this post was submitted on 30 Mar 2025
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It’s been 25 years since China Miéville stepped into the literary spotlight with his novel “Perdido Street Station.”

Combining elements of science fiction, fantasy, and horror, the novel introduced readers to the fantastically complex city of New Crobuzon, filled with insect-headed khepri, cactus-shaped cactacae, and terrifying slake moths that feed on their victims’ dreams. It also sparked broader interest in what became known as the “new weird.”

After “Perdido”’s success (commemorated this year with a quickly-sold-out collector’s edition from The Folio Society), Miéville continued to meld genres in novels like “The City and the City” and “Embassytown.” But he stopped publishing fiction for nearly a decade, only to reemerge last year with The New York Times bestseller “The Book of Elsewhere,” co-written with Keanu Reeves. (Yes, that Keanu Reeves.)

Miéville is also a compelling observer and critic — of politics, of cities, of science fiction and fantasy. So while we started our conversation by discussing his breakthrough book, I also took the opportunity to ask about the relationship between science fiction and the real world, particularly what seems to be a growing tendency among tech billionaires to treat the science fiction they grew up reading as a blueprint for their future plans.

To Miéville, it’s a mistake to read science fiction as if it’s really about the future: “It’s always about now. It’s always a reflection. It’s a kind of fever dream, and it’s always about its own sociological context.”

He added that there’s a “societal and personal derangement” at work when the rich and powerful “are more interested in settling Mars than sorting out the world” — but ultimately, it’s not science fiction that’s responsible.

“Let’s not blame science fiction for this,” he said. “It’s not science fiction that’s causing this kind of sociopathy.”

...

Getting back to your own writing, I know there have been whispers about a big new book coming from you. It sounds like it’s going to be out next year?

Yes, it will be out. I don’t know the exact date, but it will be out before the end of next year. I’m just doing the last bits on it now.

Is there anything you can say about it?

I will just say that I’ve been working on it for 20 years, and that’s not an exaggeration. I’ve been working on this book for considerably more than half of my adult life, and it is a very big deal for me, for it to be coming out. I’m very excited for it.

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[–] Dagwood222@lemm.ee 11 points 1 month ago

I heard him speak once and he gave credit to this woman for starting 'the new weird.'

Tanith Lee. "Night's Master" is about a beautiful Demon Prince who travels the world, seducing and/or torturing Mankind.

https://bookshop.org/beta-search?keywords=tanith+lee

[–] Emperor@feddit.uk 5 points 1 month ago

Good news about the new book. I've yet to read the one he did with Keanu Reeves (might have to wait until Xmas), but it has been a long time since he has written a great (solo) novel and I am excited to hear there is a new one in the pipeline.

[–] DragonTypeWyvern@midwest.social 0 points 1 month ago* (last edited 1 month ago)

Can I blame the readers when the readers want yet another series about Space ~~Fascists~~ Romans? Is that not a reflection of society? Does that kind of genre fiction not contribute to the creation of young fascists?

People say Elon Musk misses the point of cyberpunk. I'm not sure he did, the corporations sure as hell aren't the losing faction in those settings. The meta narrative of sci-fi, even by extremely progressive authors, always portrays the fascistic side as strong for various narrative reasons, while their opponents scrape by on plot armor and trauma scarring. Or just lose.

Obviously sci-fi as a genre alone is not to blame for Musk turning into a Nazi, but ignoring the role popular narratives play in the formation of the overall culture and shaping of perspectives is simply being obstinate.