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Everyone is obsessed with plot development at the expense of entertainment. The great writers know how to do both. Like for example in The Boys. That show has something spectacular happen in every single episode, while also developing the plot and the characters.

It's a side effect of streaming. Heavenly seralzed used to have two big drawbacks. If people didn't catch the first few episodes that didn't have a way to get into the story. The story also had to hold peoples interest for a week before the next episode dropped. So only the best seltzer shows lasted.

Now you start the show when you want at the beginning. So instead of making an episode that's entertaining and when next week come around you think it was good last week I'll watch that again you get a show that encourages setting stuff up and the implying it's about be resolved right before the episode end.

It's great for getting you to binge and then getting renewed on a stemmer. Stemming is the best way to watch shows produced for the old weekly broadcast system but not the best environment for developing new shows.

Nah, the first two movies are building up to showing you Surf Dracula a full power, with things being mostly in place at the end of movie 2. Then movie 3 comes along and Dracula is already over the hill and has given up on surfing.

Which is not at all what it's supposed to be about. It's annoying. I hate how gritty and dark everything tries to be these days.

On the other hand, those shows hit the big reset button every week. I'd love something episodic, but what happens in previous episodes still has an effect on future episodes. Star Trek started to do that a little with DS9, but even there... O'Brien is in a mind prison for what he thinks is 20 years and he's fine in the next episode?

Disney Marvel shows will have the pacing of a 20 episode season but end on episode 8.

Also the ducking voice over at the end hammering home the moral of the story. No matter if it makes any sense at all.

Because sometime we all need to a , even if . There is so much that causes us to bla bla bla I can't even write this bullshit.

Gave up on the Handmaid’s Tale, as half of each episode was a flashback to one of the characters visiting a cafe in the times before Trump’s second term - which the writers probably thought was brilliant character and world building, but was actually wheelspinning.

Wait, I just described Lost too.

Which is a shame because if you look at the source material (a single issue comic from 1973 where he battles King Triton in Atlantis to free the Bikini Lesbians) you really need to understand the history of the surfboard to fully appreciate his character.

It is then canceled while season 2 is in pre-production. The head writer eventually reveals S2 would've dealt with the rivalry between Dracula and up-and-coming surfer Nosferatu(played by the same actor as Dracula. Absolutely no one acknowledges their resemblance), leading up to the big Surf championships

Forgot to mention that his star-crossed love interest, a gay priest and silver mirror salesman whose whole value system was turned upside down by their forbidden love, is shown cheering in a close-up after their tumultuous breakup earlier in the season

Adventure Time's exactly the right show for that addiction. Most episodes aren't moving along some overarching plot, and don't neatly tie off and return to the status quo. They're like - that happened, it was fucked-up, you gotta deal with it. The show hardly goes three consecutive episodes without dipping into mortality salience or outright existential horror. And then what becomes crucially important two seasons later was a cutaway gag with the tiny elephant grandma.

To anyone who hasn't watched the show: there is an episode where the main characters are transformed into a bowl of soup and a runny egg (respectively) when they attempt to stop two wizards from going to Mars so they can kill God. It is titled "You Forgot Your Floaties."