SpaceScotsman

"high jinks" might be intentional, and meant to be the vulcan's way of being dismissive of the human's nonsense by deliberately pronouncing it as two words.

I went into this episode blind, but the moment Scotty mentioned the puppet was going to be the transporter payload I knew we were in for a tuvix situation. I did not realise it would be quite on this scale. I don't hate the premise of the episode. It reminded me a lot of the TNG episode where they all get turned into children, and this is a universe where Tom Paris got turned into a lizard after all. I do absolutely hate the cop-out at the end where it turns out it was all a dream. It means that spock was the only character that had opportunity for development and growth, and no-one else gets to share in that. Either go all in on the zany adventures, or dont, but never waste the audience's time like this.

But hey, you want puppets, I'll judge you on the puppets. I think they were generally well designed. While the "body language" was expressive, I don't think the faces were as good as they could have been - There were only a handful of times where changes in eyes and eyebrows really stood out. I also feel that the writing and voice acting for the puppet character's dialogue was not great, but that gets hand-waved away at the end where we realise as puppets they're not quite the same people The endpoint of letting go and embracing the madness was a nice resolution to the absurd situation, however I did not feel like the cartoon physics played through.

The orion plot was OK, used as the necessary antagonists to drive the plot. But other than some moments from Joe Lo Truglio, who was a perfect choice for an empathetic male orion, the invaders could have been any invading alien species and nothing really specific to orions was needed. I'm also confused by the huge orion vessel, unless I've misread the scale, there should be hundreds at least but at no point did anyone think to help out the 3 or 4 orions actually invading the enterprise. But maybe none of this matters, because hey, it was all a dream.

With some of the other gimmicky episodes, I've instantly wanted to re-watch them once I finished. Here, once was enough, which is not a great indicator for the episode overall.

Bring on the model collapse!

I didn't catch that police bit, I love it when background characters get fun business to act out.

I have a no real of strong feelings about this one. Kind of middle-of-the-road.

The domestic plotlines are something that this era of Doctor Who has done well. Casual references to "beating it out of you", presumably referring to homesexuality, casual mysoginy. The final speech confronting the father about fascism is excellent and stands the test of time.

This is another episode where the pair of Doctor and Rose feel to have jumped around a bit. After last episode's downer ending they're all upbeat again. This has happened a few times this series. I really enjoyed Detective Rose being clever in this episode, without any prompting from the Doctor.

The monster of the week is kind of confusing and annoying. We're not given a whole lot of motivation other than "it should have died, but it's trying to come back" so it's a ghost story without a ghost. I do not care for the fact that every big villain in DW seems to insist on screetching out a catchphrase: Exterminate. Delete. "Hungry" is particularly offputting. It makes the monster mechanical rather than something alive living in the airwaves. The colour TV joke was a nice bit. At the very end I'm not entirely sure what the Doctor's plan involved, and how it was supposed to save everyone, but it worked and the episode ends with all the victims smiling and being happy even though they've just spend days(?) in non-corporeal hell.

One thing that stands out during a rewatch is the CGI of the people being sucked into the TV does not look anywhere near as creepy as I remember when watching this on a small CRT. I guess there's something a bit meta about that, given the episode's TV theme. Depending on the lighting, the faceless toe the line between genuinely creepy and immersion breaking. I could see this working well re-made to discuss mobile phones and being sucked into the internet.

Kor was good. When a new Klingon character is introduced, they need something to differentiate themselves from the stereotype of the honor-bound aggressive wine-guzzler. Kor here stood out in his approach to running the occupation and his presence on the screen.

This is the first episode this season that I've really enjoyed.

The direction, lighting, filtering, was all great and on point. I really enjoyed the story, the A plot was a nice wartime rebel story and the B plot was pretty decent too. I was feeling shades of some of the "retro themed" ST episodes from the 90s. The set design was great on the planet.

The Klingons here are used well - seeing the way they act during wartime here they feel almost cardassian in how they treat the native population, but out also makes sense given what we're told about how they acted during this time. I liked seeing Scotty and Ortega just hanging out. La'an getting help to deal with her problems is good, and seeing her doggedly chase down the truth was nice, though I'm a little unclear in exactly what the chain of events was with the signals and the transporter. Mbenga and una were really sharp on the planet and I enjoyed their acting.

