StillPaisleyCat

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[–] StillPaisleyCat@startrek.website 1 points 51 minutes ago

Well, that’s a lot. I’m not sure why I didn’t expect a cliffhanger, and I hope there won’t be one at the end of the season.

As we saw the wall of omega-47 mines, it occurred to me that Brakka had told Ake what he wanted in episode 6 — a return to the isolation of planets that gave him and the Venari Rahl their power — but neither she nor Vance appreciated the scale of his ambitions to return to the anarchy of past century.

And the Federation should have anticipated this kind of challenge to come from some quarter, even if they’d come to detente with the Emerald Chain. Those who benefited from the systems that were built up over the century of the Burn would have nostalgia for it and distrust against the Federation would not vanish quickly.

I appreciate the narrative structure of the season, Anisha and Caleb Mir represent those who struggled to get by around the powers and forces of the Burn. There is a personal story and a societal story about making choices to take the risk to move towards something better — as found family and as a society.

As it goes on, this show reminds me increasingly of The Magicians, on which SFA showrunner Noga Landau was a head writer at one point. There’s the quotidian developmental, coming of age challenges of students in their undergraduate years juxtaposed with massive and truly menacing events.

Bella Shepherd, who plays Genesis, said in an interview that Frakes was originally booked for direct her character’s feature episode in season two, but then he couldn’t be available because of conflicts but was expected to direct a later episode. It sounds as though they couldn’t make the schedules mesh.

Is it just me, or did the reuse some of the sets or set dressings from Picard season three and Discovery seasons one and three?

We hear that the production packs things up and puts them in storage as much as reasonably possible.

My recollection is that he said, “I stopped trying after that one after she escaped from the penal colony.”

 

This casting announcement passed me last week — Paul Wesley will be in the recently greenlit third season of The Buccaneers, AppleTV’s historical romance drama loosely based on the popular novel by Edith Wharton.

It’s a bit of a milestone in SNW cast making new commitments in the absence of any confirmation of a sequel series.

I loved the Relaunch novelverse but I also love the new shows.

It’s unfortunate that the IP holder decided that for the books — unlike Star Trek Online — the storytelling in the alternate timeline couldn’t continue.

These are the 2025 Emmy awards.

Not sure why a July 2024 release didn’t meet the cut off date for that year’s awards. Perhaps since the Emmys were originally for a standard September to June television broadcast schedule, July streaming releases get bumped to the next year.

Star Trek does better when it shows us the process of science and engineering rather than science itself.

I’m so very glad to see that Prodigy’s excellence continues to get the acknowledgment it deserves from within the creative community.

This Individual Achievement award is determined by the animators’ guild not an open Emmy vote. Having the winner for each of the show’s two seasons demonstrates the respect the work has within the animation community.

 

Crossposting here to quark’s…

Well known comic publisher IDW, is getting into official/licensed TTRPG’s with a forthcoming Godzilla TTRPG funded by a Kickstarter campaign that’s already well surpassed its pledge objective.

From what I can see, IDW’s games line has only done tabletop board games up to now, and has relied on Kickstarter to create momentum as well as raise funds.

Star Trek Adventures, and other franchise TTRPGs, are published by UK-based Modiphius Entertainment. It sounds like IDW is trying to establish itself as a competitor.

 

IDW Games is running a (seemingly quite successful) Kickstarter campaign to raise money for an official/licensed GodzillaTTRPG.

Who knew?

From what I can see, IDW’s games line has only done tabletop board games up to now. For this official Godzilla TTRPG, they have engaged established Warhammer 40k game designers, and unsurprisingly have overshot their minimum requirement for pledges. The pledge campaign will run until Thursday, April 2, 2026.

There are various pledge tiers that will provide backers anything from just a digital copy to ones that have a hardbound book and/or a box set, playing cards, playing mat, and even a new sculpt Godzilla figurine.

 

More is coming from the makers of Godzilla Minus One (2024)!

