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Why is everything a sequel, reboot or remake?
(collider.com)
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this post was submitted on 16 Oct 2023
148 points (88.5% liked)
Movies
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I swear the creator dialogue has got to have some amount of advertisment mixed in with real people because the biggest compliment I see everywhere is that the movie looks expensive but cost very little.
I saw it. It was gorgeous. The art direction was wonderful. But that was about everything positive I have to say about it.
The world building was atrocious, the plot was trope heavy, the sound design was serviceable but not many sounds stood out, I couldn't find an impactful or nuanced message, the pacing was a rubber band, and the individual challenges were boring.
I love original content, and quite frankly I feel like there's enough of them every year to not be heart broken everytime a bad original film doesn't make a stellar return. I'm kinda tired of the "where new IP" discussion though.
Of course I wish there were more big budget independent films but right now the problem seems to be big budget films in general to me. More often than not they hit like duds, but they're built on good will and that's all it takes to get me to return to the first dud.
Idk, Creator sucked and it hurts to say because I want new, great, and scifi worlds coming to the theater every year but the Creator isn't good simply because it's new and that doesn't meant new IPs are "hard for the masses" to understand/appreciate/turn-out-for.
I liked the Creator, I like how they portayed the US, not many movies turn the US into the bad guys, and irredeemable war-mongers at that.
I mean sure, I enjoy the US as bad guys too. But they were cartoonish, one-note, and their decisions made no sense. I mean the whole premise, as executed, didn't make any sense.
The US's war winning weapon was... Guided missiles; that they used to strike the enemy indiscriminately and generally didn't really care where they landed? They were afraid of AI because they hooked it up sky net style and it nuked LA, but later on that's revealed to be a human's fault? They supposedly hate AI but they use what seemed to be low level AI running robot bombs to attack the enemy? Their soldiers were happy to kill a dog to get the access to the secret base and cut off the face of an enemy to bypass a door but they're shown to have hacking devices for doors and in this hightech world we're supposed to believe they can't find a metal hatch in the ground going to a fuckin mass production factory?
The main antagonist to the US is... A father/daughter pair who make AI in seemingly their free time? Not the actual factories or research facilities with hundreds of scientists but the pregnant "god" creator who's trying to raise a kid with her husband on the beach.
Idk man. Slap a big US Army on the tanks that are destroying a village to kill a kid and that's an evocative painting, a real striking visual I guess. But a good 2.5 hour movie that does not make.
I never said it made sense lol, but i enjoyed it for what it was
Well don't let me down play what you enjoyed. I'm happy you got your money's worth and had fun.
It was worth it for me on these discussions alone, not even mentioning the beautiful visuals.
It was an OK movie, but there were a number of strange plot holes and other inconsistencies that made the movie puzzling or that needed to be fleshed out better. It felt in 6 like it was trying to be Avatar, using the new gen starwars people to explain it.
I always welcome new movies though. Really getting sick of scooby-doo like superhero movies and COD-likes like John Wick, mission impossible, James bond and many others.
The plots are predictable, wrap themselves neatly up in 2 hours, have the main hero always survive automatic fire, and somehow have rebuilt NYC 33 times in the past 30 cinematic universe films. And somehow a new bad guy always has raised billions + a star base/private island that must be destroyed.