this post was submitted on 26 Apr 2026
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I rewatched Dune part 1, hoping to take away a better impression than I had when I saw it in theaters. Unfortunately I still don’t find much of value in it. I still need to rewatch part 2, and maybe that could still change my mind. But I’m not holding my breath.

In brief, Dune seems deeply misanthropic. The message is: the masses are irrational and easily duped by conniving populists that promise revolution. Simultaneously Horseshoe Theory and Great Man Theory. It is a diatribe against democracy and the intelligence of the underclasses.

Am I massively missing the point of this story? I have sought a Marxist analysis of these movies, and the ones I have found only ramble aimlessly the cleverness of Villeneuve for subverting the spaghetti-western hero trope and for being “self-aware” about Orientalist and colonial themes. As far as big-budget media goes, I think Andor is far more useful for leftist agitation than Dune could be.

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[–] Runcible@hexbear.net 26 points 2 weeks ago* (last edited 2 weeks ago) (1 children)

it's weird to me when I see (and you haven't done this) people complain about the white savior thing in Dune. Paul is an unmitigated disaster for the fremen and it's really explicit that he's destroying their culture before he leads them on infinite war (I did not read the following books)

edit: realized this was possibly off topic cause I can't remember the movies vs the book, let me know if I should delete.

[–] quarrk@hexbear.net 12 points 2 weeks ago* (last edited 2 weeks ago) (3 children)

I’ll have to reserve any detailed comment about the white savior thing since I barely remember part 2. But from memory I remember it depicting the Fremen as being uncritical religious fanatics rather than a planetary civilization motivated by political economy. It doesn’t make sense to me that they can, at once, be responsible for perfect adaptation to the harsh desert environs, but lacking the collective intelligence to liberate themselves without a savior.

[–] Sulvy@hexbear.net 18 points 2 weeks ago* (last edited 2 weeks ago)

The books do a much better job of depicting this, but if I remember correctly, part of how the Fremen survived the occupation of Arrakis by the Imperium (who have massive spaceships capable of orbital bombardment) was by being fractured, secretive, and isolationist. I don’t think their lack of revolt, which ends horribly and is actually a condemnation of the white messiah trope, is meant to show their lack of collective intelligence, it is simply a byproduct of their survival methods and the technological gap between them and the Imperium.

Also, prior to Paul, I think their ultimate goal was the terraform Arrakis to a lush green planet, which is why they store water in their sietches. They did not have any ambitions beyond Arrakis, which is what it would ultimately take for them to secure the planet ironically.

[–] tactical_trans_karen@hexbear.net 12 points 2 weeks ago

The Fremen are portrayed with more agency and intelligence in part 2. But it's just the believers and non believers.

[–] MLRL_Commie@hexbear.net 9 points 2 weeks ago

Yeah my critique of it isn't that vellenevue wants to make a white savior, and Herbert didn't either. But that the gaps left by subtext and lacking material explanations leaves a gap which can fill its opposite intended narrative easily. We can blame conservatives and libs for misreading art, or get serious that responsible art shouldn't allow itself to be useful in any way by enemies. Andor has no way to be read as positive to empire or settlers.