StillPaisleyCat

joined 2 years ago
[–] StillPaisleyCat@startrek.website 0 points 1 month ago (1 children)

Relative to the abysmal corporate communications Star Trek has received as a franchise since the ViacomCBS merger (while at the same time largely shutting down more informal social media outreach from anyone but the showrunners), this shows some promise.

It’s hard to imagine that the Skydance merged firm would be yet worse than Paramount for corporate managed communications.

I find that I need to do some other activity while listening to podcasts. Often it’s a puzzle game or other phone activity that doesn’t require unbroken concentration.

But the quality of the sound and voiceovers or voice acting is really crucial to holding my attention.

In this case, it’s really unfortunate that Sonja Cassidy was cast as Dr. Lear. Or, perhaps it’s just unfortunate that she was asked to use an American accent. While some actors can maintain the quality of their performances in another accent, there are British actors who end up with muddy enunciation or less credible performances even if the accent is fine.

Cassidy’s performance as Dr. Lear sounds more like reading than acting for much of the opening minutes. Alternately, her expression, when it does happen, seems artificial. The unpolished performance is all the more noticeable in contrast to the excellent performances by George Takei as Sulu, Tim Russ as Tuvok and Wrenn Schmidt as Marla McGiver, and even the brief interjections of chair of the review committee are more compelling.

Given how many lines she’s given in the opening minutes as the framing story sets the stage, it’s truly unfortunate.

Perhaps all Flint needed was to surround himself with a lot of genuine Earth artifacts (not replicated) to ensure that he had the necessary isotopes or quantum signatures or whatever that Lanthanites need to retain their longevity.

[–] StillPaisleyCat@startrek.website 14 points 1 month ago* (last edited 1 month ago) (1 children)

My headcanon is that this is an in-universe show that the kids on the Enterprise D enjoyed.

Boimler grew up with it and has ALL the nostalgic merch. Mariner also has the merch hidden in the ceiling panels but would never admit to it.

[–] StillPaisleyCat@startrek.website 3 points 1 month ago (3 children)

Will there be an episode by episode discussion thread?

I think you’re thinking about the 1979 novel Enemy Mine, and 1985 movie. Which itself was building off any number of shipwreck and wartime survival tales.

Enemy Mine has been repeatedly adapted to Trek shows from TNG’s early episode where Geordi and a Romulan survive together.

Using this trope again with a ‘curious demigods running experiments’ twist is novel enough. In fact, it’s harder to believe that Arena was the first time the Metrons put humanity and Gorn into one-on-one engagement.

As for the Martian, book or movie, they’re both pretty weak, derivative, middle school stuff. They’re overhyped and couldn’t hold the attention of the hard scientists in our household. If the middle school (sanitized) version of the book hadn’t been so hyped for our kids, we wouldn’t have made the effort to slog through it before they read it.

[–] StillPaisleyCat@startrek.website 5 points 1 month ago* (last edited 1 month ago) (1 children)

Glad that you’re getting to read Destiny.

The thing is that, being an avid TrekLit reader, I’d previously just thought your alias was a deep cut rather than your own creation. Either is very cool.

Most of the shows with ‘teenagers’ have casts in their late twenties or thirties.

I have a similar basket weave pattern that I like to use for baby or crib blankets.

I make slightly larger blocks and rely on stitch markers but as OP says it’s something one can knit without having to give it one’s full attention.

It’s also a nice clean pattern that doesn’t have the risk of catching on things. It also washes and wears well.

It seems the Metron scene was necessary for the very vocal contingent of fans who have relentlessly expressed their outrage about the Gorn storyline not fitting in their headcanon about Arena.

“People know” comments, such as the one in this article are increasingly annoying. Mainly, because they are simply wrong.

No, we don’t know that Ortegas and La’an aren’t on the ship in the first year of Kirk’s command.

Sulu was a xenobiologist at the beginning of TOS, and Kirk had already been captain for some time. There was a bit of a rotation of pilots in the initial episodes.

TOS didn’t even have a regular security officer.

Building on that VS, DNA was barely discovered by Watson and Crick when TOS fan, so we should be able to work the implications of the growing body of knowledge of genetics into what we have done before.

We don’t hold Star Trek back from incorporating advances in real life scientific and technological knowledge.

For example, growing understanding in nanotechnology informed many elements of 1990s Trek. We didn’t say that nanotechnology shouldn’t be referenced just because it wasn’t referenced in TOS.

In fact, Roddenberry insisted that Star Trek always be a possible future for the viewers and insisted on changes and corrections to address changes in knowledge.

In the case of what we saw in this episode, knowledge of epigenetics, an entire domain of understanding that has developed in this century, informed the situation.

Epigenetics can be defined as “The study of the processes involved in the genetic development of an organism, especially the activation and deactivation of genes.”

We were told by Una that, because the Karkovian serum was derived from Spock’s DNA it reflected Spock’s experience. This means certain Vulcan genetic traits were already ‘switched on’ by environmental factors, that could include experiences like meditation, that would lead to ‘switching on’ the genes that enable functioning of the specific Vulcan brain structures noted in Voyager.

 

This is good news for assuring that SNW’s 3rd season production will move ahead after the strike.

Greenlighting a couple of extra episodes and a 4th season would make strategic sense, but I’m just not willing to give Paramount the benefit of the doubt on that.

