[-] JohnnyEnzyme@lemm.ee 2 points 5 hours ago

It's fertiliser, enriching the earth! ^^

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submitted 7 hours ago* (last edited 5 hours ago) by JohnnyEnzyme@lemm.ee to c/eurographicnovels@lemm.ee

The back cover from the album we covered a couple weeks ago.

Three Belgium comic artists set out to make their fame & fortunes in the 'land of Walt Disney,' only to come crashing back to earth in Europe, ironically becoming BD superstars in their own rights.

[-] JohnnyEnzyme@lemm.ee 1 points 1 day ago

I have a... less than wholesome feeling about this!

[-] JohnnyEnzyme@lemm.ee 3 points 2 days ago

Dear lord, you're the best!

[-] JohnnyEnzyme@lemm.ee 5 points 2 days ago

Oh, oh, oh...

I'm in tears right now

[-] JohnnyEnzyme@lemm.ee 1 points 2 days ago

Can I have my community back, please?

https://lemm.ee/post/31540584

[-] JohnnyEnzyme@lemm.ee 4 points 3 days ago* (last edited 3 days ago)

I did try logging in that way and then clicked around the stuff you mentioned, damn.

Still nothing.

EDIT: Let me take a nap right now, and hopefully this will all be a ridiculous dream a little later..

[-] JohnnyEnzyme@lemm.ee 4 points 3 days ago

Thanks, tried it just now. Got this:

[-] JohnnyEnzyme@lemm.ee 7 points 3 days ago* (last edited 3 days ago)

Yes, "DELETED BY CREATOR" was the very first thing I noticed! 😠

But yes, I looked around the upper-right, but didn't see much of anything like a "Restore" link. Now I did try pressing the "Joined" button, and now it looks like this:

Ugh, so now I've made the whole situation somehow worse?

Oh, but check this out-- I have a "homepage" community under my same ID ( https://lemm.ee/u/JohnnyEnzyme) and I notice that the EDIT button:

...sits weirdly right next to the trash-can icon:

So... I guess probably I touched the one whereas I meant the other??

Thing is-- such a thing was almost *inevitable* as someone who tried to keep updating our site documents (resources and FAQ).

[-] JohnnyEnzyme@lemm.ee 2 points 3 days ago

Exactly, thanks.
All of our individual post URL's seem to still be there, but the front-page seems to be weirdly in a "deleted" status.

43
submitted 3 days ago* (last edited 3 days ago) by JohnnyEnzyme@lemm.ee to c/meta@lemm.ee

My community is:
https://lemm.ee/c/eurographicnovels

The post I was working on was:
https://lemm.ee/post/2890991

To be clear-- I, in no, way, shape or form intend to delete my community. I wish the community to remain undeleted, thanks.

In case it matters:

57 users / day
150 users / week
444 users / month
1.53K users / 6 months
635 subscribers
317 Posts
902 Comments

EDIT: Google retains the specific URL's of a bunch of our posts, such as the "Moebius" ones.

[-] JohnnyEnzyme@lemm.ee 2 points 3 days ago

Tolkien’s short stories

I remember a lot of them being in poem form, something I had to be in the right frame of mind to get in to. But I liked getting more backstory on Bombadil in particular.

Indeed, I kind of get a kick out of Tolkien fans arguing to this day what kind of being Bombadil was.

16

Baynes was an English artist who illustrated a landslide of works in an impressive variety of styles over the years. The turning point came from... well:

J.R.R. Tolkien had written Farmer Giles of Ham, a humorous novella about dragons and knight-errantry set in a faux-medieval period, but was dissatisfied with the work of the artist who had been chosen as illustrator. Baynes's work caught Tolkien's eye and she got the job, creating a lively set of pictures that wittily pastiche the look of illuminated medieval manuscripts. So perfectly did Baynes capture the essence of Tolkien's tale that he declared them to be "more than illustrations, they are a collateral theme". He also delighted in reporting that friends had said that her pictures had succeeded in reducing his text to "a commentary on the drawings"(!)

It seems Tolkien also wanted her to illustrate the Lord of the Rings books, but it was not to be. Just imagine the Hildebrandt brothers with serious competition, hey?

In any case, she did do a map for LotR:

Lots more of her art and life-story below, including more on her collaborations with Tolkien:

https://www.paulinebaynes.com/

[-] JohnnyEnzyme@lemm.ee 12 points 4 days ago

There's absolute mass quantities, as Beldar the Conehead might say.

It's easy enough to guess that plenty of people just grabbed a community name in case they might find it useful one day, but I'm guessing plenty of others legitimately started up a community, put some effort in to it, then ultimately got discouraged and abandoned it. A big part of that likely due to not being able to attract many subscribers and contributors.

Personally what I've found is that if you really want a community to grow, you need to seed it with content on a regular basis; preferably daily. Posting bots are probably a good way to help with that, altho if the sub looks like it's little more than bot posts, I don't think users will be inclined to post or comment much.

