pointless backstory
I was born in the 80s and some of my earliest memories where the Karate Kid films. If anyone here is in their 40s, they'll remember the obsession with karate. Kids were signing up for karate lessons left and right. I recall something on TV where kids were demolishing a house using karate (obviously it was staged by whatevs).
Then the 90s happened, and the West got paranoid about Japan taking over. Pop culture produced absurd books about Japan taking over the US, and people literally feared it happening.
I like anime. It's definitely better than most white culture shit. It just feels like the #1 theme or trope for a video game or series (that isn't the West) is Japan. I'm just utterly bored to death of Japanese schools, Japanese feudal themes, yakuza shit, Tokyo streets, etc. Yes, it's 1000 times cooler than New York or Texas. I'd rather play Ace Attorney or a Yakuza game than COD or Modern warfare. I'd rather watch JoJo's Bizarre Adventure than Family Guy. Japanese stuff is often cooler than Western stuff.
God I can't complain if Japanese developers want to make something that they know with the language they speak. My big gripe is non-Japanese developers imitating Japan because that's what sells. Think Genshin Impact, Battle Realms, or Blue Archive. My steam recommendations are filled with Japanese themes made my non Japanese developers. No, I'm not offended. I'd just like to play a game, once, that doesn't have samurai and geisha. It would be neat to learn about another culture that isn't Japan. Maybe go to another continent.
Wouldn't it be neat to play a stealth game in Nigeria or Bolivia, and not yet another game with Samurai.
Originally the studios themselves were in NYC (still are to an extent), as that’s where capital was. Also, actors, writers, songwriters, art builders/designers, but all of that is also a byproduct of capital being there. And if we go back to first causes, it’s NYC being at the mouth of the Hudson and thus central for the flow of goods in the Northeast that made it a place capital wanted to be.
So yes, the familiarity is a byproduct of where the centers of capital are. But it’s not a tautology where NYC is important to capital because it’s important to capital. It’s important to capital because of its material contexts. Even with LA, yeah it formed as a result of filmmakers escaping Thomas Edison’s lawyers, but it also had a lot of barns that could be easily converted to sound stages, and it was a 1-2 drive from locales that could convincingly pass for nearly any biome on film. It served their material needs.