And I ran it through a black and white filter which gives it a different flavor.
The cream for the sweet pierogis isn't exactly whipped cream. I can't quite identify it, but I think it is some kind of sweetened sour cream (this is something I've have before) that's been whipped to bee less dense than normal sour cream.
These aren homemade, I got the plate at a small independent restaurant.
The sweet ones have a sweetened twaróg cheese filling, and the hot ones have a mix of potato and habanero.
This appears to be a photoshop of the Old Trace sign, with the oldest posting coming from Reddit's politicalhumor community.
I don't think allowing photoshopped images in a community intended for photographs is a great idea. There are already numerous communities here where the photoshop picture can get exposure without cutting into one of the few spaces for photographs.
Everyone on the internet is always serious.
Crossposting to !artshare@lemmy.world will give you more eyes from people interested in community made original art (but it's also welcome here.)
Description: These two combatants are engaged in a foot tournament that was popular beginning in the 16th century. The object was to cut a dashing figure while breaking blunted pikes or swords over the opponent's helmet and left shoulder. The brow above the visor was the main target, explaining the damage visible on the helmet of the figure on the right, about to receive a blow. Points were awarded for each hit. The barrier protected against illegal strikes below the waist, making armor over the legs unnecessary.
The spectacle of these tournaments could be as extravagant as any joust. Performed both indoors and out, the entrance march of the combutants could be well choreographed with speeches, cantatas, parade floats, pyrotechnic displays, beating druns, and blearing horns. Early opera has its roots in this theatrical sport.
Description: A startling juxtaposition of images, The Rock depicts a shattered red rock resting on top of a base that is being demolished by workers below. Peter Blume labored for years to complete this painting, which was commissioned in 1939 by the Edgar Kaufmann family for Fallingwater, their Frank Lloyd Wright-designed home in Pennsylvania. Although the complex imagery resists easy interpretation, it may point to devastation and reconstruction, reflecting the turbulence of World War Il and its aftermath. In the end, The Rock proved too large for Fallingwater and it was never displayed there.
Manufacturer: Elisha Haydon Collier (American, 1788-1856) London Steel, silver, brass, walnut, leather, and flint.
Made for the thread.