 

For those not already aware, Michele Stokes a fan in the UK raised over $US 1200 through a GoFundMe to pay for a skywriter with a #SAVESTARTREKPRODIGY banner.

It flew midday today in LA. The ScreenRant article captures much of the social media including a few videos, and the reactions of the Hageman Brothers and @GoodAaron@startrek.website.

Michele Stokes is also the fan who started the change.org petition to Save Star Trek Prodigy. It’s been progressing slowly since it surpassed 30k signatures during SDCC, and is very close to 33k now. If you haven’t signed and are willing to deal with the platform (which is now monetized), Prodigy could still benefit from your support.

 

Working from the oral history in The Five Year Mission: The next 25 years, this is a fascinating deep dive that answers the question “How did a recycled cover of a 1998 song written for Rod Stewart, ‘Where My Heart Will Take Me’ aka ‘Faith of the Heart’ become the title music for Enterprise?”

Also, after resisting melodic scoring in all the 90s shows, it turns out this was the music Rick Berman liked?!!

“…I, for one, can tell you that I thought it was a great opening and I'm not alone in that. I don't think I'm in the majority, but I'm not alone."

And it seems the song does have its own subniche of supporters who share Berman’s view. (But not I.)

 

@GoodAaron@startrek.website has shared the news on Mastodon.

The GoFundMe has exceeded its goal. The organizer described it as follows:

The plan is to hire either a skywriter or sky banner to make passes over the offices of potential new homes for Star Trek Prodigy, namely Amazon, Netflix, etc. The more we're able to raise, the more streamers we'll be able to lobby and the louder we'll be able to shout about what an amazing show Star Trek Prodigy is - for fans of all ages.

 

cross-posted from: https://startrek.website/post/1026553

Here’s something to fill some gaps in your viewing schedule. While not science fiction, this show could appeal to SNW fans and deserves a bigger audience.

SurrealEstate is a Canadian live-action supernatural drama with a light leavening of horror, produced for CTV Sci-Fi Channel, and picked up Syfy. The first season also ran on Hulu in the US after its linear run. It was canceled by Syfy US, then uncanceled when it got picked up by the Syfy channels in Europe.

It’s quirky, full of gentle ironic humour, in the way Canadian shows can be. Tim Rozon of Wynonna Earp stars along with Sarah Levy of Schitt’s Creek. Melanie Srofano (Captain Betel in SNW) directed two episodes in the first season and was reportedly back to do more.

Similar to SNW, SurrealEstate mainly episodic with light serialization coming from character arcs. It has a generally positive vibe, with a team of intriguing and diverse characters solving mysteries and clearing houses of supernatural detractions so that they can ‘achieve their true market value.’

From the season one promotional listing:

Real estate agent Luke Roman is the owner of The Roman Agency, a boutique residential real estate brokerage specializing in "metaphysically engaged" properties, also known as haunted houses. Luke has a special connection to the spiritual realm; he can not only sense the presence that might inhabit a client's house, he can often communicate and negotiate with it. Along with his team, Luke takes on the houses nobody else can or will.

If you haven’t seen season one, I firmly recommend catching it on demand on CTV (which is offering it currently offering it free to non-subscribers), on the Syfy app or on Hulu.

 

What can I say, all that pink and purple just seems to be meant to be together.

Credit again to Trek Core for their excellent TAS BlueRay screencap library.

Editing to add: love Barbie, pleased to see the movie out earning most of the comic heroes, always glad that TAS and Prodigy make themselves appealing across genders.

 

Looking forward to this ‘Picard’ tie-in novel telling the backstory of how Seven joined the Fenris Rangers.

Mack says he’s submitted front matter with starcharts. I love that kind of stuff.

 

The NWT government and city of Yellowknife are describing in tweets, Instagram messages etc. how to search key evacuation information on CPAC and CBC. The broadcast carriers have a duty to carry emergency information, but Meta and X are blocking links.

While internet access is reportedly limited in Yellowknife, residents are finding this a barrier to getting current and accurate information. Even links to CBC radio are blocked.

 

In the midst of Barbie-pink dominance, TAS would like a word.

Star Trek’s own home of pink, purple and lime green has something to say.

 

This is a great interview with some significant behind the scenes perspective, and affirmation that fan advocacy is having an impact.

KEVIN: When interested parties with offers come forward, we’re going to be a part of that conversation. . . All we know at our level right now is that there’s active talks happening, right now. . .

** TREKCORE: What can Prodigy fans do to support the efforts that might be happening behind the scenes?**

DAN: I think they’re doing exactly what they —

KEVIN: They’re doing more!

DAN: More than we ever asked for, or expected.

KEVIN: All the noise they’re making out there is fantastic. I don’t think that telling Paramount+ to pick us back up again is going to happen; I think they’ve made their choice. Now it’s about telling Amazon, Netflix, Hulu, or whoever that “Hey, here’s a great freaking show!”

DAN: Just tell people about the show! Because I think Prodigy looks like one thing from an outsider’s perspective — it could look like a young show, or a show that someone might not be into. But when people say “There’s some great storytelling in there!” or “You don’t even need to have children to enjoy Prodigy…”

KEVIN: Spread the word, it’s an all-ages show.

 

And people wonder why the Titan-A’s holodeck Ten Forward program ran when the ship was power rationed…Or, how many space anomalies does it take before Starfleet mandates failsafes?

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