Archived version: https://archive.ph/hroNJ
Bradley Cooper is facing criticism for performing in “Jewface” after the release of the trailer for his biopic of Leonard Bernstein, which revealed the facial prosthetics he employed for the role.
Bernstein, the son of Jewish-Ukrainian immigrants to the US, was a hugely talented conductor and composer, best known for writing the music for West Side Story as well as composing three symphonies and becoming music director of the New York Philharmonic. Cooper, who directs, co-writes and stars in Maestro, is not Jewish, and can be seen in the trailer with a noticeably prominent fake nose opposite Carey Mulligan, who plays Bernstein’s wife Felicia Montealegre.
British actor and activist Tracy-Ann Obermann criticised Cooper on social media, writing: “If [Cooper] needs to wear a prosthetic nose then that is, to me and many others, the equivalent of Black-Face or Yellow-Face … if Bradley Cooper can’t [play the role] through the power or acting alone then don’t cast him – get a Jewish Actor.”
Obermann added, referencing Cooper’s performance on stage in 2014 as John Merrick in The Elephant Man: “Bradley Cooper managed to play the ELEPHANT MAN without a single prosthetic then he should be able to manage to play a Jewish man without one.”
The Hollywood Reporter’s chief TV critic Daniel Fienberg called the prosthetics “problematic” when photos from the set emerged in May, and subsequently described the film as “ethnic cosplay”.
In a statement posted on social media, Bernstein’s children Jamie, Alexander, and Nina defended Cooper, saying: “It breaks our hearts to see any misrepresentations or misunderstandings of [Cooper’s] efforts … Bradley chose to use makeup to amplify his resemblance, and we’re perfectly fine with that. We’re also certain that our dad would have been fine with it as well.”
The controversy follows objections to the casting of Cillian Murphy as nuclear physicist J Robert Oppenheimer – again, a non-Jewish actor playing a notable Jewish figure – in the biopic directed by Christopher Nolan, with David Baddiel describing such casting as “complacent” and “doubl[ing] down” on “Jewish erasure”. Baddiel also criticised the casting of Helen Mirren as Israeli prime minister Golda Meir, writing in the Guardian that “over a period of extreme intensification of the progressive conversation about representation and inclusion and microaggression and what is and isn’t offensive to minorities, one minority – Jews – has been routinely neglected”.
Ehh, that's kind of a disingenuous comparison, no?
I'm willing to bet most Jewish people in the West would probably be referred to as "white" if they were being picked out of a crowd, so it's not a huge leap for a white actor (a very popular actor who definitely sells tickets) to wear a small prosthetic to look like the real-life person he's trying to portray.
Definitely not the same thing as completely painting yourself to appear to be a different race.
Making everyone who has white skin "white" is the very kind of ethnic erasure that people are arguing against. "white" is not a thing, it is not an ethnicity, it is not a single people. "white" is a construct invented long ago to justify a lot of terrible things. It is a consistently changing window on who is and isn't allowed membership. "whiteness" erases all it touches. "whiteness" is why so many "white" people are confused and frustrated about their identities. It's really just bad all around.
I was using the term "white" strictly in visual terms. I personally think race is a dumb concept, as it all boils down to where in the world your ancestors were from, and nobody gets a say in that.
As you pointed out, white is an ever changing idea and is decided on by the ones who are bullying. We're not bullied like that, so how would we even know what they experience?