See, the problem with woman soldiers and artists is that there's too much agency. Too much defiance of gender roles. You're trying to have your cake and eat it too. That will get you funding and you can argue about democracy in the middle east. If you want fans of your fascism she needs to be barefoot and pregnant. You'd basically need to be a grungy reskin of the 1950s. You'd need full tilt islamaphobia.

The more I think about it, actually, the more central the quintessential man needs to be. He needs something almost (appropriated) punk rock and aloof about all the murdering. The sort of "I don't know what it's like to kill a man, I only kill [children]". Some kind of bushido/I do it for my kids while smoking a cigarette.

No, final answer: he's basically a more sadistic version of the guy from the Hurt Locker. You lean all the way into that Satanic "leave them at peace but if they attack, give em hell". You recontextualize the whole history with this devil may cry, akira slide, cig smoking bad ass who revels in seeing bad guys get owned. Make every grieving child into a soyjak archetype. At that point you have a Doom guy, retributive justice loving sort of motherfucker who potential fans can sink their teeth into. You appropriate Punisher and Doom Guy essentially. AND MAKE IT A DUO. THATS THE FUCKIN MOVE! The problem with Nazis is they're too atomized. Your innovation is to bring back having a war bro.