Mickey going off on his own is fitting in a way, though the constant flip-flopping of whether Rose was happy for him to be there or not made it difficult to know if this was a good or bad outcome.

This follow-up is decent. A cliffhanger in usual fashion resolved almost instantly using some well-set up doctor ex machina. Plenty of action scenes balanced by a tense walk through the underground tunnel. Throughout the conversion factory there's references to Nazis - emotionless processing, people walking in unawares, rejection of impure stock, the incinerators. The scene of the lone cyberman being euthanised after its emotion chip gets broken is pretty harrowing. But this is undermined later on when they're running around with their heads exploding when all the chips go down at once.

Why is lumic in a wheelchair throne, he's got a metal body? Thankfully by the end he's standing up and a bit more menacing, but even then he's easily defeated in what must be the 3rd "tense quick climb up a ladder while being chased" of the episode. The most terrifying cyberman was converted jackie, and the subsequent scene of them looking back and being unable to tell which is which is quite sad.

The scene of jake reacting to Rickey's death seemed a bit off for me, I couldn't figure out why, it seemed dramatic and over the top. I read up on the wiki later and realised they were meant to be in a gay relationship. This completely changes the dynamic and the scene, and I wish had been stated explicitly.

At the end we're back to doctor and Rose, alone together. Ending with a return trip to see Mum is good. I imagine happening all the time off-screen, given all the trauma everyone usually gets, so seeing it is nice. Ending on a random shooting star twinkle in the alternate universe is weird and makes no sense, but it got a chuckle out of me.

Other minor things I noticed:

• A news anchor says London is "now under martial law". It already was, we saw military checkpoints in the last episode.
• At one point lumic "declares independence" - this dialogue makes no sense
• The Cybermen in "cold storage" in the underground tunnel is a nice callback to an earlier series episode with the 2nd doctor.
• Lumic is the only cyberman who survives a broken emotion chip - because he was already a psychopath.
• I really like the teardrop design of the eyes,and the moulding of the faces, they look much more disturbing than the old cybermen.
• In "our universe" the cybermen originally come from a planet in the solar system close to earth's orbit. THIS is the subtle reference Pelia should have made in that recent star trek episode with an extra solar system planet.

Can I get paid a billion dollars to do nothing?

Mixed bag of an episode.

I liked that we got some proper character development - Spock and Kirk coming closer together, an origin point for their friendship is good to see, and the hallucination was a useful way to explain why spock would be willing to open up to such a friendship in the first place. Ortegas and Scotty similarly got some satisfying growth, and the quite unprofessional arguing between them didn't end drag on for too long.

I did not like the first couple of acts. I know this is meant to be a comedy episode, but none of the jokes really landed for me, it was just kind of a slog to get through. I'm not a big fan of "stoner / drunk" humour in other shows, and it's not a whole lot better here. I am not sure if the alien host was meant to be funny or charming, but they just came across as mildly annoying. If I compare this to pleasure-planet episodes we've seen in other trek shows, I don't feel the pleasure planet really added a whole lot. CG sequences aside, they were in a fancy hotel more than an actual planet.

Something that really bugged me is that despite repeated references to alternate shifts, at no point did any of the "alphas" think that maybe it might be worth handing off the negotiations or asking for help with the bomb. It speaks to a kind of arrogance that doesn't really play well given the whole point of the episode is learning to rely on others.

The final act is again mixed. The idea of a pressure bomb, the sci fi equivalent of a landmine, is a great way of building tension, brings ortegas and scotty together fully. But that it then also provides the solution for the diplomatic problems make no sense. The aliens say that particular type of bomb is part of a peace ritual that hasn't been seen in generations, but then why would a separatist use that for their sabotage?

Overall it was alright, but not amazing.

I enjoyed the interactions Rose had with her not-parents. The rejection she got from Jackie gives a payoff to the Doctor's insistence that they not involve themselves.

I do think that Rickey and the whole underworld rebel gang needed a bit more space to really feel meaningful. Maybe with some different story opportunities Ricky's character could have been more fleshed out. Also, I've just realised, this is the second time now we've had a fake mickey, after the plastic one in S01E01.

I disagree about Lumic and cybermen - these ones in particular. I find the bland horror around the cybermen and Lumics motivation adds to how scary they are. Given what we know about these cybermen specifically, I think they needed someone psychopathic and narrow-focused to make them happen.