218
‘We are truly doomed’: King Gizzard and the Lizard Wizard despair at AI clone appearing on Spotify
(www.theguardian.com)
↳ Our family Communities:
➰#Music
Music.world - !music@lemmy.world
Jazz -!jazz@lemmy.world
Album Art Porn - !albumartporn@lemmy.world
Fake Album Covers - !fakealbumcovers@lemm.ee
Obscure Music - !ObscureMusic@lemm.ee
Vinyl and LP's - !vinyl@lemmy.world
Electronic Dance Music - !edm@reddthat.com
60's Music - !60smusic@lemmy.world
70's Music - !70smusic@lemmy.world
80's Music - !80smusic@lemmy.world
90's Music - !90smusic@lemmy.world
The fucking audacity to make money off of AI generated content at all is already baffling to me lmao
The whole point of AI music is to turn Music from an art form into a product, from something that is unique and personal and has meaning to people to something that can be mass produced and consumed as a product.
Then half of the modern world is baffling to you. Do you feel the same way about coin-operated player pianos? Or kaleidoscope projectors?
People will seek to make money from anything they can.
You aren’t even trying. Both of your examples require human interaction and imagination at the time of creation.
Player pianos aren’t black boxes of plagiarism and kaleidoscopes don’t show amalgams of other people’s works.
also when is the last time a human being encountered either of these
A player piano (sometime last week, two of my closer casual friends have them. we all collect musical instruments) or a kaleidoscope (we have one in our kids' toys bucket)
well then!