Star Trek Social Club

Just watched Ep 1.

Star Trek (and science fiction) exists as a mirror of it's time, different enough so that we can look at ourselves from a distance, with a required added component of playing with the ideas about what the future might be like. TOS and TNG were both mirrors of their time, with a Klingon on the bridge predicting the end of the cold war.

I definitely feel the "ok, the present generation of kids is inheriting a shitshow" vibes to this show. If you understand that there were a bunch of past efforts to do the Burn in Star Trek, it seemed like something that floated around for a long time now to break the universe (the abortive Star Trek: Final Frontier animated series being one) and ... I dono, I'm more OK with it now than I would have been in 2009 because, as I said, Trek is a mirror of it's time.

Comparing things to Star Wars, the sequel trilogy started out with the idea of "Guess what, fighting nazis again!" and it was prescient and it's altogether too bad that they hadn't actually thought things through well enough to bring it to a really smashing conclusion. There are a lot of threads (Caleb's mom being a big one) where they could totally bungle things.

So, we start with family separation. Wonder where that came from! And then we kinda bounce around the subject, too. Nahla having done a thing, regretted it, leaving Starfleet, trying to make it better while also showing that whatever they do end up doing, it's not "solving" what they did in the first place.

Nus Braka chews up the scenery. This is important, in a Trek series. Yes, it can be quiet and thoughtful and serious but we always come back to the spectacularly overplayed antagonist.

I'm fairly OK with NuTrek trusting the audience less and driving a point home harder. A lot of people ascribe old Trek with values that it never had and part of that's because the writers trusted the audience to see the point, but folks just don't have the same attention span to do that anymore.

Very very nerdy side note: on Outpost Pikaru there's a whole set of grating panels that I assume are a deliberate callback to the freezer spacing grates that were all over the TNG-era Trek serieses as well as a bunch of other science fiction properties. They look very very similar but they aren't.

On the reddit side of the fence, someone suggested you look up Gina Yashere's standup to realize just how Lura Thok is basically Gina playing herself but in the 31st century. She reminds me of one of the assistant principals at my high school, actually, except she's got more drill sergeant edge to her.

Jay-Den Kraag... when I was but a wee little trekkie, I knew a trans person who was deep into hardcore Klingon fandom and I think part of why it made sense for him was that Klingons was part of how he settled into his new gender? So the idea of Klingon males as a mirror to masculinity ... toxic and otherwise ... has been a thing, at least for me, for a while. I feel like Jay-Den Kraag was someone looking at the Klingon Therapist meme and making an actual character out of it. The entire scene where the Klingon is de-escalating things between two cocky assholes is something at least I needed.

SAM's first few scenes I skipped past the first watching and then when her character made sense, I had to go back and actually watch them because they were a lot less cringe.

Genesis is an interesting version of charming because at first glance she starts out as a "mean girl" but then you realize that she's parodying it hard.

Okay, and the Doctor back as the anchor to the very past. Robert Picardo is keeping the Picard name alive in that he kinda aged to a certain age and he hasn't really aged much since, much in the same way as Patrick Stewart does.

There's lots of fanservice, but in a good way. The half-white/half-black species from TOS, a green Orion, the Doctor, etc.

One thing that's interesting with the characters who don't stay locked up in the dorms when the big action is happening is that they all have plausible reasons to be there. Caleb has been living a life on the run for a long time now. Jay-Dem is a Klingon and shows some moments of self-doubt. Genesis has been living on starbases her whole life, shades of Beckett Mariner actually. Darem is cocky and it gets him in trouble. And then SAM, doesn't know better, but also doesn't know fear in the way a biological would. Meanwhile, one of the other cadets is screaming senselessly.

And I guess back to Nahla ... she goes from "just following orders" to "Bajor schoolteacher on ice cream day" to supportive nurturing captain to playing high stakes poker with a space pirate and back. And she's small, except for the part where she's able to exude authority when being towered over. They were asking her to sell a lot and I think she did it. I looked through her IMDB and my past experience of her was the mom from Thirteen and Elastigirl.

One thing I hope, as a long standing Ex Astris Scientia reader, is that there's ... some sort of sense to the programmable matter, the wild 31st century designs, et al. TNG had a lot of particle-of-the-week stuff but Voyager was a crazy-quilt of nonsense particles. It's important for the viewer to, albeit not from the first episode or two, gain some vibes for where the boundaries are, otherwise there's no stakes. A transporter ruins basically any "locked room" detective novel puzzle.

Likewise, how they wrap up Caleb and his mom is going to either make or break the emotional arc of the series?

So, overall ... it landed with me, based on where I am in my life. I empathized with Nahla in a bunch of ways that make me angry about the world I empathized with Jay-Den in a bunch of ways that made me content about the world. I'm not sure how the younger generation or casual Trek fans are going to react to it.

Edit: Unspoilered because the mods told me I didn't need to.