What I haven't quite figured out myself is how to incline users to post on their own, but hopefully with time that issue will kind of resolve itself due to sheer user count.

Btw, see here:
https://lemm.ee/c/fedigrow

43
submitted 5 days ago* (last edited 4 days ago) by JohnnyEnzyme@lemm.ee to c/eurographicnovels@lemm.ee

Miou! Miou, get back here!
By Thoth, what's this magic?
Damned cat!

So I'm finishing up tome 1 of this series, titled Kheti, fils du Nil, by Isabelle Dethan & "Mazan," as published by Delcourt. It's nominally intended for young readers, but to me retains that certain charm of being a "childrens book" chock full of delights for adult readers. I also found it not too hard to understand as an A1/A2 French reader, with the Translate app on my phone filling in the gaps nicely.

Kheti, the apprentice scribe, gets bored copying out the precepts dictated by his grouchy master. Suddenly a cat, then a little girl run into the temple where he's studying. When the cat passes through a strange portal in a wall, the children are dragged after it. They're propelled into a deserted place, in ruins, very similar to the one they left. In fact they're now in the world of the gods. The children and the cat will have to foil the plot that's being hatched against the goddess Sekhmet so that she can release the waters of the Nile and thus ensure the future of the Egyptians. --Bedetheque, Google & Johnny

There are certainly some analogues here to Lucien de Gieter's classic children's series Papyrus, but I feel like this one takes the mythos and culture of Ancient Egyptian far more seriously, not to mention allows the story to find its own pace as opposed to pushing it forward ala the classic and perhaps dated 'adventure book' style of Spirou magazine, where Papyrus first appeared in the 70's.

Here's an invitation for ~~young~~ all-ages readers to discover Egypt through its legends, its deities, its customs and beliefs, for example via the critical importance of the annual Nile inundation. Various divine beings appear to considerable amusement and exasperation, such as Bes the bearded dwarf, Thoth as the learned baboon, a bored cobra goddess, and of course Apophis, an evil python. There's also a nice little glossary to help understand certain figures and nomenclature.

----> more art samples <----

24
submitted 5 days ago* (last edited 5 days ago) by JohnnyEnzyme@lemm.ee to c/eurographicnovels@lemm.ee

Cruising Tumblr today, I was intrigued by the top-left piece. It reminded me somewhat of the work of the late, great Patrick Nagel. So then, to work finding more...

Wróblewska is a graphic designer, product designer and digital illustrator who graduated from the School of Fine Arts in Supraśl, Poland. She continued her visual arts education in Germany and Finland, later founding her own design studio. --ArtInHouse.pl with edits by Johnny

Her personal work is primarily in portraits, particularly depicting female characters surrounded by magical auras, who dominate, entice and evoke nostalgia. Her works are meant to tell short stories suspended through time and space.

(that left one reminds me a bit of how American Maxfield Parrish so deftly handled polka dots, such as with The Idiot and Florentine Fete)

More:
https://www.artmajeur.com/marta-joy
https://www.behance.net/martawrblewska1

[-] JohnnyEnzyme@lemm.ee 34 points 5 days ago

I remember this craziness.

I remember that craziness because as a young adult, I was working nearby and saw the smoke clouds.

...and of course, it was all considered ok.

I'm unaware of anyone at all those days who considered it 'all okay.' On the contrary, it put a kind of national spotlight on Philly police' brutality going back to the Rizzo days, and doubtless contributed to Rizzo never being mayor again. And I think even amongst the folks who believed the bombing was justified, a large segment had to admit that it obviously went very, very wrong.

All that said-- yeah, as a nation I'm not sure we learned a damn thing out of all that. The police certainly didn't appear to.

25
submitted 6 days ago* (last edited 6 days ago) by JohnnyEnzyme@lemm.ee to c/eurographicnovels@lemm.ee

This little story is from Romain Dutreix' darkly-hilarious Impostures series, which are collections of satirical tributes to famous BD cartoons.

---> https://imgur.com/gallery/IP8wYYR <---

Google's translation services didn't do too badly today. Hopefully it will continue to improve.

10

Note: this is all based on the prior post, its comments, and maybe a little bit of research on my end.

For alt-comix fans, this format is a parody of the glorious, enduring Red Meat indie-American comic, and thank you to Monkeydyne for helping me make this little fake comic. 😘

29
submitted 1 week ago* (last edited 1 week ago) by JohnnyEnzyme@lemm.ee to c/eurographicnovels@lemm.ee

Someone in an Asterix forums recently complained that Obelix never got a proper love interest, and it got me thinking... I mean, it seems that across Asterix, Lucky Luke, Tintin and probably many other popular series, very few (or outright none?) of the main characters discovered a bona fide romantic partner, and I suspect that the difficulties of mixing romance with a humor format was one of the biggest reasons why.

