maplebar

joined 8 months ago
[–] maplebar@lemmy.world 3 points 1 week ago

The overall aesthetic of this show is so, so perfect. That was a fantastic trailer too.

 
  • Studio: Science Saru
  • Director: Mokochan
  • Writer: Toh Enjo
  • Character Design and Animation Direction: Shuhei Handa
  • Year: 2026
[–] maplebar@lemmy.world 4 points 2 weeks ago (1 children)

As someone who just started getting deep into Gundam over the last ~6 months in anticipation of GQuuuuuuX, I have to say that it doesn't come as much of a surprise that I really loved it.

I've been a big fan of Gainax, Khara, Anno, Tsurumaki and Enokido for roughly 25 years now, and I feel that GQuuuuuuX pulled the rabbit out of the hat by bridging old and new. I feel that they hit the 7-10 split of making a show that was simultaneously respectful and fanboyish about the original Mobile Suit Gundam, while still managing to fight against it both literally and symbolically. Would it be a good show to watch for someone with a "death to the author" attitude who wants a purely stand-alone story? Maybe not. But I don't think that's what GQuuuuuuX was attempting to be.

Say what you will about GQuuuuuuX, but it was absolutely a love letter to 0079, Zeta, CCA, the entire UC timeline, and most importantly, the people who made it--who, had they not existed, Gainax, Gunbuster, Evangleion, FLCL, Diebuster, Khara also would not have existed. Maybe I'm just being sentimental, but I felt that GQuuuuuuX was a statement about life and circumstances. It was a show about all of the other possibilities that could happen in life if things were just a little bit different. And it was a show about how people like Tsurumaki built their life and career on the shoulders of people like Tomino, who in turn also benefited from being the right person, at the right place and time, especially compared to the wartime generation of Japanese people who came just before him.

As such, I think GQuuuuuuX is best enjoyed with knowledge of the UC and an appreciation for the meta-narrative.

I didn't go into this show (or The Beginning movie cut, which I saw in theaters twice) expecting it to be totally divorced from everything that came before it. From the first minute of seeing GQuuuuuX The Beginning, I was sold on the idea of this alternate-UC, a version of the Gundam UC universe where Amuro doesn't get in the robot. This show was answering that specific question, "what would Gundam be like if Amuro never got in the robot in the first place?" That was what set the stage for the entire continuity that Machu and Nyan existed in, and I also think they did a good job of exploring not only why such a universe might exist, but also what that would mean for other characters in the UC framework, and even the design language of the mobile suits!

I've seen people complain that GQuuuuuuX is either too heavily reliant on UC or that they would have preferred more focus on the UC characters. But what those people fail to understand is that GQuuuuuuX is UC, and so characters like Char, Challia, and Kycilia are just as much native characters to the GQ-UC timeline as Machu and Nyan are. They are not actually even really the same characters as their 79-UC counterparts.

One thing I want to say about the show is how much it evoked FLCL, including the ending:

GQuuuuuuX and FLCL SPOILERSIn FLCL, the young and disillusioned male lead Naota's life is suddenly and radically changed when the mysterious weirdo girl Haruko crashes into his boring, normal life. By the end of the story we find out that Haruko is in fact an alien who is chasing after an all powerful amorphous entity called Atomsk whose power/essence has been captured by Medical Mechanica, a mysterious organization that is trying to achieve something along the lines of the Third Impact from Evangleion. In the end of the story Naota finally steps up and takes agency over his life, stealing the power of Atomsk from both Medical Mechanica and Haruko, before suddenly backing off to confess his love to Haruko before Atomsk escapes and Haruko, having failed to do what she came to do in the first place, follows. From there, life goes on.

In GQuuuuuuX, it is eventually revealed that this strange stoner kid Shuji is far from a normal newtype, but is actually some kind of strange being from another universe. Is he a real person, or some kind of manifestation of Lalah or the Gundam? (Just like Haruko, we never really learn the full truth.) Shuji exists in the GQuuuuuuX universe for a specific reason, to destroy the universe itself in an attempt to help the mystical newtype Lalah search for a version of the universe where the love of her life, Char, is not killed trying to protect her. (I definitely have to rewatch it to wrap my mind around this, but I think that's the basic idea.) Machu and Nyan, motivated by existential freedom and a desire to do whatever needs to be done to survive and get by in like, respectively, find themselves in the middle of this battle across universes that is much bigger than themselves, and Machu eventually takes agency over her situation when she shoots the limiter drive within GQuuuuuuX. Much like Naota, Machu both foils Shuji's plan and confesses her repressed feelings towards him before he disappears. Machu's life, also, goes on.

