Probably one of the worst CoF albums but I still hold on to this song. Apart from the kinda cringe-worthy poem spoken in the beginning, this is an instrumental of decent length and quality, a real standout from the rest of the "melodic black" and gothic metal from the rest of the LP.
I only like that song on that album.
Biased though, as I like all the songs with spoken parts of Doug Bradley in them.
Fair, he does have a great full voice, very theatrical.