this post was submitted on 20 Jan 2026
177 points (99.4% liked)

Technology

79061 readers
3075 users here now

This is a most excellent place for technology news and articles.


Our Rules


  1. Follow the lemmy.world rules.
  2. Only tech related news or articles.
  3. Be excellent to each other!
  4. Mod approved content bots can post up to 10 articles per day.
  5. Threads asking for personal tech support may be deleted.
  6. Politics threads may be removed.
  7. No memes allowed as posts, OK to post as comments.
  8. Only approved bots from the list below, this includes using AI responses and summaries. To ask if your bot can be added please contact a mod.
  9. Check for duplicates before posting, duplicates may be removed
  10. Accounts 7 days and younger will have their posts automatically removed.

Approved Bots


founded 2 years ago
MODERATORS
top 27 comments
sorted by: hot top controversial new old
[–] DisgruntledPelican@lemmy.world 24 points 2 days ago (3 children)

Hello. Diffraction limit calling, who am I speaking to? Yeah hi, it is Fuji medium format 180MP camera. How it is going ? Ok just remember than any aperture smaller than f/5.6 will be affected by diffraction ok. Anything smaller won’t be sharper, you will just have to save larger files and won’t have more details in your image. Well, am I just a marketing gimmick them? Yes you are… that’s ok. Fuji is also selling the xhalf, we still love you.

[–] brucethemoose@lemmy.world 3 points 1 day ago* (last edited 1 day ago)

As a real life example, the Canon 600mm F11 telephoto lens should be awful, on, say, a 32MP crop sensor R7. That’s insane pixel density somewhere in the ballpark of this Fuji.

…But look at real life shots of that exact combo, and they’re sharp as hell. Sharper than a Sigma at F6.3.


The diffraction limit is something to watch out for, but in reality, stuff like the lens imperfections, motion blur, atmospheric distortion and such are going to get you first. You don’t need to shoot at F4 on this thing to make use of the resolution, even if that is the ideal scenario.

[–] Bruncvik@lemmy.world 2 points 1 day ago

I may not be representative of a larger sample, but I used medium format for landscapes, and always shallow depth of field. For sharper images, I used longer lenses on a 35mm camera. So, a diffraction issue wouldn't be bothering me on a medium format camera, if I ever even found the money to get one.

[–] drosophila@lemmy.blahaj.zone 2 points 1 day ago (1 children)

I don't know much about photography, so forgive me if this is a dumb question, but would something like focus stacking help with this?

That is to say, make the lens less of a bottleneck so you could benefit from a higher resolution sensor.

[–] brucethemoose@lemmy.world 1 points 1 day ago* (last edited 1 day ago)

See: https://www.omnicalculator.com/other/hyperfocal-distance

https://en.wikipedia.org/wiki/Hyperfocal_distance

But TL;DR: for distant landscapes on a wide field of view lens, you can shoot at F5.6 and everything is in focus. I even do this at F1.4 on my lowly aps-c camera.

Put more concretely, the hyperfocal distance for a 35mm f5.6 lens on a medium format camera is 5 meters. Everything in the distance can be in focus.

For portraits, you want background blur anyway.

And if you’re doing anything else on a medium format camera, you’re kind of insane, heh.

[–] basket@pie.gravitywell.xyz 15 points 2 days ago (1 children)

Fujifilm wants to simulate the film experience by having 30 shots fill up a 128 gb sd card

spoiler
/s

[–] LodeMike@lemmy.today 2 points 2 days ago (2 children)

Well, you can just calculate the maximum number of bytes per image to see what the actual capacity is. 128M pixels * 3 bytes per pixel is 384 Megabytes. Should go down to 100 each after JPEG compression.

[–] moseschrute@lemmy.world 4 points 1 day ago (2 children)

If you’re spending this much on a camera and only shooting JPEG, what are you doing lol

[–] nutsack@lemmy.dbzer0.com 2 points 1 day ago

emulating a film workflow

[–] LodeMike@lemmy.today 0 points 1 day ago (1 children)
[–] moseschrute@lemmy.world 1 points 1 day ago* (last edited 1 day ago)

Most “lossless” compressions (e.g. PNG) wouldn’t work here, because they throw away a lot of extra data you get raw from the camera sensor. Hence photographers using their camera’s “raw” file type to retain as much data as possible. A PNG may capture everything you as a consumer sees in an image, but raw file types will retain extra information you can use when editing a photo.

[–] eldebryn@lemmy.world 3 points 1 day ago

Increase by 25-50% if you want HDR color specs.

[–] SpruceBringsteen@lemmy.world 37 points 3 days ago (2 children)

Christ fujifilm, we just want an xPro-4 with 50 megapixels and IBIS. That's it.

The Xpro-3 is 7 years old now.

[–] shittydwarf@piefed.social 7 points 3 days ago (1 children)
[–] SpruceBringsteen@lemmy.world 7 points 3 days ago (1 children)

I've got an X-Pro1, I can relate.

That thing has taken some of my favorite photos though, I just wish it were faster.

Same, I love that camera

This, mainly so I can buy used when y'all upgrade.

[–] kadu@scribe.disroot.org 2 points 2 days ago

I use a Canon Rebel T1i from 2009 with a 24mm pancake lens from 2012 lol

[–] panda_abyss@lemmy.ca 6 points 3 days ago (1 children)

If they pay this out by August I’ll buy it for a trip

[–] SpruceBringsteen@lemmy.world 4 points 3 days ago (1 children)

No interest in the GFX100RF?

[–] panda_abyss@lemmy.ca 3 points 3 days ago (1 children)

Is that a fixed 35 prime lense?

I do have a Fuji 35 prime and it’s fantastic, but I’m looking for something interchangeable

[–] SpruceBringsteen@lemmy.world 2 points 3 days ago* (last edited 2 days ago)

Fixed 35, but with the larger sensor it'll behave more like a 28mm full frame.

I brought the RF up just because of its size. Those other GFX cameras are absolute units once they have a lens on.

[–] sem@piefed.blahaj.zone -5 points 1 day ago (1 children)

Is high MP with real detail an actual thing AI can't generate easily?

[–] mybuttnolie@sopuli.xyz 8 points 1 day ago (1 children)

AI generated detail is not something anyone wants in an actual camera, it usually looks odd. but i doubt 180mp vs 50mp is going to make much difference other than massive file size

[–] sem@piefed.blahaj.zone 2 points 1 day ago

I'm saying as a way to detect a real photo vs AI. An ai photo at 180 would have giveaways...

[–] pHr34kY@lemmy.world 2 points 2 days ago

I don't think I want to waste 40MB per photo.

[–] Sxan@piefed.zip -1 points 3 days ago

Oh. Oh my. I've always wanted a medium format, but I'm also really happy with Fuji. Þis could be a perfect storm for me.