I think people have some legitimate complaints about the break-neck pace of GQuuuuuuX. Tsurumaki is no stranger to telling fast stories over a small number of episodes, but it could be argued that GQuuuuuuX had so much to say in its allotted time that it wasn't able to have as many of the moody and atmospheric moments as shows like Evangelion, FLCL and Diebuster have. (FLCL is famous for being frenetic, but it also has some truly beautiful calm scenes!) We got a bit of that in GQuuuuuuX, like Nyan's montage in Episode 5, but if the show had a little bit more time maybe we could have spent a bit more quality quiet time with our main characters, especially Machu and Nyan. (On the other hand, people wanted more FLCL, only for the monkey paw to curl with the creation of 4 subpar spinoff cartoon network cashgrabs... Sometimes less is more!)

Overall, I really loved GQuuuuuX.

I spent the last few months really looking forward to every release, watching it multiple times and looking at a lot of the online discussions around it. I haven't been this excited for, or had this much fun watching a new anime in many, many years. I'm sad that it's over, but very glad that it was created. As someone who only watched 0079, Z, ZZ, CCA, 0080, 08th MS, Unicorn and WfM this year (with a couple episodes of Wing back in the Toonami days), I can only imagine how a show like this would feel to people who watched all of this stuff when it came out. If nothing else, it was a new Tsurumaki + Enokido show by Khara, with participation by Anno, and an absolute love letter to Mobile Suit Gundam.

[–] maplebar@lemmy.world 1 points 2 weeks ago

You've already said you're planning on it, but Cagliostro is a must. It's not only a good Lupin film but a classic piece of anime media by Miyazaki.

I'm nostalgic for Season 2 (red jacket) lupin, and while you probably not need to watch them all I think there are quite a few fun and good episodes there too (including a couple of cool and beautiful episodes directed by Miyazaki, which have some interesting relations to his other work).

Also I think the new Lupin the IIIrd film series by Takeshi Koike is quite cool, representing a much darker and grittier Lupin than the light-hearted Miyazaki vision. It's a great time to get into these ones too, because the final 2 pieces, Zenigata and the Two Lupins and The Immortal Bloodline are coming out in just a few weeks.

[–] maplebar@lemmy.world 5 points 1 month ago

I somewhat agree with you, and I think we're also saving Trump and the Republicans from themselves here.

On the other hand, it is undoubtedly a great thing that SOMEONE has finally put their foot down and challenged Trump's authority to run the economy by fiat.

[–] maplebar@lemmy.world 25 points 1 month ago

As a Portlander, I'm really happy that some of the people that we elected here in Portland and Oregon lead this legal fight to stop Trump's dumb fucking bullshit trade way by fiat.

In some ways we are saving the economy from Trump, and thus saving Trump from facing the ramifications of his own stupid fucking decisions, but on the other hand, it's nice that something is being done to challenge his authority.

[–] maplebar@lemmy.world 16 points 2 months ago* (last edited 2 months ago) (2 children)

Is the ai doing anything that isn’t already allowed for humans. The thing is, generative ai doesn’t copy someone’s art. It’s more akin to learning from someone’s art and creating you own art with that influence. Given that we want to continue allowing hunans access to art for learning, what’s the logical difference to an ai doing the same?

AI stans always say stuff like this, but it doesn't make sense to me at all.

AI does not learn the same way that a human does: it has no senses of its own with which to observe the world or art, it has no lived experiences, it has no agency, preferences or subjectivity, and it has no real intelligence with which to interpret or understand the work that it is copying from. AI is simply a matrix of weights that has arbitrary data superimposed on it by people and companies.

Are you an artist or a creative person?

If you are then you must know that the things you create are certainly indirectly influenced by SOME of the things that you have experienced (be it walking around on a sunny day, your favorite scene from your favorite movie, the lyrics of a song, etc.), AS WELL AS your own unique and creative persona, your own ideas, your own philosophy, and your own personal development.

Look at how an artist creates a painting and compare it to how generative AI creates a painting. Similarly, look at how artists train and learn their craft and compare it to how generative AI models are trained. It's an apples-to-oranges comparison. Outside of the marketing labels of "artificial intelligence" and "machine learning", it's nothing like real intelligence or learning at all.

