Yall remember when Monster cables were popular?
this post was submitted on 15 Feb 2026
75 points (96.3% liked)
Funny
13672 readers
1105 users here now
General rules:
- Be kind.
- All posts must make an attempt to be funny.
- Obey the general sh.itjust.works instance rules.
- No politics or political figures. There are plenty of other politics communities to choose from.
- Don't post anything grotesque or potentially illegal. Examples include pornography, gore, animal cruelty, inappropriate jokes involving kids, etc.
Exceptions may be made at the discretion of the mods.
founded 2 years ago
MODERATORS
Does that make the electricity go through monster energy drinks?
Amateurs! True audiophiles know to use 24K gold plated TOSLINK cables. (optical)
But where's the potassium?!
Toslink is lossy tho
What??
It was gold plated mud though.
*impregnated
Sheesh, and ya think people know what they're talking about!
🤪
As someone who cares about audio fidelity a lot, there is definitely a diminishing returns. You'll see me here telling people who complain "I have to constantly turn volume up and down for dialogue in movies". That's because your sound is TV speakers, basically phone speakers, go buy a sound bar and your life will get infinitely better.
If you want to go further you can get a nice set of speakers, even surround sound, and it's fun, but it's not as impactful as the first step.
Then though if you're already at a sweet 7.1 surround sound system, it's not going to matter if you get the high end cables, or spend 5k on the most bestest receiver. At that point you're just wasting money. You may get... 1-5% better fidelity for..... 500% of the cost?
I have a high-grade sound bar, and I still have to constantly turn the volume up and down. The problem isn't the gear, it's the mastering. Christopher Nolan went all in on that when people complained they couldn't hear what characters were saying in his films, declaring that he will only master his movies for the cinema - home setups are too inferior. Nolan, my dude, I saw your movies in the cinema, and I still couldn't make out a word of what people were mumbling to each other. Why even bother writing the script in the first place? Most other filmmakers aren't much better nowadays, and I wish we can get back to the time when people who know what the fuck they're doing are responsible for sound mastering: One master for the cinema, and another one for those watching at home.
Agreed. My home theater sports 5.1 floor speakers run through a dedicated A/V receiver and I'm constantly messing with the volume between dialogue scenes and action scenes for most movies. The gear ain't the issue here.
Why even bother writing the script in the first place?
Half of Nolan's scrpts could hardly be called writing. More like Jackson-Pollock'ing random ideas onto a page
Our soundbar has a “night mode” that basically fixes this problem
I agree. However, a good amount of the perceived quality also lies with the media being played. People must be aware of playing the right media with the right codecs to fully utilise their hardware.
That's why I consider myself an "Audio Enthusiast".
Good audio reproduction rooted in science and empirical evidence. Do I think a Carver TFM-15cb sounds different and even a bit better than a McIntosh MC7108?
Yes I do.... Why?
Because I have both amplifiers sitting in the same rack and have A/B'd them extensively. Honestly, the Carver's build quality is utter crap. Barely above what you buy in a box store, but damn does it sound nice. I use the McIntosh exclusively because it's just a better piece of equipment, even though it doesn't have those 2nd order harmonics that the Carver is tuned for.