In addition to the licensed continuity of the Legendary Pictures Godzilla (2014) movie, its sequels and the expansion of the franchise to television on Apple, Toho is investing further in the success of its Oscar winning 2024 retro film.

Godzilla Minus Zero now has confirmed release dates of November 3rd in Japan and November 6th in Canada and the US. As well, an IMAX release has been confirmed.

Yup.

And that Alcubierre’s effort, as a theoretical physics PhD student, to prove mathematically that there was a an exception to General Relativity that would make warp possible, was inspired by Star Trek’s fictional drive and not vice versa.

[–] StillPaisleyCat@startrek.website 2 points 1 day ago* (last edited 1 day ago) (4 children)

I and the physicists I know will go to the mat on the principal that the Alcubierre Drive is the first real life physics closed form proof of a warp drive.

For the purposes of this discussion though, the more fundamental point is that Alcubierre’s theoretical proof of concept for warp drives was created in the mid 1990s nearly 30 years after TOS first broadcast and TNG had completed its run.

As I have said here before, following the norm in mathematics-based theory development, Alcubierre started with a tractable corner case. This means he set a number of obviously necessary parameters to zero to make it possible to get to a closed-form solution that didn’t rely on crunching numbers.

His objective in his PhD thesis was prove there was an exception General Relativity that makes warp drives possible theoretically.

He did that, and as is usual with corner solutions, came up with something fairly absurd that would involve massive amounts of exotic matter and couldn’t steer a course due — simply because he intentionally set those parameters to zero for the purposes of the proof.

It’s a misunderstanding of the way theoretical reasoning and research gets done to say that Alcubierre’s warp drive isn’t the one in Star Trek, simply because he chose the simplest case for his proof. The Star Trek warp drive would involve setting these parameters to positive values - but that doesn’t mean it’s a different theory at the fundamental level.

As usual, more realistic applications of the theory, with nonzero values for those parameters that would:

  • actually allow a ship to enter warp from a sublight velocity
  • permit the ship to control its direction while at warp, and
  • would not require massive amounts of exotic matter,

are very likely to involve massive amounts of numerical approximations calculated by a computer and advances in materials science.

Unless someone finds a mathematical trick to get around the numerical approximations with a better closed form solution — and comes up with a materially different basic warp drive equation — whatever we get eventually from this line of research will still be viewed as Alcubierre’s drive. Or, also likely an Alcubierre-OtherPerson drive.

 

There’s a fair amount of Star Trek fan angst and speculation now that production in Toronto has closed down and decisions on the future of both the television and movie franchises are pending under new ownership.

As a friendly reminder and encouragement, Treklit kept many at of us engaged during the last hiatus of production and it continues to offer a vast library of content.

Simon & Schuster, the principal holder of a TrekLit novel publication licence, offers regular discounts on Star Trek ebooks through major booksellers.

The listing at the link is for the United States.

However, similar promotions are available in other countries. The easiest way to find them is to search for Star Trek and set the order to put lowest cost first, or to filter for only low priced books.

 

Spoiler warning

Apple has released a one minute clip from M:LOG 2 x 02 Resonance to keep the first week momentum rolling.

As this post is about the upcoming episode based on the description, publicity photos and this new clip, spoilers and speculation on currently available information are allowed.

[–] StillPaisleyCat@startrek.website 2 points 2 days ago (2 children)

It’s a 4X Strategy Game with middling reviews. Generally described as a fairly generic “strategy base building survival romp.”

I haven’t tried it as yet but was thinking of picking it up on Steam. I would be very interested to hear from anyone who’s played it on a PC — all the reviews I have seen have been for the mobile game.

 

There’s a rich history of Godzilla themed games.

Godzilla x Kong: Titan Chasers is a 2024 Monsterverse-licensed game that has announced an official event featuring the new Titan X from Monarch: Legacy of Monsters.

