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It takes like two minutes to learn how to safely check a gun. Surely they spend more than that learning walking to the set from the parking lot.
The nature of how firearms are used in film generally requires breaking the normal fundamental rules of firearm safety. You can't just give somebody a quick rundown of the "four rules" and call it good.
Further, they're also often modified in ways that change what safety factors need to be considered.
It's the job of the on-set armorer to make sure firearms are safe and used in a safe manner because it's not reasonable to expect actors who are firearms laymen to understand everything that plays a factor in what is or isn't safe.
I do think this case is a little different, but that primarily has to do with Baldwin being a producer.
Safely check WHICH gun?
The live firing weapon? The blank firing gun? The resin replica? Are they expected to remove any rounds in a firearm, be it live or replica, and verify that it is indeed a blank?
No. That is ONE person's job for a reason. That is the firearms expert's job. Nobody else's.
You accept that responsibility with the job.
The one in their hand.
So they need to be trained how to spot the difference between a live and blank round and how to check every firearm on the set.
OR
You could just have one person that's an expert on firearms do that for everyone, thereby eliminating any possibility that an untrained know-nothing actor accidentally lights off a round while fumblefucking with a firearm they know nothing about, trying to check it.
Hey genius, what good does "checking" a firearm do if they're literally there to fire off blank rounds?