Krudler

joined 2 years ago
[–] Krudler@lemmy.world 1 points 10 minutes ago

When I meet a chick in an online dating way, at the first mention of Disney I'm gone. Unmatch, block, whatever's fastest.

[–] Krudler@lemmy.world 1 points 12 minutes ago

Yes, the feigned self-chuckle the other person had out-loud so the entire comment section could listen, is delusional bullshit.

MANY parents (and my sister is one) take parenting way beyond delivering the basic needs and rearing, and turn it into their entire personality. From the outside looking in, I can see a huge "mommy group" of women all in competition to assert who's child has the most afflictions, which mom's kid is the most autistic, which mom has the worst anxiety and needs the most free stuff and pity, who's got the rarest condishun....

Yeah, only a clueless dip would actually think this isn't a real thing. There are a shitload of parents who make parenting their whole life and identity. And they form mini-cults. My sister has been harming her own child since he was born because it gets her more social points in these groups. It's madness.

[–] Krudler@lemmy.world 1 points 25 minutes ago

Star war is for 11-year-olds, David Lucas said it himself!

[–] Krudler@lemmy.world 1 points 37 minutes ago* (last edited 36 minutes ago) (1 children)

No, it really isn't.

We have almost no useful algorithms and there's no algorithms in sight.

And many of the ones that have been assumed to be useful, aren't.

It's a gigantic shell game right now.

3
submitted 1 hour ago* (last edited 1 hour ago) by Krudler@lemmy.world to c/jazz@lemmy.world
 

It's not jazz but it's also not NOT jazz

...a unique tropical-industrial combination where avant-garde meets afro-house, and complex sampling and granular synthesis are fully integrated into frenetic live rhythm section... total fusion of electronics and live music and obliteration of divisions between high and low arts, sublime and vulgar works, avant-garde and entertainment, music...

||ALA|MEDA|| is Tomasz Popowski [aka Hegezjasz Heliopoliczny] (drums, percussion), Mikołaj Zieliński [aka Fratello Quetzalcoatl De Miurgos] (bass, synthesizer), Kuba Ziołek [aka Tanguy de Pesticide] (vocals, guitar, synthesizer, sampler), Łukasz Jędrzejczak (synthesizer, electronics), Rafał Iwański (percussion), Jacek Buhl (drums, percussion), Krzysztof Kaliski (guitar), Piotr Michalski (bass)

[–] Krudler@lemmy.world 3 points 23 hours ago

In my city, there are only two products where it's really worthwhile to seek out major bulk purchase. Otherwise it's kind of an opportunistic thing you just get a deal when you can find one.

The two things are unsalted roasted hullled peanuts and cane sugar.

[–] Krudler@lemmy.world 2 points 23 hours ago

I keep powdered buttermilk around for the occasional time I need to dredge chicken

[–] Krudler@lemmy.world 2 points 1 day ago* (last edited 1 day ago) (5 children)

See Quantum computing.

Once governments started to set aside funding for it, the scams began. Google, Microsoft, they're all in on it

DWave is history, an AI example Builder was revealed to be 700 underpaid Indians.

There's like two useful algorithms right now. That we also can't use because we cannot make matrices of qubits that are stable.

Once the money and hype train starts rolling, it becomes about money men exploiting that hype to multiply their money.. and the technology is completey secondary.

[–] Krudler@lemmy.world 1 points 1 day ago

It's true. We owe a lot of food standards to companies like Heinz, that would put rotten tomatoes (those not even fit for animal consumption) in their ketchup.

[–] Krudler@lemmy.world 0 points 1 day ago (1 children)

When someone describes themselves as "functioning alcoholic" ya just stop reading

[–] Krudler@lemmy.world 2 points 1 day ago

From a game design perspective, realistic graphics are not the right way to go, almost ever.

Players need big, bold, exaggerated, unambiguous visual cues.

