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Main image Criccieth, the breakers of dawn
Above, Stanage Sunset
Above, Green Cathedral
Above, Old Man of Storr, Skye
Above, Durdle Door
Above, Venetian Overture
Above, Buxton, the greens of summer
His website
Collage
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For collage makers, and enthusiasts of all skill levels to make and share!
Also check out my other communities Printmaking Abstract Photography Artist Lounge
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founded 2 years ago
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Main image Dibujante de Ríos
Above, Creacionismo
Above, Can you keep a secret?
Above, No es nieve, es pintura
Above, Franjas Fluviales / Sesión de @mexicollage / + Mayel Osnaya
Above, Apagar el volcán
Above, Tránsito Vehicular
Above, HOT WHEELS
Above, Red Fields
Above, Trazos
Above, Rayos
Above, Rellenadora de Ríos
Above, Vertedor de Ríos
His website
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Main image 'aptr' by philipp igumnov
'Descending Mavis - A Dream Book - 824' by Tim Lukeman
'Sheeps Nightmare' by Alex Coll
Old Collage by Alex Coll
'8' by Mariano Peccinetti
'Topographic Projection' by jesse treece
'Balasana space' by Mariano Peccinetti
'Planetary mountain' by Mariano Peccinetti
'Naive Honeymooners' by Eugenia Loli
Above by Heather Heininge
Above by holly pilot
'on your own path' by Kevin Kurecki
'tls' by philipp igumnov
'fban' by philipp igumnov
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Main image, Jimmy, 2022, 11.6 x 8.2 inches
In 2018 we adopted cat called Charlie, things slowly got out of control after that....astmag
Above, Nibbles, Photo Gordon Carmichael, 2019, 8.2 x 11.6 inches
Above, Mia, 2021, 11.6 x 8.2 inches
I think cats are pretty interesting. I have known quite a few and they are usually good company. Metal Magazine
Above, Charlie 29, 2020, 11.6 x 8.2 inches
Above, Cat 2 for The New York Times, 2022, 11.6 x 16.5 inches
Above, Waffles, 2023, 16.5 x 11.6 inches
I try to make it into a new creation that somehow still reminds you of the original image. Every work takes a different amount of time....I think the time it takes is not important. How you cut the paper is more important. Vogue Portugal
Above, Atlas, 2023, 16.5 x 11.6 inches
Above, Mimsy, 2023, 11.6 x 16.5 inches
Above, Vlad, 2022, 8.2 x 11.6 inches
I want you to look at yourself in my mirror, see that everything is there and nothing is 100% what you expect or want. It is a ecosystem in flux, evolving and growing. To exist in a space between ugliness and beauty but to always be attractive to the eye, that is what I want. astmag
Above, Fluffy, 2021, 8.2 x 11.6 inches
Above, Charlie XXIII, nine legs, 2019, 11.6 x 8.2 inches
To appreciate the differences and similarities is to understand better your place in the world. Vogue Portugal
Above, Charlie 28, 2020, 11.6 x 8.2 inches
Above, Cat with the NYT, 2023, 11.8 x 11.8 inches
Eyeballs are good, if someone sees my work I am happy to inspire a smile or an independent thought astmag
Above, Hubble, 2022, 11.6 x 16.5 inches
Above, Wonton, 2020, 8.2 x 11.6 inches
Above, Moose, 2020, 8.2 x 11.6 inches
When I begin working, I have printed a few copies of something to play with, I cut the essential areas, and start moving them around on a panel, trying to find that place half way between the image in my head and the image that makes itself in front of me....Our Culture
Above, Scooter, 2023, 11.6 x 16.5 inches
Above, Misty II, 2022, 11.6 x 8.2 inches
I love strange things, surrealism in general....Vogue Portugal
Above, Marmalade, 2024, 11.6 x 16.5 inches
Above, Simo, 2018, 11.5 x 16.5 inches
Above, Mickey, 2019, 8.2 x 11.6 inches
When I was young the art prints my parents displayed around the house were a big inspiration for me. I wanted to make beautiful things that were shocking, even frightening. I used to make bizarre sculptures, and I made funny little chic monsters in my sketchbook out of collage, quickly this became my focus. Vogue Portugal
Above, CHarlie 31, 2021, 11.6 x 8.2 inches
Above, Ophelia, 2023, 16.5 x 11.6 inches
Above, Ivor, After Walter Chandoha, 2021, 11.6 x 8.2 inches
I really love the bizarre grotesque work Bosch, Arcimboldo.. Something dark, flowery and beautiful....Vogue Portugal
Above, Charlie XIX the visitor, 2019, 11.6 x 8.2 inches
Her website
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Main photo- Ozzie, 2021, 8.2 x 11.6 inches
'.....I like taking something familiar and making it a subversive shadow of itself. You might view a new sight with a familiarity you can’t quite explain....'source
