba in Czech or Wagenburg by the Germans, as mobile fortifications. It was first used in the Battle of Nekmíř. When the Hussite army faced a numerically superior opponent, the Bohemians usually formed a square of the armed wagons, joined them with iron chains, and defended the resulting fortification against charges of the enemy. Such a camp was easy to establish and practically invulnerable to enemy cavalry. The etymology of the word tabor may come from the Hussite fortress and modern day Czech town of Tábor, which itself is a name derived from biblical Jezreel mountain Tabor (in Hebrew תבור).

The crew of each wagon consisted of 18 to 21 soldiers: 4 to 8 crossbowmen, 2 handgunners, 6 to 8 soldiers equipped with pikes or flails, 2 shield carriers, and 2 drivers. The wagons would normally form a square, and inside the square would usually be the cavalry. There were two principal stages of the battle using the wagon fort: defensive and counterattack. The defensive part would be a pounding of the enemy with artillery. The Hussite artillery was a primitive form of a howitzer, called in Czech a houfnice, from which the English word howitzer comes. Furthermore, they called their guns the Czech word píšťala (hand cannon), in that they were shaped like a pipe or a fife, from which the word pistol is possibly derived. When the enemy approached near enough, crossbowmen and hand-gunners emerge from the wagons and inflict more casualties at close range. There would even be stones stored in a pouch inside the wagons for throwing should the soldiers run out of ammunition. After this huge barrage, the enemy would be demoralized. The armies of the anti-Hussite crusaders were usually heavily armored knights. Hussite tactics were to disable the knights' horses so that the dismounted (and ponderous) knights would be easier targets. Once the commander saw fit, the second stage of battle would begin. Men with swords, flails, and polearms would spring out and attack the weary enemy. Alongside this infantry, cavalry would leave the square and strike. The enemy would be eliminated, or very nearly so.

The wagon fort was later used by the crusading anti-Hussite armies at the Battle of Tachov (1427). Anti-Hussite German forces, unfamiliar with this type of strategy, were defeated. The Hussite wagon fort strategy failed at the Battle of Lipany (1434), where the Utraquist faction of Hussites defeated the Taborite faction. On a hill within a wagon fort, they were drawn into charging out prematurely, when their enemy pretended to retreat. The Utraquists would be reconciled with the Catholic Church afterward. Thus, the wagon fort's impact on Czech history ended. The first victory against the wagon fort at the Battle of Tachov showed that the best ways to defeat it were to prevent it from being erected in the first place or to get the men inside to charge out prematurely after a feint. Such solutions meant the fortification lost its prime advantage. The importance of the wagon fort in Czech history diminished, but the Czechs would continue to use the wagon forts in later conflicts. After the Hussite Wars, foreign powers such as the Hungarians and Poles who had confronted the destructive forces of Hussites, hired thousands of Czech mercenaries (such as into the Black Army of Hungary). Hungarian general John Hunyadi studied the Hussites' tactics, he applied its featuring elements in his army during the Hungarian–Ottoman Wars, including the use of war wagons as a mobile fortress called szekérvár in Hungarian. At the Battle of Varna in 1444, it is said that 600 Bohemian handgunners (men armed with early shoulder arms) defended a wagon fortification. The Germans would also use wagons for fortification. They used much cheaper materials than the Hussites, and different wagons for infantry and artillery. The Russians also used a type of movable fortress, called a guliai-gorod in the 16th century.

reminders:

  • 💚 You nerds can join specific comms to see posts about all sorts of topics
  • 💙 Hexbear’s algorithm prioritizes comments over upbears
  • 💜 Sorting by new you nerd
  • 🐶 Join the unofficial Hexbear-adjacent Mastodon instance toots.matapacos.dog

Links To Resources (Aid and Theory):

Aid:

Theory:

you are viewing a single comment's thread
view the rest of the comments
[–] Inui@hexbear.net 8 points 4 days ago* (last edited 4 days ago)

Hear me out: a new Austin Powers but the gimmick this time is that a genderbent Austina (not sure on her name, maybe it's also just Austin to emphasize that gendered names are also bunk. Then we can have gags where someone calls "Austin" and they both turn to look) from another dimension is sent on a mission to chase a fugitive that escaped to the Powers universe we're familiar with. She dresses in exactly the same way and has the same hair and all, just has a different bodily frame. This time it's not Mike Meyers playing her, we want a woman doing it and there'd have to be too much CGI to change him up. Austina is just as horny and goes around flirting with and harassing men, but Austin has to explain to her that it's now 2025, he half-jokingly refers to himself as 'woke' with finger quotes, and that consent is what is sexy now.

Austin's role is the well-meaning and personable boomer who tries their best to be an ally but doesn't fully understand all the nuances and so flubs up from time to time, so the jokes are centered around his clumsy attempts at allyship (which are not ham-fistedly scolded, we're trying to teach the audience that it's okay to mess up if you're genuine in trying to improve) and horniness in the context of consensual relationships (one of them becomes part of a thruple). Austina is parodying Austin's style from earlier movies and is a reflection on Austin's growth as a person as he no longer acts this way, and how that behavior harms/harmed everyone around him (the men Austina flirts with are shown to be visibly uncomfortable) but Austina is also her own person and not just a mirror for the male lead, so she's still the main character of the movie, gets her own moment of character development and backstory, and isn't just a 'sad relic' type character, but comes to embrace everything Austin has learned as well.

Near the end of the movie after whatever villain or plot has been dealt with, the two Austin's look at each other and start recognizing that they're both attracted to each other, so they start to flirt and ask "Do I make you horny baby?" and slyly saying "I consent", "I also consent" and giggling until they're interrupted by a portal opening behind them. Austina says they'll have to postpone and she has to go back to her own dimension, because she has family waiting for her. Austin asks if she also has a Dr. Evil, expecting her to be a woman, and she says yes he's her twin brother who invented the dimension traveling technology. Through the portal you see the same bald male Dr. Evil waving her through and Austin just kind of goes "huh.. not what I was expecting". She hops back through the portal and everything is wrapped up.

We can sprinkle some call back gags to earlier movies throughout. ofc we gotta have a shadow scene but this time it's implied that the ridiculous things they saw in the shadows were real, not a misunderstanding. Austina can have a pump device of her own and has to tell Austin to use his imagination as how she makes use of it. We can take some cues from The Naked Gun on how to call back to a really old property in a genre that isn't really done anymore (gadget spy movies).

Potential? Problematic? I cooked this up in my mind palace while on a walk earlier today and my wheels just won't stop spinning.

EDIT: I totally forgot that Scott Evil was set up as being the main villain of a sequel. Maybe he has something to do with the villain coming to the main universe.