That, and the fact that adding a love interest would generally mean that such a character would become part of the ensemble, which means another mouth to feed, so to speak. (more storyline & panels for them, etc)

This is kinda why I'm re-reading Henk Kuijpers' Franka series, tomes 14 & 15, in which Franka has a pretty exhilarating love / adversarial relationship with "Rix," an art thief she initially sets out to capture. It's sort of in the style of James Bond films like From Russia with Love and The Spy Who Loved Me, and I thought author Kuijpers brought it with a lot of style and interest:

Now, I suppose that the difference in Franka (compared to more directly humorous series) is that such a series only lightly relies on humor, and maybe has greater license to muddy the waters without getting bogged down. For example, "Rix" could easily have been killed off either immediately or down the road, with the spirit of the series suffering little or no detriment. (much like a Van Hamme series for example, such as Largo Winch and Lady S.)

Compare that to Asterix, Lucky Luke or Tintin, in which it would have been a notably tragic event, doubtlessly shifting the tenor of the series. For Asterix in particular it could have been plainly disastrous, offending readers along the lines of how Simpsons viewers were outraged by the episode which revealed that Principal Skinner was in fact a fraudster.

All that said-- I'm hardly some 'know-it-all BD/Euro person.' So maybe in some other series, particularly humorous ones, romance can work perfectly well..?

26
submitted 1 week ago* (last edited 1 week ago) by JohnnyEnzyme@lemm.ee to c/eurographicnovels@lemm.ee

This story finds Corto reuniting with many friends from previous stories, searching for the Mu, the fabled lost city. The Mu story is incredibly convoluted, making this a particularly hard translation. Lots of statements contradicting previous statements. It took me a while to come to the decision that Pratt was doing this on purpose, but the discovery of just what Mu turns out to be is a big part of the ongoing story.

This one is one of the longest Corto stories, and there are a lot of trippy dreams and dreamy trips that happen throughout. This is the loosest of Pratt's draftsmanship, and my favorite Corto Maltese art. The story meanders all over the place. The ending is in fact very affecting, especially if one has read some of the previous books (Corto Maltese in Siberia would be the key book there). --ECC blog

I liked the Mayan-style reference art and watercolor style here, but I don't recall if I've read the "Mu" story itself, as it's been a while since I dipped in to CM. Some more art samples from the story here:

https://www.google.com/search?q=%22corto+maltese%22+%22MU%22&udm=2

8
submitted 1 week ago* (last edited 1 week ago) by JohnnyEnzyme@lemm.ee to c/support@lemm.ee

First of all, thanks Ella & crew for clearing up Lemm.ee's recent image-hosting issues! 🤘

Unfortunately, I note that there are still several post images I uploaded here that went missing ~2 months ago and never did get restored. Some examples: [1], [2], [3].

Whatever. I'll just move them over to Imgur.

As a matter of fact, at this point I'd rather just host everything at Imgur so as not to burden LE with images, which can frankly get pretty big at times. But that's where I just now noticed a seemingly big problem with how LE processes image uploads:

  • I noticed that the original 95k community banner which I uploaded a long time ago was turned in to a significantly worse-quality WEBP file at around 250% the size of the original.

  • In my attempt today to completely move the banner over to Imgur, I uploaded a higher-quality link today, then noticed the same issues. Also, it seems the banner file got moved over to LE (against my intent) and bloated to ~440k for you folks. Not what I intended, and seemingly not good.

So to recount: whatever process is currently handling image uploads seems to be 1) needlessly re-saving them as less-efficient WEBP's, 2) reducing their overall quality, and 3) the software is forcing all logo & banner content to be hosted at the local instance rather than offering the choice of being hosted elsewhere.

38
submitted 1 week ago* (last edited 1 week ago) by JohnnyEnzyme@lemm.ee to c/eurographicnovels@lemm.ee

This is the cover of a book, and unfortunately I found the contents rather mediocre by the standards of all the fun fan-based Tintin art out there. So I'm going to pivot by moving on to a few more hand-selected goodies I've uploaded below. Some of them involve film references or artist homages:

--> https://imgur.com/gallery/3LwAdfj <--

And of course, there's a much bigger collection below, including resources that can help you find more art, and/or identify specific artists who created the pastiches.

https://lemm.ee/post/3543286

Enjoy. ^^

20
submitted 1 week ago* (last edited 1 week ago) by JohnnyEnzyme@lemm.ee to c/eurographicnovels@lemm.ee

Well, well!
And do you know where he lives?

And you, madame! Do you recognise this individual?
I see, I see!
But where is he hiding?

Haha, I thought she dealt with the manatee and goose rather well.

So I recently rediscovered this lovely comic which I had as a kid. In French it's Pas de grisbi pour Grabote, or "No cheese (money) for Grabote." It's a little book of 18pp, the second of Claveloux' Grabote series. I found it super-cute, whimsical, absurd and inventive, altho at times there was sort of a menacing 'Ralph Steadman' vibe as well. So-- something to generally amuse kids, but also something to intrigue creative types, perhaps.

One can read it online below, using the buttons at the bottom to navigate:

http://www.resaclic.net/grabote/grisbi/grisbi

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JohnnyEnzyme

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