cypherpunks

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cross-posted from: https://lemmy.ml/post/45607884

article text

A folk musician became a target for AI fakes and a copyright troll

Murphy Campbell plays public domain ballads, but YouTube accepted the copyright claim anyway.

by Terrence O'Brien

Apr 4, 2026, 5:52 PM GMT

In January, folk artist Murphy Campbell discovered several songs on her Spotify profile that did not belong there. They were songs that she had recorded, but she’d never uploaded them to Spotify, and something was off about the vocals.

She quickly surmised that someone had pulled performances of the songs she posted to YouTube, created AI covers, and uploaded them to streaming platforms under her name. I ran one of the songs, “Four Marys”, through two different AI detectors, and it seemed to support her suspicions with both saying it was probably AI-generated.

Campbell was shocked, “I was kind of under the impression that we had a little bit more checks in place before someone could just do that. But, you know, a lesson learned there,” she told The Verge. It took some time before Campbell managed to get the fake songs removed, “I became a pest,” she said. And even then, it wasn’t a complete victory. While the offending tracks don’t appear to be available on YouTube Music or Apple Music anymore, at least one can still be found on Spotify, just under a different artist profile, but with the same name. There are now multiple Murphy Campbells — “Obviously, I was thrilled by that,” the real Murphy Campbell said.

Spotify is testing a new system that would allow artists to manually approve songs before they appear on their profile, but Campbell is skeptical after being burned. “I feel like, every time, an entity that’s that large makes a promise like that to musicians. It seems to just not be what they made it out to be, but I’ll be curious to try it out in the future,” she said.

This was just the beginning of Campbell’s nightmare, however.

On the day that a Rolling Stone article was published, discussing Campbell’s brush with AI imitators, a series of videos were uploaded to YouTube through distributor Vydia. Those videos have not been posted publicly, and it’s unclear if anyone other than the uploader, who goes by Murphy Rider, has seen them. YouTube declined to comment for this story.

Those were used to claim ownership of the material in several of Murphy Campbell’s videos. Campbell received a notice from YouTube reading: “You are now sharing revenues with the copyright owners of the music detected in your video, Darling Corey.” The most confusing part, the songs at the center of these claims are all in the public domain, including the classic “In the Pines,” which dates back to at least the 1870s and has been covered by everyone from Lead Belly to Nirvana (as “Where Did You Sleep Last Night”).

Vydia has since released those claims, and spokesperson Roy LaManna says the person who uploaded the videos has been banned from their platform. Of the over 6,000,000 claims filed by Vydia through YouTube’s Content ID system, 0.02 percent were found to be invalid, which LaManna says is, “by industry standards is like amazing.” Continuing, “we pride ourselves on doing this the right way.”

LaManna also says that Vydia has no connection to Timeless IR or the AI covers that were uploaded to streaming platforms under Campbell’s name. While the timing is certainly suspicious, LaManna says the two incidents are separate.

Vydia has received a lot of blowback including, LaManna says, “literal death threats” which have led to the offices being evacuated. Campbell isn’t about to let Vydia off the hook, but notes that it’s not solely to blame. The worlds of generative AI, music distribution, and copyright are complex with multiple points of failure and opportunities for abuse. “I think it goes way deeper than we think it does,” Campbell says.


you can hear some of her music here: https://murphycampbell.bandcamp.com/album/murphy-campbell

 

article text

A folk musician became a target for AI fakes and a copyright troll

Murphy Campbell plays public domain ballads, but YouTube accepted the copyright claim anyway.

by Terrence O'Brien

Apr 4, 2026, 5:52 PM GMT

In January, folk artist Murphy Campbell discovered several songs on her Spotify profile that did not belong there. They were songs that she had recorded, but she’d never uploaded them to Spotify, and something was off about the vocals.

She quickly surmised that someone had pulled performances of the songs she posted to YouTube, created AI covers, and uploaded them to streaming platforms under her name. I ran one of the songs, “Four Marys”, through two different AI detectors, and it seemed to support her suspicions with both saying it was probably AI-generated.

Campbell was shocked, “I was kind of under the impression that we had a little bit more checks in place before someone could just do that. But, you know, a lesson learned there,” she told The Verge. It took some time before Campbell managed to get the fake songs removed, “I became a pest,” she said. And even then, it wasn’t a complete victory. While the offending tracks don’t appear to be available on YouTube Music or Apple Music anymore, at least one can still be found on Spotify, just under a different artist profile, but with the same name. There are now multiple Murphy Campbells — “Obviously, I was thrilled by that,” the real Murphy Campbell said.

Spotify is testing a new system that would allow artists to manually approve songs before they appear on their profile, but Campbell is skeptical after being burned. “I feel like, every time, an entity that’s that large makes a promise like that to musicians. It seems to just not be what they made it out to be, but I’ll be curious to try it out in the future,” she said.

This was just the beginning of Campbell’s nightmare, however.

