StillPaisleyCat

joined 2 years ago
[–] StillPaisleyCat@startrek.website 7 points 1 day ago* (last edited 1 day ago)

I wanted both.

But with a truncated 5th season and the very long lead time required for animation, I can see why the animated version ended up being dropped.

[–] StillPaisleyCat@startrek.website 5 points 2 days ago* (last edited 2 days ago)

This local article and interview with the candidate who defeated Poilievre includes a photo of Poilievre’s former constituency office in his Carleton riding.

One has to wonder about the lack of signage on the actual office and apparent challenges in accessibility.

Le Droit article

Treklit - both comics and books gets short-shrift in promotion.

No idea why, but it’s definitely a longstanding and worsening trend.

We’ll have to see whether David Ellison reorients the scheduling strategically. It’s hard to imagine he will not.

5 years ago, as the transition was happening after the remerger, the demographic statistics I saw showed that CBSAA/P+ had the best range of demographics. And it had the best youth/teen/kids audience after Disney+.

Unlike, NBC Universal’s problem with Peacock and Discovery+, which had two very different demographics with little interest the content the other offered, Paramount+ launched with a broad and diverse base.

But the programming and production choices of the past five years have brutally squandered that. It seems that the millennial, middle age Bro, and older male audience has been the target — live sports, Taylor Sheridan everything etc.

It already feels as though P+ has been reprogrammed to make the current US administration happy, pushing a certain kind of American exceptionalism, but that’s not a successful global business strategy.

It’s really only the content coming in from CBS linear and Star Trek that’s kept the balance on the platform.

We keep hearing about content being produced in Paramount’s South American studios or in agreements with partners in Spain and France, but none of that richness in offerings are making it to the North American platform. Netflix remains dominant in offering high quality content from outside Hollywood.

[–] StillPaisleyCat@startrek.website 4 points 4 days ago (2 children)

I agree. The more we see, the more enthusiastic I am.

The concept of an Academy show was in development hell for so long - basically, since the hiatus after Discovery’s first season.

And we know that it was originally kicked around before TNG went into production.

So, this seems to have been a hard one to make work. The cost to produce a high quality VFX-rich show that appeals to a teen and young adult demographic, requires that the show must also be rich enough elements to draw the wider Trek base.

I’m hopeful that, as with Prodigy, Starfleet Academy may be one of the rare shows that satisfies a mass demographic despite the streaming era.

The risk is that, like Prodigy, Paramount may not promote it broadly enough.

However, with A-listers heading the cast, one can hope that it will get a lot of promotion beyond the genre media.

[–] StillPaisleyCat@startrek.website 4 points 5 days ago* (last edited 5 days ago)

Commodore should be abbreviated to Cmdre (Canadian Navy), CDRE (former US Navy) or CMDE (several including India).

But given all the oddities of NCOs in Trek, this a weird acronym for Commodore seems on-brand.

Still, I think it may be some kind of physicians’ designation the writers came up with. One would expect some kind of Medical Officer such as CMO, but could it be Commanding Doctor or something bizarre like that?

[–] StillPaisleyCat@startrek.website 2 points 1 week ago (1 children)

That makes sense. Something like this would need a lot of runway and would involve contractual obligations that could not be easily terminated.

[–] StillPaisleyCat@startrek.website 5 points 1 week ago (3 children)

This sounds very cool and a spectacular way (literally) to raise the profile of SNW and Trek generally with the SDCC attendees.

I just can’t square it though with firing the entire department at Paramount that made The Ready Room and other online promotional content that gets beyond the US market. The cost cutting choices are not obviously justifiable.

[–] StillPaisleyCat@startrek.website 15 points 1 week ago* (last edited 1 week ago) (1 children)

I’m going to say any or none of the suggestions here may be right.

And some of them, like Inner Light, are awful choices simply because their impact is very dependent on having the context the rest of the series and characters.

The main thing is that Star Trek has a wide variety of tones. The way to success is to provide excellent examples of very Trekie episodes that are in the genre or tone that your brother already likes.

Don’t show them action if they like cerebral mystery. Don’t show them romance if they like action. Don’t show them intense drama if they’re into comedy. If they’re into animated comedies or anime, start with Lower Decks or Prodigy not TNG.

Examples from this perspective…

If they like psychological horror, then TNG’s ‘Schisms’ or Voyager’s ‘The Thaw’ might be best.

If they like action, Discovery’s two part pilot might be the one or even the movie Star Trek (2009).

[–] StillPaisleyCat@startrek.website 3 points 1 week ago* (last edited 1 week ago)

We rotated treatments to kill them off. No single one could do it.

The mineral oil one was fairly successful.

There was a great herbal product called Quick Nits from Australia that could be applied and left in a cap overnight but it seemed to come and go from the Canadian market in just a couple of years.

