this post was submitted on 29 Mar 2024
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Music

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[–] foggy@lemmy.world -5 points 1 year ago* (last edited 1 year ago) (4 children)

Having a musical idea, and recording it, expressing it the way that you thought it... That required a lot of effort, from a lot of engineers, at a studio, with a lot of expensive equipment... As recently as the mid 90s.

Now we've got Jacob Collier, winning Grammys from his bedroom.

To assume you can live off streams today would be like a journalist thinking they could survive off of tweets 3 years ago. Getting well edited thoughts out to the masses via the press required a lot of effort from a lot of engineers, at a studio using lots of expensive equipment.

[–] Dangdoggo@kbin.social 20 points 1 year ago (2 children)

This is a moot argument. You're saying the system doesn't support artists and that artists shouldn't expect it to. Why not? Why can't the system be changed? Streams should not be equivalent to tweets and it's dumb to think they should be.

[–] doublejay1999@lemmy.world 2 points 1 year ago (1 children)

It’s not entirely moot because it means competition is increased many fold.

It doesn’t mitigate how Spotify behaves, but the market dynamic was changed by tech putting a serviceable studio is everyone’s bedroom.

and shit tons more people probably listen to music now im guessing.

[–] foggy@lemmy.world 1 points 1 year ago* (last edited 1 year ago)

Ask the nearly completely dead newspaper industry or the dying book publishing industry. History repeats itself.

This artistic medium has met its proverbial printing press. The way to get paid for music is not by streams. They're worthless. I could get more streams than your favorite local Indy band using just white noise. Streams are worthless. About as valuable as getting eyes on any comment in any thread. Music is commoditized.

Just as writing was.

[–] Delphia@lemmy.world 8 points 1 year ago

You are right.

You get paid jack shit for streaming. You also got paid jack shit for radio play. The flip side to all this is It has never been easier for an artist to manage their own career.

Not that long ago if you didnt sign onto the multi-billion dollar a year label who took an obscene amount of the money (google a 360 deal if you want to get real mad) nobody heard your shit ever. But you can also form your own label, make your own merch, do your own socials, promo yourself and keep 100% of what you make.

[–] KillingTimeItself@lemmy.dbzer0.com 0 points 1 year ago (1 children)

i mean, TBF, you could just rent studio time, so it's not like it would've been a significant thing in the way of your goal.

[–] foggy@lemmy.world 1 points 1 year ago (1 children)

Studio time is not expensive today.

It was cost prohibitive in the 69s, 70s, 80s, early 90s.

[–] KillingTimeItself@lemmy.dbzer0.com 0 points 1 year ago (1 children)

i mean, how cost prohibitive though. Instruments cost money, people still produce music with instruments these days.

Shit costs money. That's just the name of the game.

[–] foggy@lemmy.world 1 points 1 year ago (1 children)

Paper costs money, pens cost money

You're thinking with yesterday's figures.

[–] KillingTimeItself@lemmy.dbzer0.com 0 points 1 year ago (1 children)

i mean you're speaking in absolutes here, im assuming you have data to back it up.

[–] foggy@lemmy.world 1 points 1 year ago (1 children)

Try Google. Not going to entertain this with my time because it's on a level of dumb that


Try Google homie.

[–] KillingTimeItself@lemmy.dbzer0.com 0 points 1 year ago (1 children)

i mean i could. I'm not the one making the claim that it was prohibitive though.