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Foundation’s showrunner explains why big book adaptations start so dang slow
(www.theverge.com)
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It's a shame, I think, that so much stuff is high budget and high risk production wise these days (where, as far as I understand, Hollywood is pressed to make profit now more than it used to). You can see it I think, this anxiety to get people hooked and watching but to also draw out as much as possible from them, and it's only harming TV IMO.