If you aren’t aware that there is a certain amount of directed compositing in many CGI engines for vfx and game design, I don’t know what to say.
Using generated render to rough up an idea can be part of the process.
If you aren’t aware that there is a certain amount of directed compositing in many CGI engines for vfx and game design, I don’t know what to say.
Using generated render to rough up an idea can be part of the process.
Pursuit of Jade reportedly cost the equivalent of $100 million for 40 episodes and certainly looks like it.
S-tier cdramas are quite well funded now. I just watched the current day 2025 science fiction thriller Mobius on Netflix. It was at the production level of any American or European show.
The creator is a professional vfx artist who was playing, and has included a watermark for that reason.
Yes, AI is part of their toolkit, but these were not just a case of asking a gen AI tool fabricate something.
Not entirely sure what’s all in the mix but I found it interesting and well drawn.
It qualifies as kaiju-inspired fan art, and this community is quite generous in scope. As long as it’s Kaiju, not necessarily licensed Toho.
You can ask the creator directly by tagging him as Mastodon and Lemmy federate.
Got it.
I generally think of the vertical market niche as under 25, not a large slice of the fediverse.
I don’t see though how vertical pagination is much different than social media on phones, which we’re all fairly accustomed to.
I don’t think this is targeted to our age group at all.
The vertical format is grown in anime and Asian dramas as well.
China is starting to be competitive with vertical short dramas specifically produced for the US market.
This is interesting.
The vertical manga/manha/manhua format is where new GenZ audiences can be found.
I’m going to infer that Deadline made a typo, but I copied it verbatim from their listing.
Regrettably geoblocked for Canada. Sigh.
I really prefer the work by the team that’s now in charge of the television side. But they received a lot of negativity for K:SI so it seems the television medium is a better fit.
It will be interesting to see whether the film part of the franchise can ground things more again.
The cinematic release scheduled for 2027 Godzilla v Kong: Supernova, reported to feature Spacegodzilla, sound like it will continue to go in a different direction than the new television franchise with Apple that aligns more closely to the first two movies.
As I said, the images were posted on Reddit by someone who loves both Cdramas and Star Trek.
I’ve checked privately with the creator and they asked to watermark the images. They shared the watermarked versions with me by private messaging and agreed to let me post here.
This person is a professional vfx specialist working in television who did this for their own amusement. They have asked me to avoid sharing more detail on who they are which I believe is fair.