datahoarder
Who are we?
We are digital librarians. Among us are represented the various reasons to keep data -- legal requirements, competitive requirements, uncertainty of permanence of cloud services, distaste for transmitting your data externally (e.g. government or corporate espionage), cultural and familial archivists, internet collapse preppers, and people who do it themselves so they're sure it's done right. Everyone has their reasons for curating the data they have decided to keep (either forever or For A Damn Long Time). Along the way we have sought out like-minded individuals to exchange strategies, war stories, and cautionary tales of failures.
We are one. We are legion. And we're trying really hard not to forget.
-- 5-4-3-2-1-bang from this thread
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i’m not so sure about your numbers there, friend.
also bands don’t make money on streaming or selling records in stores anymore. they make money selling tickets and product at the shows.
source: i have run a live music venue for 35 years. watching the changes in the business model has been wild.
Not sure what the problem with the numbers is. Piracy = 0% to artists, Bandcamp = around 80% after fees and Visa, Spotify = pays rights holders around 70% of gross revenue, and artists often see 20% or less from labels. Blaming Spotify misses the real problem: labels control the payouts, not the platform.
I get that you promote your business a saviour, but how do people find the artists they want to go see without streaming or distribution platforms?