ZDL

joined 1 year ago
[–] ZDL@ttrpg.network 1 points 1 hour ago

Way back in prehistory I played Car Wars when it first came out. (You know, before it became an unwieldy, badly-organized mess that rivalled even Star Fleet Battles for being impossible for normal folk to play.)

We missed one very key rule. The "damage" rating for weapons was a number of d6 to roll for damage. We played it as individual points.

Needless to say even the shortest auto duels were horrifically and painfully long to play out.

[–] ZDL@ttrpg.network 1 points 1 day ago

The Apartheid Manchild has this weird obsession with Mars.

There will be no permanent settlement on Mars in the next decade. (I frankly doubt that there will even have been human footprints on Mars in the next decade!) There will be no permanent settlement on Mars in the next century. There will likely be no permanent settlement on Mars in the next millennium. And I'm saying that last one not because I don't think we'd have the technology in a thousand years, but rather because there is no point in living on Mars.

Mars has nothing we need that's worth maintaining a settlement in the face of conditions harsher than the absolute worst the Earth has to offer. If people want to live in a permanently cold shithole with nothing usefully accessible they can just build a house on Antarctica. It's a far cheaper way to fuck around and find otu.

[–] ZDL@ttrpg.network 2 points 2 days ago

Read George Polti's The 36 Dramatic Situations. It's a list of plot elements that have a snappy title, a list of participants in the plot element, a brief discussion of how it works, and then (unfortunately dated) references to dramas that used them.

Using this when building a world, or a campaign, or a local setting, lets you quickly set up a bunch of conflicts (ideally with interlaced participants so that single NPCs (or PCs) can be in different roles in different dramatic situations. Then you just let the events flow logically, and as the dramatic situations get resolved you get a plot. PCs can interfere with these dramatic situations and thus have an impact on resulting plots even if the overall setting is far larger than they are.

[–] ZDL@ttrpg.network 2 points 2 days ago

For depth in world-building I use a rule I call "Y-cubed". (I got it from somewhere else but can't recall the source anymore.)

For every detail you make, you ask the question "Why" three times.

So a village the characters have reached stop all work every 77 days for a festival. Why? It celebrates an ascended local hero who saved the village from a magical blight. Why 77 days? It took 77 days for effort for the blight to be defeated. ... And so on.

This is a rapid way to both build depth in your setting quickly, as well as inspire possible mysteries and intrigue for investigation later.

A slight modification works also for giving NPCs depth.

[–] ZDL@ttrpg.network 2 points 2 days ago

Anybody who thinks that the Apartheid Manchild was ever intending on reducing spending needs to be given a dunce hat and forced to sit in the corner.

[–] ZDL@ttrpg.network 1 points 2 days ago

Robert's cynicism is cracking these days soon. His laughter is increasingly forced and joyless.

These are shit times.

[–] ZDL@ttrpg.network 2 points 3 days ago (5 children)

I am not sure what you mean by saying the CPC isn’t Communist anymore.

The CPC has never been communist.

It's socialist.

[–] ZDL@ttrpg.network 1 points 3 days ago

The number drops a bit when the polls are done in secrecy. Still far higher than any western government, mind.

[–] ZDL@ttrpg.network 1 points 3 days ago

To clarify for any pseudo intellectual who happens to be reading:

" is true for you utter idiot" is not an example of the ad hominem fallacy.

" is true because you're an utter idiot" is an example of the ad hominem fallacy.

Glad to be of service.

[–] ZDL@ttrpg.network 1 points 3 days ago

Have you considered taking a communications course so you don't sound like a pretentious, obfuscating jackass?

Eschew gratuitous obfuscation. (See what I mean?)

[–] ZDL@ttrpg.network 4 points 3 days ago

In AI alone, we lead the world.

*Deep Seek has entered the chat.*

[–] ZDL@ttrpg.network 3 points 3 days ago (2 children)

Would this be the military that could only reach a standstill in Korea? That lost in Vietnam? That lost in Afghanistan? That ran away scared from Mogadishu? That "won" in Iraq by generating the world's largest collection of terrorists until the blowback lost you two large towers and a smaller one?

That military?

 

So when they return to port they can just Scandinavian.

explanation if needed"scan the navy in"

 

Apparently he doesn't understand cyberpunk either, which explains so much about him.

 

If only this were instead him being revoked membership in Society in general.

 

-10
Burn! (ttrpg.network)
 

The noted anti-trans Apartheid Manchild wants to have babies?

 

Recalling that LLMs have no notion of reality and thus no way to map what they're saying to things that are real, you can actually put an LLM to use in destroying itself.

The line of attack that this one helped me do is a "Tlön/Uqbar" style of attack: make up information that is clearly labelled as bullshit (something the bot won't understand) with the LLM's help, spread it around to others who use the same LLM to rewrite, summarize, etc. the information (keeping the warning that everything past this point is bullshit), and wait for the LLM's training data to get updated with the new information. All the while ask questions about the bullshit data to raise the bullshit's priority in their front-end so there's a greater chance of that bullshit being hallucinated in the answers.

If enough people worked on the same set, we could poison a given LLM's training data (and likely many more since they all suck at the same social teat for their data).

 

This band is the second Chinese folk metal band I encountered. I was expecting something more like things along the line of 小雨 (Mysterain) when I started listening—which is to say symphonic folk metal—and instead I got … this.

In short I got my mind blown.

This band started my dive into Chinese metal culture, and what I like best about this song, the one that started that dive (or perhaps that pushed me into the deep end of the pool) is that it showed the astonishing diversity of the scene. This is straight-up blackened death metal mixed in cunning ways with traditional Chinese melodies and instrumentation that gives it a unique voice of its own that very few others can match. (葬尸湖/Zuriaake is probably the only other band that can compare in this regard, though less on the instrumentation and more on the melody lines and lyrical content.)

And, not gonna lie, I love watching the faces of westerners when the dan voice kicks in. The "WTAF!?" look just makes me laugh and laugh.

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