On the day that a Rolling Stone article was published, discussing Campbell’s brush with AI imitators, a series of videos were uploaded to YouTube through distributor Vydia. Those videos have not been posted publicly, and it’s unclear if anyone other than the uploader, who goes by Murphy Rider, has seen them. YouTube declined to comment for this story.

Those were used to claim ownership of the material in several of Murphy Campbell’s videos. Campbell received a notice from YouTube reading: “You are now sharing revenues with the copyright owners of the music detected in your video, Darling Corey.” The most confusing part, the songs at the center of these claims are all in the public domain, including the classic “In the Pines,” which dates back to at least the 1870s and has been covered by everyone from Lead Belly to Nirvana (as “Where Did You Sleep Last Night”).

Vydia has since released those claims, and spokesperson Roy LaManna says the person who uploaded the videos has been banned from their platform. Of the over 6,000,000 claims filed by Vydia through YouTube’s Content ID system, 0.02 percent were found to be invalid, which LaManna says is, “by industry standards is like amazing.” Continuing, “we pride ourselves on doing this the right way.”

LaManna also says that Vydia has no connection to Timeless IR or the AI covers that were uploaded to streaming platforms under Campbell’s name. While the timing is certainly suspicious, LaManna says the two incidents are separate.

Vydia has received a lot of blowback including, LaManna says, “literal death threats” which have led to the offices being evacuated. Campbell isn’t about to let Vydia off the hook, but notes that it’s not solely to blame. The worlds of generative AI, music distribution, and copyright are complex with multiple points of failure and opportunities for abuse. “I think it goes way deeper than we think it does,” Campbell says.


you can hear some of her music here: https://murphycampbell.bandcamp.com/album/murphy-campbell

 

i hesitated to post this because it is ultimately an ad and the blog post is presumably also largely LLM-authored, but... it is also an actual newly-discovered bug in the Apollo Guidance Computer

🤷

cross-posted from: https://lemmy.bestiver.se/post/1034552

Comments

[–] cypherpunks@lemmy.ml 1 points 1 day ago (3 children)

Should the world just throw away the billions of non-Pixel devices in use today?

And/or should everyone just give up on improving security at all for the vast majority of phone users who cannot afford Pixels, since they can't ever be as secure as a Pixel?

[–] cypherpunks@lemmy.ml -1 points 1 day ago (5 children)
[–] cypherpunks@lemmy.ml 7 points 1 day ago (1 children)

those benefits rely on the Pixel’s hardware

Doesn't GrapheneOS have a lot of benefits besides the 3 pixel-requiring hardening features which are removed in Graphite (and the 3 others which are disabled by default but can be re-enabled on some devices)?

I'm not disputing that those hardening features are worthwhile! Pixels with Graphene are obviously much more difficult to exploit than phones without those features.

But there are billions of non-Pixel phones in the world which aren't about to be thrown away, and the vast majority of phone users absolutely cannot afford a Pixel. GraphiteOS (if it actually works?) seems to me like it is probably a major improvement over the other options available for them.

[–] cypherpunks@lemmy.ml 8 points 1 day ago (7 children)

At that point I’d just use something like Lineage

My impression is that Graphene-without-the-features-requiring-Pixel-hardware would still be a much more secure operating system than Lineage (or the other options available).

[–] cypherpunks@lemmy.ml 10 points 1 day ago (2 children)

Reading that FAQ I get the impression that it should/could run on a very large number of devices, but maybe there is some caveat I'm missing? 🤔

[–] cypherpunks@lemmy.ml 15 points 1 day ago (16 children)

so that many non-pixel devices can have an OS with most of the benefits of GrapheneOS?

[–] cypherpunks@lemmy.ml 1 points 1 day ago (1 children)

You mean GrapheneOS? Or is GraphiteOS a different OS I’ve not heard of?

two years later: GraphiteOS is now a thing that exists https://github.com/cawilliamson/treble_graphiteos

cc @InternetCitizen2@lemmy.world

[–] cypherpunks@lemmy.ml 3 points 1 week ago* (last edited 1 week ago)

The US military takes enlistees at 17 and a half years old. Usually from poor families.

I believe the US lets people enlist at 17 (with parental consent) but they don't deploy them to combat before they're 18.

I encourage you to you watch this movie, btw.

And see also:

[–] cypherpunks@lemmy.ml 8 points 1 week ago* (last edited 1 week ago)

You’re ignoring the fact your article also doesn’t provide source

Which article are you saying doesn't provide a source? I see only two articles linked in this thread and they both refer to several sources 🤔

[–] cypherpunks@lemmy.ml 5 points 1 week ago* (last edited 1 week ago) (4 children)

I am sincerely baffled as to what your perspective about this story is.

Do you believe that EU and US officials are spreading Russian propaganda via the Associated Press about Russia supplying drones to Iran (which, as you said earlier, you believe they do not in fact have the ability to manufacture) and therefore Russia's denial is actually true but also part of their cunning plan to deceive us?

Or what?

[–] cypherpunks@lemmy.ml 5 points 1 week ago (7 children)

Of course Russia denys it

But... just a few hours ago didn't you deny it too? 🤔

("No they aren’t" was your first comment in this thread)

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