One thing worth knowing is that heat and drying them out is effective. While there are protocols for blow dryers, old fashioned bonnet hair dryers are an another good way to kill them and the eggs as well as avoid infections.

After the first lice infestation, we literally tracked one down and had our kids our kids use it once a week while playing on a computer or tablet. It cut down the reinfections.

It seems that Christina has been able to convince the Showrunners to incorporate some of her own enthusiasms into La’an’s character.

In a TrekMovie piece, she’s quoted saying that she and Ethan Peck had a total of 75 hours of dance and fight choreography preparation over the season. The heaviest episode is in the back half of the season.

While I enjoyed the edgier La’an, Goldsman seems to have a very rigid idea that, in drama, trauma is the foundation of character development. It’s tiresome when every single character has to have a traumatic backstory, experience trauma in the show, or look forward to trauma (in Pike’s case).

So, as an example, it seems that the only way for Ortegas to have a character arc is for her to be traumatized and go through the process of overcoming that.

In that case, it’s better to have La’an move on. Between Tomorrow cubed and Hegemony II, we’ve seen two very significant life events for her that make it credible that she could finally more on.

[–] StillPaisleyCat@startrek.website 2 points 1 week ago (1 children)

University of Regina astronomer Prof. Sam Lawler @sundogplanets@mastodon.social was part of the team that discovered it.

Here’s the start of her thread on the release posted to Mastodon. Lots of cool stuff!

https://mastodon.social/@sundogplanets/114813850188903877

 

We picked up some good deals from the promotion this week.

 

Several Star Trek licensed games are on Steam, now at a significantly discounted price for the annual Star Trek Day celebration.

These include the MMP Star Trek Online, but also single player games Star Trek Bridge Crew and Star Trek Resurgence (a choose your own path role play game).

We’d waited until Resurgence came to Steam, because we did want to buy it from Epic, but decided to be even more patient and wait for a sale so we could get it for our teens as well. I’ve been playing in parallel with one of our teens and debating the impacts of our very different choices.

I have had Bridge Crew since 2022, but we got copies for the teens yesterday. One is into it. It requires running an Ubisoft account synched to Steam which can be annoying, but otherwise G2G.

 

Having reached my exasperation on the total lack of information from Bell Media on a Canadian release, I asked @GoodAaron@mastodon.social if he or the Hagemans could share any information. Here is his reply on Mastodon.

It’s great to have EPs who will engage with us.

I’m still gearing up my recipes for a Star Trek Prodigy Soirée for the premiere!

In case you haven’t seen this, CBS entertainment sponsored a social media influencer to develop watch party ideas for the Prodigy Season 1 finale Supernova Soirée .

I’ve been experimenting and building on some of these ideas for the premiere of season two. One of Canada’s favourite ice cream brands has this interesting suggestion for A triple-berry yogurt sorbet float punch that seems very Star Trek Prodigy themed.

 

More departures of former Viacom senior executives from Paramount Global in the wake of Baklish’s firing.

 

The Directors Guild of Canada (Ontario) ‘Hot List’ compilation of Ontario-based production information has been updated with a new CBS Studios show ‘Ivory Tower’ to begin Accounting & Art Department preproduction in March.

 

While all TAS episodes had some kind of moral lesson, S1 E10 was an outright criticism of substance use.

M’Ress and Scotty, unwittingly exposed, end up enamoured then incensed with one another. One is never sure how different that is from a Caitian’s usual romantic style.

Chapel comes off badly in this one. As Spock puts it “A few moments of love, paid for with several hours of hatred.” It’s all the more poignant given SNW’s deepening of their backstory.

 
 
 

As much as most of us have long had any remaining interest in a fourth Kelvin movie long exhausted by the endless repetition of hype and failure, there does seem to be more confirmation of significant creative differences on the script that was in development in 2022.

James MacKinnon, longtime makeup designer, shared some context during an interview on his work on Picard and future ambitions. He explained that he was hired by Matt Shankman in 2022 to work on preproduction but was fired after a week when the work shut down.

“We were supposed to shoot in the middle of [2022] and it was supposed to come out the following year [2023], but I think a script rewrite went in a different direction.”

This aligns with previous comments from Zoe Saldaña that creative issues around the script were a factor in the movie not going ahead.

 

I have realized that I need a new editing tool that will let me use panels with more than 6 frames.

A private message with a recommendation would be appreciated sincerely.

 

Anyone interested?

I can see so much potential for guidance from a telepathic Aenar engineer & an avianoid counsellor.

 

While there was an announcement shortly before the WGA strike, and Alex Kurtzman confirmed the writers room is back up and at work during an NYCC panel, Paramount+ is moving forward on promotional information about the forthcoming new ‘Starfleet Academy’ show.

Will be keeping an eye out for information about preproduction design work starting up in Ontario.

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