Want to wade into the rainbow-ridden surf of the abyss? Have a sneer percolating in your system but not enough time/energy to make a whole post about it? Go forth and be mid.
Welcome to the Stubsack, your first port of call for learning fresh Awful you’ll near-instantly regret.
Any awful.systems sub may be subsneered in this subthread, techtakes or no.
If your sneer seems higher quality than you thought, feel free to cut’n’paste it into its own post — there’s no quota for posting and the bar really isn’t that high.
The post Xitter web has spawned so many “esoteric” right wing freaks, but there’s no appropriate sneer-space for them. I’m talking redscare-ish, reality challenged “culture critics” who write about everything but understand nothing. I’m talking about reply-guys who make the same 6 tweets about the same 3 subjects. They’re inescapable at this point, yet I don’t see them mocked (as much as they should be)
Like, there was one dude a while back who insisted that women couldn’t be surgeons because they didn’t believe in the moon or in stars? I think each and every one of these guys is uniquely fucked up and if I can’t escape them, I would love to sneer at them.
(Credit and/or blame to David Gerard for starting this.)
Glitch just wrapped a Youtube series by putting their final episode onto big screens in multiple countries. There's been a lot of media noise about the difficulty of getting films into theaters, and a lot of blaming Glitch, but there's not been any understanding about what Glitch actually did differently that is scaring Hollywood. I think it's that, just like with the Youtubers producing Backrooms and Iron Lung and FNAF, the thing Hollywood misses is the audience demographic. Glitch and other Youtubers are targeting an emerging young-adult audience which wants edgy, gritty, emotionally sincere content that fills the gap between PG-13 and R ratings. To older folks, e.g. Murder Drones is facile cringe, while to tweens (young teens, PG-13 sensibilities) it's too intense and scary. But it's a happy medium for catcher-in-the-rye emo young adults, which is why every second t-shirt sold at Hot Topic has a murder drone on it.
By literally no coincidence, Glitch's next greenlight is a grimdark gritty deconstruction which critiques the dystopia of Disney parks, illustrated by their brand-new 2D animation department, designed by a former Disney showrunner who left because Disney wouldn't let them tell stories aimed at young adults. (Dana Terrace, not Alex Hirsch.) Disney's not the only game in town; Turner previously ran shows by Owen Dennis and Rebecca Sugar while putting pressure on them. Lotta animators with big dreams who have been told "no" by big producers; in particular Lauren Faust supposedly has been waiting for decades for somebody to give her an animation team without creative limits, like Glitch just gave Terrace. (Faust worked on The Iron Giant and animated the character of Sawyer in Cats Don't Dance; the sheer poetry of her career could be enough to transform the industry (again).)