FourPacketsOfPeanuts

joined 1 year ago
[–] FourPacketsOfPeanuts@lemmy.world 9 points 5 hours ago (1 children)

Me: pops out crumb tray to clean it.

Me: pushes lever up to raise toast to pull it out easier

Person who never flicked through the manual: WTH?

[–] FourPacketsOfPeanuts@lemmy.world 2 points 18 hours ago (1 children)

I'm optimistic about another use some time next year. I'd thought about planning it, but it all began to feel a bit too contrived and was really draining the joy out of it. So I'm just going to see what happens. If it rolls around to next autumn without another appearance I might get a bit restless, but I've learned you can't rush these things.

[–] FourPacketsOfPeanuts@lemmy.world 2 points 22 hours ago (2 children)

Great work. Can you give some examples of how this works in practice?

Tagify leverages AI to automatically generate and manage tags for files

Do one thing every day that scares you

[–] FourPacketsOfPeanuts@lemmy.world 2 points 2 days ago (1 children)

Lots of effort to make it immaculate but the 3 different types of wood in the downstairs clash horribly, eurgh..

[–] FourPacketsOfPeanuts@lemmy.world 5 points 3 days ago* (last edited 3 days ago)

The Hitch Hiker's Guide to the Galaxy - page 19

It’s probably just your house being knocked down,” said Ford, drowning his last pint.

”What?” shouted Arthur. Suddenly Ford’s spell was broken. Arthur looked wildly around him and ran to the window.

”My God they are! They’re knocking my house down. What the hell am I doing in the pub, Ford?”

”It hardly makes any difference at this stage,” said Ford, ”let them have their fun.”

”Fun?” yelped Arthur. ”Fun!” He quickly checked out of the window again that they were talking about the same thing.

”Damn their fun!” he hooted and ran out of the pub furiously waving a nearly empty beer glass. He made no friends at all in the pub that lunchtime.

”Stop, you vandals! You home wreckers!” bawled Arthur. ”You half crazed Visigoths, stop will you!”

Ford would have to go after him. Turning quickly to the barman he asked for four packets of peanuts.

”There you are sir,” said the barman, slapping the packets on the bar, ”twenty-eight pence if you’d be so kind.”

Ford was very kind – he gave the barman another five-pound note and told him to get a nice new set of aglets while he was at it.

The barman looked at it and then looked at Ford. He suddenly shivered: he experienced a momentary sensation that he didn’t understand because no one on Earth had ever experienced it before. In moments of great stress, every life form that exists gives out a tiny sublimal signal. This signal simply communicates an exact and almost pathetic sense of how far that being is from the place of his birth. On Earth it is never possible to be further than sixteen thousand miles from your birthplace, which really isn’t very far, so such signals are too minute to be noticed. Ford Prefect was at this moment under great stress, and he was born 600 light years away in the near vicinity of Betelgeuse.

 

Modulation / key changes have been used in music for ages but the style I'm talking about is the distinctive last verse (or chorus) sudden key change up to power through to the end. Seems to have come about sometime in the 60s/70s and was everywhere in the 80s onwards.

Examples:

Heaven is a place on earth - Belinda Carlisle

I will always love you - Whitney Houston

But who popularised it? What was the first big song to do it and set the style for the genre?

 

I seem to be completely failing to work out how to do this? See the reply in your inbox in the context of the original conversation?

view more: next ›