(And that's still ignoring the obvious corporate element and the four pillars of fair use consideration (US law, not UK, mind you). For example, the potential market effects of generating an automated system which uses people's artwork to directly compete against them.)

[–] maplebar@lemmy.world 18 points 2 months ago (1 children)

Either get rid of copyright for everything and everyone, or don't.

But no stupid BULLSHIT exception for AI slop.

[–] maplebar@lemmy.world 1 points 3 months ago (1 children)

Does anyone know what reciprocal means?

Just checking.

[–] maplebar@lemmy.world 46 points 3 months ago* (last edited 3 months ago) (1 children)

It's not a surprise that all these techbros who want to steal everything and feed it into their AI machines without paying a single fucking cent to the original creators all the sudden want to get rid of IP. They can lead by example by submitting their IP into the public domain.

Or maybe they're just massive frauds?

[–] maplebar@lemmy.world 24 points 3 months ago* (last edited 3 months ago) (2 children)

AI isn't ready to replace just about anybody's job, and probably never will be technically, economically or legally viable.

That said, the c-suit class are certainly going to try. Not only do they dream of optimizing all human workers out of every workforce, they also desperately need to recoup as much of the sunk cost that they've collectively dumped into the technology.

Take OpenAI for example, they lost something like $5,000,000,000 last year and are probably going to lose even more this year. Their entire business plan relies on at least selling people on the idea that AI will be able to replace human workers. The minute people realize that OpenAI isn't going to conquer the world, and instead end up as just one of many players in the slop space, the entire bottom will fall out of the company and the AI bubble will burst.

[–] maplebar@lemmy.world 38 points 3 months ago (9 children)

Big tech will do what is best for extracting money customers and investors.

If you really care what your operating system is made of, use Linux.

[–] maplebar@lemmy.world 67 points 3 months ago* (last edited 3 months ago) (4 children)

Why the fuck is our media so bad that they blindly accept Trump's bullshit line that the tariffs are "reciprocal"? Are they just stupid or have they been paid off? Do they not know the meaning of "reciprocal" or are they just too fucking lazy to question the White House's rhetoric even a little bit?

The state of the United States makes me sick. We're being robbed blind by the oligarchy in broad daylight while the media gleefully amplifies the administrations lies.

117
submitted 4 months ago* (last edited 4 months ago) by maplebar@lemmy.world to c/asklemmy@lemmy.world
 

I don't want to single anyone out, but whenever I browse Lemmy for new communities I feel like it's not uncommon to find ones that only have 0-2 posts in them from months (or even as much as 2 years) ago.

I get why it happens: every time Reddit or some other platform does some crazy anti-user shit there's a big flood of interest in Lemmy and the Fediverse again, and with it a rush of people making communities (often trying to quickly clone popular subreddits).

But it seems that after some time they either get bored or disappointed that they weren't able to grow things as fast as they wanted, and then they just take off, leaving nothing but a ghost community behind--nobody posting anything and effectively unmoderated from what I can tell. That's my experience at least.

Of course, people can always create entirely new servers with an entirely new set of communities. But it feels like a shame that there are so many effectively dead communities on otherwise popular servers due to the fact that the people who created them never put any work in and just up 'n' left.

  • Have you run into many "ghost communities" during your time on Lemmy?
  • Do you think it's a problem now?
  • Will it be a problem in the future?
  • If so, what can/should we do about it?
 

Following up my discussion on [https://lemmy.world/post/24254749](0080 War in the Pocket), I've recently watched 08th MS Team and the Witch from Mercury, both for the first time in anticipation of the new Gquuuuuuuux Gundam series.

Overall, I quite liked it.

It wasn't perfect and the story was a bit hit-or-miss for me personally. I also felt it occasionally got a bit lost in the sauce of the whole meaningless corporate school battles thing. But at it's best the drama was really engaging and good.

The Good

Suletta and Miorine were great characters that were really well acted. I think a lot of my positive feelings for this show rely on the fact that Suletta was just a very likeable and relatable character, a true underdog who got brutally fucking bullied and manipulated, and definitely went through some shit, but ultimately tried hard and elevated herself. Where this show really shines above all else is the drama around these two characters in particular.

The Bad

I think the plot could have been more effective and meaningful had it been a little bit simpler.

In the first half of the show I felt like Prospera had a strong and simple motivation for what she was doing--revenge. But over the second half she turned into a weird overly complicated Gendo Ikari facsimile. I liked the somewhat Armored Core nature of a solar system governed by corporate oligarchy (and it's a good reflection of the times we live in), but multiple times throughout the series I found myself wondering who people and corporate names were referring too.