An ancient Titan has risen from a mysterious Rift with a swarm of Scarabs. Monarch needs you to stand with Godzilla & Kong to restore balance to the Siren Isles.

Join The Chase.

Godzilla x Kong: Titan Chasers is available on Android, IOS and PC for purchase through the Google Store, AppStore and Steam.

Wikizilla page for the game.

 

Lee and Keiko investigate a secretive village with a cult devoted to a mysterious creature. Cate crosses paths with a deadly stowaway.

Release date Friday, March 6, 2026 — actual drop will vary by time zone.

The medics talked to Keiko about a decompression period - and that it takes longer the longer someone is in Axis Mundi.

Perhaps there’s a window when someone is in transition that they can remember but it fades.

 

Having posted Flix Patrol’s show specific ranking charts, I thought to look to see if Parrot Analytics has anything of interest available for public view.

What I found is their 2025 analysis of trends is now publicly accessible.

It tells a story of how the United States entertainment media production no longer dominates globally the way it did not long ago. Streamers that assume they can just make things to target the US market, and then free ride with revenues globally, don’t seem to be the ones to succeed in future. (Looking at you former Paramount owners and senior executives.)

The report’s top bullets:

Across TV, movie, and talent, 2025 reinforced several strategic realities:

  • Audience demand is a leading indicator of value, not a retrospective metric.
  • Global travelability increasingly determines upside, even for regionally rooted IP.
  • Sustained engagement matters more than launch spikes for long-term economics.
  • Fandom behavior has become a structural driver of performance, not a side effect.

Parrot Analytics is incorporated in the UK, and relies on diverse metrics beyond viewer minutes to construct estimates for the demand for a show or movie. They argue that this is a more effective tool for planning and marketing screen content than just past viewership but they certainly incorporate actual viewership numbers and demographics in their analysis.

 

Flix Patrol’s public ranking statistics for Monarch:Legacy of Monsters seems to tell the story of a show that’s a good fit for its platform and performing well.

  • an average global rank of 1.9 on Apple, #1 in the US and a widely diverse range of Asian, European, and Latin American countries, but slightly less popular in CANZUK interestingly.

  • not performing particularly well on Amazon channels - 9th in the US and 10 th in Germany.


It’s a show that fits Apple’s growing brand of high quality, high budget science fiction that goes beyond established American sci-fi and comic franchises.

Hopefully, this means that we’ll see a third season of M:LOM greenlit soon in addition to the recently announced ‘Lee Shaw in the 80s Cold War’ show.

 

Much has been made about SFA’s less than stellar ranking on Paramount+ in the United States and the early US Nielsen rankings (from the first two weeks in January).

This Flix Patrol global roll up of the show’s rankings across streamers provides some helpful insights. Keep in mind that Flix Patrol looks at overall rankings, not just recent releases or originals.

  1. Starfleet Academy is doing very well outside of North America

  2. SFA is doing well on SkyShowtime across many countries -

  3. globally, SFA is doing very well on Amazon channels - # 1 in Germany, # 2 in the US and UK

  4. the streamer where SFA is performing worst is Paramount+ in the United States, which has arguably targeted a red state US market since the ViacomCBS merger, to the detriment of other demographics.

All this seems to say that Starfleet Academy is a global hit for Paramount, reaching new demographics and new markets, but not a fit for the Sheridanverse Pro sports streamer Paramount+ was narrowed towards.

No idea if the executives at Paramount are paying attention to anything beyond Paramount+ or the US market, but my assessment is that SFA provides genuine diversification and is successfully reaching a global audience in a way that Star Trek shows historically have not.

 

So, it will be Larry Ellison, not the Saudis, who will be putting up the additional $40 billion to win the hostile takeover of WBDiscovery over Netflix.

And he’s going to allow investors some greater visibility into the Ellison family trust.

As someone who respected the way Americans once took antitrust mechanisms and actions deeply seriously, this doesn’t give much comfort.

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