Above- Baxter, 2020, 8.2 x 11.6 inches
Above- Hercules II, 2022, 8.2 x 11.6 inches
'.....[She uses multiple copies of the same image] between 10 and 20. But the multiple crops and zooms on a particular detail are most important.....'source
Above- Po D'Arroz, 2019, 11.6 x 8.2 inches
Above- Dora, 2018, 16.5 x 11.5 inches
'....I am really interested in the limits of beauty, even the definition of beauty. I think there is something to be said for symmetry but beauty and attraction blur this definition...'source
Above- Whiskey, 2018, 8.27 x 11.69 inches
Above- Cece, 2018, 8.2 x 11.6 inches
'.......I find an image that inspires me, and I cut the hell out of it. I try to make it into a new creation that somehow still reminds you of the original image....'source
Above- Tobby, 2019, 8.2 x 11.6 inches
Above- Nova, 2020, 8.2 x 11.6 inches
'....I work on a large empty table, with my tools. laptop, wooden boards, paper, glue, scissors and brushes. I like minimal tidy clean spaces with good views....'source
Above- Work in progress source
Above- Beans, 2018, 8.2 x 11.6 inches
Above- Logan, 2018, 8.2 x 11.6 inches
Above- Clandestino, 2023, 11.5 x 16.5 inches
'.....I love the Dada aesthetic because of the quick and shocking juxtaposition of images. The accessibility. The practical relevance of it.....'source
Above- Odie, 2020, 8.2 x 11.6 inches
Above- Hercules, 2022, 11.6 x 8.2 inches
Above- Odie, 2021, 8.2 x 11.6 inches
Above- Keith, 2020, 16.5 x 11.5 inches
'.....Eyeballs are good, if someone sees my work I am happy to inspire a smile or an independent thought....'source
Above- Cleo, 2021, 8.2 x 11.6 inches
Above- Ben, 2019, 8.2 x 11.6 inches
Above- Penny, 2019, 11.5 x 16.5 inches
'.....I try to remain free from patterns, but we do what we do and inevitably form habits and rituals. When I work, I try to leave all directions open, and I never say ‘no’ to an idea.....'source
Above- Summit, 2019, 8.2 x 11.6 inches
Above- Molly, 2018, 16.5 x 11.6 inches
'......I love strange things, surrealism in general...'source
All work by Lola Dupre
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Main photo from 'Medusa series 2008-10' Caravaggio meets Betty Page
NSFW Javier Piñón post here
Javier Piñón is a New York collage artist, who grew up in Texas. His work fuses together ancient and modern mythologies, transforming soft porn girly pics into Gorgons, Sirens and Sibyls......
'Medusa, 2009'
Kiss of the Siren, 2014
'Daphne, 2009'
Icarus is re-imagined as a rodeo star, propelled skywards, or falling to his doom....
'The Wild Blue Yonder'
'Icarus'
'The Fall of Icarus'
.... while others ride, and are bucked by unstable towers of chairs, and chandeliers....
'Untitled'
'Untitled'
'Swing 16'
...and Don Quixote is a cowboy, tilting at Texas water wind mills...
'Don Quixote 4, 2007'
His website
edit- added link for NSFW post and Javier Piñóns website
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“There Is No Through Road To Diabeg”, paper collage. Stephen Cranston, 2023
Paper collage. Stephen Cranston 2023
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....[His] collages combine physical cut-and-paste techniques with digital editing. The artist describes his work as “Data-ism,” a pun on the avant-garde Dada movement that wielded montage and collage as a form of political critique...source
...[He] combines traditional cut-and-paste collage techniques with digital editing, digital animation, and even sound design to create a body of work that blurs the borders between illustration, graphic design and art installation...source
...'To make images became more and more essential to me, and I can’t stop making them since. Collage as a way of life. Cut and paste. To use samples in music, to mix different periods of time in films, colours and forms in painting, to use my own identity and personal influences as material to work with, to search for new ways....'source
....'A photo from the past carries more emotions than a contemporary one. It’s not just the person or scene portrayed but all the landscape that arises from it...'source
....'I like to watch every picture as the point of departure for a story. Various durations, gathered in one. to evoke a fake history or inspire nostalgia for a period in time that never truly existed. Sometimes further to a decision. Mostly random...'source
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'Ego’ (2015)
a. An exaggerated sense of self-importance; conceit. b. Appropriate pride in oneself; self-esteem.
William Orpen – Portrait of Clara Hughes (1902) revisited
Found here
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