Complexity doesn't always equate to depth, and I feel like this story could have been more effective to me if it had been simpler. Suletta works well because her motivation is simple; to be accepted and loved by family and friends, and to stop needless killing.

The UGLY

Dystopian corporate oligarchy is bad... or is it good?

At the start of this series I was really excited to see a modern anime story dare to be critical of the mega corporate Japan and Earth that exist today, and the oligarchs, investment and business politics that govern almost every aspect of our lives. After all, this series starts off with the idea that corporate dynasties are using kids to essentially demonstrate the power of weapons in order to gain shareholder value and conglomerate clout. Surely these kids would eventually realize that all of this company bullshit was not only against their personal interests, but also against the interests of everyone in the solar system, right?

Unfortunately by the end I lost any sense that there was an overarching message. The premise was interesting and good, but I feel like this series completely backed away from saying much about the world they lived in at all. We see characters like Guel learn and grow from his experiences on Earth and the conflicts within his family, only to at the end revert into the same system that tore his life apart for no reason.

I won't spoil the ending, but I felt that the show never really puts its foot down on whether the corporate oligarchy that they all live under is BAD or GOOD for society, and whether it's worth saving or not?

I think there's a simpler and better version of this story that could have existed, in which Prospera uses Suletta and Ariel to usurp the corporate structure of the Benerit Group (purely in the name of revenge), only to throw the entire solar system into war and chaos as the Earthians rise up against a weakened Spacian oligarchy.


But with all that said, I did like the show. Mainly because I liked Suletta, Miorine and the drama that unfolded around them. It's certainly an entry that's worthy of the other Gundam series that I've checked out so far.

 

WASHINGTON, Jan 20 (Reuters) - U.S. President Donald Trump on Monday revoked a 2023 executive order signed by Joe Biden that sought to reduce the risks that artificial intelligence poses to consumers, workers and national security.

Biden's order required developers of AI systems that pose risks to U.S. national security, the economy, public health or safety to share the results of safety tests with the U.S. government, in line with the Defense Production Act, before they were released to the public.

 

WASHINGTON, Jan 20 (Reuters) - U.S. President Donald Trump on Monday revoked a 2023 executive order signed by Joe Biden that sought to reduce the risks that artificial intelligence poses to consumers, workers and national security.

 

WASHINGTON, Jan 20 (Reuters) - President Donald Trump once again withdrew the United States from the Paris climate deal on Monday, removing the world's biggest historic emitter from global efforts to fight climate change for the second time in a decade.

 

As a follow-up to my previous post asking for Gundam recommendations, I figured I'd open up a discussion about the OVA I finished tonight, Mobile Suit Gundam 0080: War in the Pocket.

I'll start by restating that I'm a longtime anime fan but a relative Gundam noob, having only just recently watched (and enjoyed) the original Mobile Suit Gundam (0079) original TV series. As a big fan of Gainax/Khara and Kazuya Tsurumaki (FLCL, Diebuster, Evangelion) I've been looking forward to the upcoming GQuuuuuux series, and I've been looking forward to checking out a selection of different well-regarded Gundam shows and films before the new one debuts.

That makes Mobile Suit Gundam 0080: War in the Pocket is an interesting one for me; not only is it pretty highly regarded by fans, but it also has some solid early Gainax connections, as the screenplay was written by Hiroyuki Yamaga (Royal Space Force: Wings of Honneamise, Gunbuster) and the character designs were done by Haruhiko Mikimoto (Gunbuster).

Anyway... Having just finished it a few minutes ago, I feel like it was only alright and maybe a little bit overrated.

To start with the positives, I think the OVA mostly looked great. Character designs are peak 80s anime that remind me of Gunbuster in all the right ways, mobile suits look super cool and detailed, the animations were generally pretty great especially during the battle sequences, backgrounds were mostly good. Having just come from MSG 0079, it really felt jarringly impressive how far the craft of Japanese animation had come over the span of a decade. I also liked the overall scenario and concept of the story--growing up as a middle-schooler during the context of the One Year War between the Federation and Zeon. I think the meta narrative about the idealization of weapons of war was also solid and worth exploring.

But here's where it lost me a bit...

