Please don't post about US Politics. If you need to do this, try !politicaldiscussion@lemmy.world
1) Be nice and; have fun
Doxxing, trolling, sealioning, racism, and toxicity are not welcomed in AskLemmy. Remember what your mother said: if you can't say something nice, don't say anything at all. In addition, the site-wide Lemmy.world terms of service also apply here. Please familiarize yourself with them
2) All posts must end with a '?'
This is sort of like Jeopardy. Please phrase all post titles in the form of a proper question ending with ?
3) No spam
Please do not flood the community with nonsense. Actual suspected spammers will be banned on site. No astroturfing.
4) NSFW is okay, within reason
Just remember to tag posts with either a content warning or a [NSFW] tag. Overtly sexual posts are not allowed, please direct them to either !asklemmyafterdark@lemmy.world or !asklemmynsfw@lemmynsfw.com.
NSFW comments should be restricted to posts tagged [NSFW].
5) This is not a support community.
It is not a place for 'how do I?', type questions.
If you have any questions regarding the site itself or would like to report a community, please direct them to Lemmy.world Support or email info@lemmy.world. For other questions check our partnered communities list, or use the search function.
Reminder: The terms of service apply here too.
Logo design credit goes to: tubbadu
Not exactly a false end as there's not really a big enough gap, but at the end of Orawa by Kilar, the madly-playing strings all come to a crescendo stop and, after a beat, all the musicians shout, "Hey!"
Took me completely by surprise when I first saw it performed (having never heard it before). Wonderful piece, absolutely bonkers.
Haydn did this often.
The end of Tchaikovsky 5 has a surprise coda.
I feel like Beethoven's Ode to Joy is like this.
Also Sprach Zarathustra by Richard Strauss