Yeah, we need to see a big red glowing guy to know he's the bad dude. We need gigantic oversized, conspicuously obvious doors and portal ways. We need obvious paths stomped out on the ground so we know where is a legal place to go and what is worthwhile. We need the special thing we're supposed to pick up to have a giant glowing pink halo. The bad guys are all supposed to be in the same obvious purple uniform.

Realistic graphics are the crutch of the clueless game designer.

[–] Krudler@lemmy.world 51 points 1 day ago

Tired AF of these non YSK posts.

Nobody needs to know this. Nobody.

Especially when it's an unrealized technology that has been "calculated" to be possible.

[–] Krudler@lemmy.world 7 points 2 days ago

It would not matter if a perfectly scientifically controlled version of this movie was done, people would still not stop bitching.

Stop eating this poisonous shit, it makes you fat as well as destroying your gut biome and hormone balance. Get over it!

5
submitted 5 days ago* (last edited 5 days ago) by Krudler@lemmy.world to c/jazz@lemmy.world
 

"You Gotta Have Freedom" starts the album - a significant and celebrated piece in the genre

 

I don't know what else to say to describe this beyond Title.

Sometimes they hide, sometimes they come back. There is no apparent pattern to this.

If it is a network issue, can Boost please implement a queue and reattempt failed API calls?

 

https://chienchienlu.bandcamp.com/album/built-in-system-2

https://www.chienchienlu.com/welcome

Chien Chien Lu is a jazz vibraphonist, contemporary percussionist, and composer.

 

Masayoshi Takanaka & Santana at Yokohama Stadium

Is it rock? Is it jazz? Is it a jam? Yes.

The solo at ~12m15s is madness

 

Recorded live at "Midsummer Night's Jazz & Rock" held at Hibiya Amphitheater on July 21, 1970

 

The moderator told me questions like this aren't stupid and they're the point of this community.

I want an answer.

 

I can drink a 6-cup pot of espresso and immediately have a nap

I can drink pot after pot of espresso every day (i love the taste and comforting warmth) yet if I travel or "miss" my morning coffee it changes nothing about how I feel or my energy level. No cravings ever.

I kind of would like to get the zap of a good caffeine buzz. It sounds like some kind of amazing out-of-body nervous energy

When I was a kid my friends used to love this stuff called "Jolt Cola" that was marketed as having "All the sugar, and twice the caffeine" of regular soda (lol)... I drank can after can of it and never clued into why I thought it was just regular soda, and my friends were going cuckoo berserk on it

It's a weird superpower. I'm also immune to codeine and similar, which I've come to understand are similar molecules... so it seems to explain something to me. I didn't figure any of this out until my mid 30's. Post-dental surgery, emergency visits and similar was always a huge battle because they'd think I was lying when I said the painkillers weren't working, assuming I was drug-seeking

Just talking

3
submitted 1 month ago* (last edited 1 month ago) by Krudler@lemmy.world to c/jazz@lemmy.world
 

The 7th and final Herbie Hancock album under the Blue Note label before moving to Warner Bros. Records. Recorded in 1969 and released 1970

It is dedicated to the memory of Dr. Martin Luther King Jr. Hancock said he'd been closer to his real self than on any other previous album

Musicians include tenor saxophonist Joe Henderson, trumpeter Johnny Coles on flugelhorn, trombonist Garnett Brown, flautist Hubert Laws, bassist Buster Williams and drummer Albert “Tootie” Heath

Hancock praised Laws as one of the finest flautists in classical or jazz music. Krudler agrees.

This will be my final Hancock post for a while. I listened to all 7 today, and posted as I went. I love full albums, but I also love to hear a series of albums and enjoy experiencing the artist grow

 

Hancock's 6th album is set against the backdrop of social turmoil in the 1960s US

Hancock wanted to picture an upbeat, brighter future, and to rediscover the childhood qualities of purity and spontaneity

Hancock mixes up his front line with Jerry Dodgion on alto flute, Peter Phillips on bass trombone, and Thad Jones on flugelhorn

Ron Carter on bass/rhythm and Mickey Roker on drums

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