  1. Let me get this one out of the way: the soundtrack sucks, both in terms of how unbelievably cheesy the tracks are, as well as how they affect the overall tone of the scenes. This OVA is just packed full of really mediocre and generic 1980s synth (and maybe early rompler) sounds, which alone isn't that much of a problem (I have nothing against synth or romplers, and I love video game music). But when you combine the super cheesy and oddly upbeat sounding music with what's happening on screen it massively detracts from the mood of whatever is happening. Throughout the entire thing I found the music to be distractingly out of place and a major step down from the great soundtrack of Mobile Suit Gundam 0079.

  2. Despite being a fan of Gainax (or maybe because I'm a fan), I've never really liked Hiroyuki Yamaga or his work. This OVA feels a lot like his film, Royal Space Force, in the sense that you'd be forgiven for thinking it's great because it has some good moments and certainly looks great at times. But a lot of the stuff that happens either makes no fucking sense at all or lacked any emotional resonance (for me, at least).

MAJOR SPOILERS Mobile Suit Gundam 0080: War in the Pocket MAJOR SPOILERSFor example, the main character Al, who is supposed to be likable and relatable, is just kind of a shitty little sociopath. I understand that he thinks Zeon and their mobile suits are cool, as he's viewing the war from a naive and childish point-of-view, but in many of his interactions with other people he just comes across as manipulative and impossible to understand. He gets by far the most screen time, and is really the focus of the whole story, and he comes away affected by the war in the end, but that's about the extent of his growth.

Bernie, the under cover Zeon pilot and character with the second most screentime, has pretty little agency and dies a pretty pointless death in the end. That could make for a good character, if his time was used as a realistic and cynical counterpoint to Al's naive idealization of war. But instead of being a role model (who shows Al that war and Zeon are nothing to look up to and that he's merely a pawn in someone else's greedy scheme, who ultimately goes out in a blaze of glory trying to do the right thing and save Side 6 from destruction), he just plays into Al's naivety. Instead of elevating Al to the levels of a worthwhile hero character, it feels more like he lowers himself to Al's level. (I also don't understand how him listening to some drunk chick at the bar complaining to her boyfriend ended up as his call to action to save Side 6...)

Finally Chris, the female lead, was barely a factor in this story at all and didn't have nearly enough screen time or meaningful interaction with he other two main characters. She's "cool" because she's a cute girl who secretly pilots a Gundam, and she certainly fucks some shit up. But she felt to me like a missed opportunity to tell a more complex story between these 3 characters and their polar opposite paths. I would have liked to see more of her, and I think her relationship to the other characters would have felt more believable had they spent more time actually telling that part of the story.


`

  1. This is a minor complaint, but I think the pacing of this OVA is nowhere near as good as the other ones that I've mentioned above (Gunbuster, FLCL, and Diebuster). War in the Pocket felt a lot more like a film that was broken into 6 parts than it felt like 6 stand-alone episodes telling a short story. I just feel like the available time could have been used better to tell the story from multiple perspectives. (For example, episode 1 being the setup, episode 2 and 4 focusing on Al/Bernie/Zeon, episode 3 and 5 focusing on Al/Chris/Federation, and then episode 6 being the dramatic conclusion that ties it all together.)

Overall, I mostly enjoyed it for what it was. Don't get me wrong!

It was an impressive looking show with an interesting premise relative to the original Gundam 0079 UC series. In so far as I understand the essence of Gundam as a noob--that robots may be cool but war is bad and only hurts people--I think War in the Pocket is a worthwhile story, only held back by sloppy writing and a terribly vibe-killing OST. It's still a pretty easy recommend to Gundam fans, because of how it looks and how it slots into the UC setting, but the flaws are big enough that it would be hard to recommend as someone's first Gundam experience.

What do you all think about Mobile Suit Gundam 0080: War in the Pocket? Do you like it? Does it live up to the hype, in your view? Am I being overly harsh (granted it was just my first watch, and some things are a lot better during a 2nd or 3rd watch)?

 

As a big fan of the Gainax and Khara teams, I'm looking forward to checking out the new Gundam Gquuuuuux. And so, in preparation I've decided to watch some other Gundam stuff, starting with Mobile Suit Gundam (0079) which I've just finished.

So my question for the fediverse today is: having just watched the original MSG '79, what do you recommend I check out next?

Should I just go chronologically? Jump between the "best" ones? Get a sample of series from the different timelines/continuities? What do you all think?

 

It's not on Steam so I can't find anything out about it on ProtonDB, but does anyone know how well this game/version runs on Linux?

view more: next ›