He's not wrong. Previously, on Awful, I pointed out that folks would have been on the wrong side of Sega v. Accolade as well, to say nothing of Galoob v. Nintendo. This reply really sums it up well:
[I]t strikes me that what started out as a judo attack against copyright has made copyright maximalists out of many who may not have started out that way.
I think that the turning point was Authors Guild v. Google, also called Google Books, where everybody involved was avaricious. People want to support whatever copyright makes them feel good, not whatever copyright is established by law. If it takes the example of Oracle to get people to wake up and realize that maybe copyright is bad then so be it.
There was a Dilbert TV show. Because it wasn't written wholly by Adams, it was funny and engaging, with character development, a critical eye at business management, and it treated minorities like Alice and Asok with a modicum of dignity. While it might have been good compared to the original comic strip, it wasn't good TV or even good animation. There wasn't even a plot until the second season. It originally ran on UPN; when they dropped it, Adams accused UPN of pandering to African-Americans. (I watched it as reruns on Adult Swim.) I want to point out the episodes written by Adams alone:
That's it! He usually wasn't allowed to write alone. I'm not sure if we'll ever have an easier man to psychoanalyze. He was very interested in the power differential between laborers and managers because he always wanted more power. He put his hypnokink out in the open. He told us that he was Dilbert but he was actually the PHB.
Bonus sneer: Click on Asok's name; Adams put this character through literal multiple hells for some reason. I wonder how he felt about the real-world friend who inspired Asok.
Edit: This was supposed to be posted one level higher. I'm not good at Lemmy.