cerebralhawks

Facts

Thanks! I'm new to this so still finding my way. I appreciate the clarification.

Maybe it’s the original? I don’t know. Doesn’t really matter. The Fediverse means all these Lemmy instances are networked, meaning if one kicks you off it you decide you don’t like it, you can join another, as opposed to Reddit, where if you say something one group doesn’t like, they can kick you off the whole platform.

Sorry about the late reply. I'm new to Lemmy, and looking for AC/ACNH communities to join, and share with.

I've used TIs (Treasure Islands) from these people, and if you have Amazon Prime, you can also donate a Twitch sub. Prime gives you one a month at no extra fee, but you do need to have Prime. You can get a trial if you want to use the TIs for a month for free.

People leaving silently (via the minus button) is something I think a couple people do intentionally. They will wait until someone joins an island. Sometimes they follow you around, grabbing the stuff you're interested in. Sometimes they just hang back a bit. After you get a bunch of stuff, sometimes when you go to leave, they quietly leave so you lose all progress. Unfortunately the people who run the TIs really don't care all that much. You can report them (you can see who they are and keep tabs on them, so if they request a Dodo code, you can finish up and leave before they get their Dodo code put in) but it won't do much good. I think it's a game to them, like hunting. I bet they figure if fewer people use the TIs, it's fewer load times for those who are willing to deal with the occasional griefer.

Also, helps if you go during non-peak hours. TIs typically run 24/7.

Disco Elysium is the kind of game I'd love to sit down with the developers/producers and try to play it, and ask them questions about it.

I own it on Steam, but I can't remember if I bought it because it was on Mac, or if I bought it before I switched. Either way, I've tried to start it a few times and I just don't get anywhere. It's the kind of game I should like, but I don't have the patience to learn it.

Some people say you can use a de-Googled Chromium browser to enjoy the fruits of Chrome without supporting Google's ad business. I say just use Firefox.

By the same token, when some people say to buy an Android phone and deal with CFW, I say just get an iPhone.

I mean either way, Google gets your money and you contribute to Google's market share by buying one. Not using Google Play Services as an individual does not hurt them nearly as much as their efforts to keep you from doing so implies it does.

Of course, switching phones can be costly, but if you're in the market for a new one, I would say if you're going to pay roughly the same price, let it be the more private one, albeit the one that is further from open source. I mean it runs iOS, which is a stripped down version of macOS, which is UNIX certified, but you can't run a few apps that Apple doesn't approve of. Fortnite is back and emulators are back though, so a lot of bases are covered.

That said... the keyboard sucks. Sometimes if I'm gonna be typing (e.g. using Lemmy), I'll actually turn on my old Galaxy S10, just to use Gboard (which is on iOS but sucks there). I like my 16PM for a lot of things, but typing isn't one of them.

So yes. You can stop rewarding Google's bad behavior by not buying their phones. Draw a hard line between your personal data and their servers. But in doing so, consider getting in bed with a different monster rather than "the devil you know." It's not an easy decision. And, as a guy who's been mainly on iPhone for almost 10 years... I kinda want a Pixel. Maybe not the newest one, but I mean, I'm using a 6-year-old Galaxy phone and it's fine. I like both platforms. Both have their strengths. But I personally trust Apple more than Google. To each their own though.

I don't think I ever had a Discman until I bought myself the $150 Philips model that also played MP3 CDs. It was a fine CD player with good anti-skip, but you "only" had 80 minutes per disc.

With MP3 CDs, you could have several albums up there and the quality seemed to be about the same. The organisation was not so great and it was hit or miss what album number your albums would be (and I think it could change from day to day, so it wasn't like you could Sharpie it on the disc), but the anti-skip became nearly perfect as most of the song would be played from the buffer. I think (but I'm not sure) that made it spin less and thus, saved battery life. Makes sense anyway.

Dexter technically hasn't ended, unless you mean the series Dexter.

There have been two spinoffs, and the second one hasn't ended yet. So for the people who say Dexter should have died/been exposed/caught/shamed at the end... well... it hasn't ended yet.

Also, the books are wilder. In the last one I read, the little boy and girl of Rita's were getting into killing. The little girl says "I don't kill because I'm a girl, so I'm just the lookout for my brother." The brother kills animals, the girl watches out, distracts anyone who might come around, basically runs interference for him. IIRC they're twins and maybe the book tried the whole "psychic twin connection" stuff? It's been a while. The book just gave creepier vibes than the previous ones and I quit there.

The problem with the LOST ending was, it wasn't planned. They wrote themselves into a corner.

I'm good with the ending, too. I'm also good with people roasting them for it. And I'm also good with situations like in FROM where Harold Perrineau said he wouldn't work with them (same people) if they didn't have the ending pre-planned in advance. They even poke fun at the LOST ending in one of the early episodes, implying it won't go that way.

Not a truck driver, but an American who has seen this question answered, and it applies to lorries, too (we call them box trucks, like moving trucks, here — I don't know if you call a full tractor-trailer a lorry).

It's absolutely to reduce drag, and when they travel in a convoy, they typically do it with all members knowing full well what they're doing, and they take turns leading (as that one gets the wind resistance the others avoid). So yes, they're saving money on petrol (gas), they're saving the environment, they're saving time... it's just annoying if you want to get over past them. They should let you through but it's annoying you have to ask (with your signal). Typically our big trucks tend to do their thing and stay out of peoples' way, but sometimes they wanna act like they own the road (and they're unfairly maligned in thriller films).

Wow. I cannot see Adam Scott as David Fisher. I could see him as Nate Fisher, though.

People listen to the audiobook of Stephen King's Pet Sematary and think they're listening to Dexter narrate it (it's narrated by Michael C. Hall). No, that's David Fisher narrating it. But everyone knows Hall as Dexter Morgan, and that's fine.

Six Feet Under is still legendary and still relevant, and it still has the best ending on television, bar absolutely none. I was borderline pissed off when Luther tried to use that song ("Breathe Me," by Sia) near the end of the first series. I did have to look up to see which show did it first — it was absolutely 6FU.

I knew they were from the 80s. I did not think they came out before '88-'89 though.

I remember when the CD was relatively new. And they were still writing the standards for it. Red Book is the standard for CDs. Philips, Sony, and the others went to the record companies and they negotiated quality vs storage amounts. The quality the music industry demanded would have allowed about 8 minutes per disc. The compromise got that up to 80 minutes. Now, CDs have pretty good quality audio. For a while we said "CD quality audio" and that meant something, largely in gaming, but also in streaming later to differentiate from lossy audio (that, to most of us, sounded the same). Later we'd surpass "CD quality audio" (e.g. Dolby Atmos on Apple Music... though, not everyone agrees spatial audio is an improvement) but for a decade or two, it meant something.

Anyway, my first CDs were "Bat Out of Hell II: Back Into Hell" by Meat Loaf, and yes, I understand what he won't do for love. I don't know why this was ever questioned. Certainly not by anyone who listened to the song. He said he wouldn't move on after she died. Because the fictional version of him talking was this immortal type, like a benign vampire or something. She made him promise that when she died, he'd move on and find someone else. That was where he drew the line. It's literally right there in the lyrics and it isn't hard to understand. The others were the Bodyguard soundtrack (so, mostly Whitney Houston), and "No More Tears" by Ozzy Osbourne. So, early 1990s. CDs had been out for a while, but I was happy with tapes for some years before I got a CD player. And, fun fact, I at least had the Meat Loaf CD for a while before I got my first CD player. I just kept it in a drawer until I could play it.