The Grind & Bind Art Alchemist's Guild

Most are from lake pigments, with a few earth pigments in the mix.

From the top left, reading right:

Top row: Red roses, iron oxide, greens from florist waste, cranberries

Middle row: Red roses (again,) red cabbage, kyanite, lemons

Botton row: Spinach and corriander, just spinach, beets, agate grindings (from my rock tumbler)

These are just the ones I managed to get potted and dried, I have a whole box of mixed paints waiting on another order of watercolour pots.

They all look a bit different in consistency in part because I've tried a few different formulas of watercolour mix, and because they're made from different things. Cranberries and red cabbage always end up a bit "sticky."

My latest formula for watercolours is:

• 300g Gum Arabic Solution (gum arabic powder and water)
• 280g Glycerine
• 20g Clear honey
• 20 Drops clove oil (antibacterial - paints will mold)

I mix into pigment at a 1:1 ratio by weight.

I'm not a shill and this isn't an advertisement.

I was put off by the fact that you have to make an account on Ravelry to see anything, which is why it took me so long to start using it.

But it really is the best archive of patterns and advice for literally everyone. It's community-driven with I don't even know how many folks sharing patterns for free, with whole active forums to ask any question, and ways to organize favorites.

I know I sound like a shill. I just fucking love ravelry.

I recently posted in !cool_rocks@lemmy.today about the lapis lazuli a rockhounding buddy sent me.

But I wanted to destroy it.

My goal was to create the original ultramarine pigment of renaissance artists. After a few failed tries manually, I ordered a rock tumbler and — since lapis lazuli is SUPER hard and I didn't want to have to separate grit from pigment, I got steel paint mixing balls to grind it down. That way I can separate any steel bits at the end with a magnet.

After a week, the pieces look like this. It's so pretty I'm keeping these to polish and turn into, I donno, a necklace or witchcraft or something, while I let the balls work on the rest of the bits.

Once it's finished and filtered, I'll share the depressingly small amount of pigment I get out of this weeks-long process.

I built one of these for art supplies — literally out of an old school locker. Anything can be a free library of you fill it with free stuff.

I make avocado dyes and pigments all the time. In fact, dying and pigments are the main reasons I eat so many vibrant fruits and vegetables. I get a lot of fibre.

I keep a jar of water, avocado skins and pits on my kitchen counter that I add too whenever I have one. I keep ot slightly alkaline with baking soda, which seems to deter bacteria growth.

Different kinds of fabrics take to the dye in different ways, with cotton being my favorite so far. Plant based fibres seem to do better with a urea treatment before dyeing, and you can get some very deep, dark purple/grays with iron mordant (I keep steel wool soaking in salt water.)

The fact that loofah aka luffa is actually a vegetable is always the biggest shock to people when you tell them they can grow their own luffa sponges; the fact that they grow on land, not in the water.

I know what I'm filling my garden with this year.

I haven't tried this one yet, but I have a batch sitting in wait and my own DIY, definitely don't try this at home electrolysis set up (a stripped phone charger and a plug-in adapter.)

Since battery acid became a bitch to get at hardware stores in my province, I'm excited to give this one a go since it only uses acetic acid, hydrogen peroxide, and copper.

A great instructable because you don't need a whole shop to do it, just a few office supplies.

I'm going to try this one today.

Basic hand-weaving or lap weaving is a lot like making spicier friendship bracelets. If you use tiny strings and add beads, it's pretty much beading, too.

Weaving is one of those skills with a thousand uses if you're very into DIY. Learn to weave and you can mend clothes, make rugs, baskets and hammocks, and even build fences.

Finally.

It only took weeks of letting copper sit in a vinegar sauna (but no touching!) and a day of double-boiling off the liquid to get... about 5g of pigment. Nevermind the toxic fumes and toxic everything else and the fact that Verdigris is super aggro to other colours.

Worth it. I feel like a renaissance artist, minus the radiation and lead poisoning. My sinuses feel weird.

What it looked like in the jar before I scraped it out:

For fun, art, and acitivism.

Written instructions:

1. Crumble three handfuls of moss and 3 cups of likewarm water into a blender.

2. Add 2 Tbsp of water retention gardening gel and half a cup of buttermilk. Blend.

3. Transfer to a bucket. Paint onto rough concrete or wood with a paintbrush.

4. Mist with water weekly.

Festival du Voyageur is a cold, snowy, musical, drunken-sledding prairie tradition I'm so so fortunate to have joined for a few sporadic years.

If it's cold and snowy where you are, you can make ice sculptures, too. A video link on the page shows you how.

You can even go the easy route, like I did this year, and use silicone moulds to make ice-ornaments and hang them outside. Use food coloring for extra fun.

As long as it wasn't done with a pen, pencil, marker or anything you would buy in a store, you can post it here. It doesn't even have to last very long.

Some ideas:

• Charred wood
• Scraped against a surface with a rock
• Mud on anything
• Stomped into snow
• Glue and sand on paper

Psychologists have used this question to gage openmindedness and creativity in children.

What can you do with a paperclip?

After weeks of filtering, drying and washing - which isn't a lot of work, just a lot of waiting, I finally have another batch of pigments. These are my favorites.

Everything except the iron oxide was made using the lake pigment method. I made the iron oxide from steel wool decomposed with hydrogen peroxide and salt water. I can get reddish to almost black (like here) depending on the material and... other things about the process I haven't quite figured out yet.

The three different avocado colours are from the same batch with the ph adjusted, the darkest one is from adding iron mordant (rusty nails in vinegar.) The spinach gave me two colours from using aluminum phosphate for the darker batch and aluminum sulfate for the yellowier one.

Watercolour: https://www.jacksonsart.com/blog/2020/09/25/making-handmade-watercolours-with-jacksons-artist-pigments/

Tempera: https://www.royalacademy.org.uk/article/how-to-make-egg-tempera-paint

Inks: https://www.jacksonsart.com/blog/2023/04/03/making-natural-ink-process-recipe-yellow/

My own recipe for alcohol inks:

• Pack a bunch of a colourful thing into a jar of 99% isopropyl alcohol, like avocado pits and skins, spinach, red cabbage, lemon peel, etc. Cover tightly and let sit in a warm place for at least two days.

• When enough colour has leached into the alcohol, filter out the solids, discard them or use for another batch, and either let the liquids sit open in a warm place or set in a double boiler. Iuse the same jar throughout the process, usually putting a bunch of them in the water bath together. Slowly let the alcohol evaporate until the desired consistency is reached. I keep a brush and paper nearby to test every 15-20 min. Colour should be rich and dense. Usually doesn't take me more than two hours of double-boiling to reach a good point.

• Mix in gum agaric solution, about 1 part to 3 parts ink. Test again.

• You can keep reducing the ink, but at this point it will turn gel-like or hard if you evaporate all the alcohol.

Acrylic is a hard one to track down since it's a modern paint and most every company has their own secret formulation. It's a mix of glues, monomers, binders and solvents, and I haven't had any success trying to make my own from ingredients. In most cases it's cheaper and easier to just buy acrylic medium (paint without the pigment) to mix your own.

If you want to go deeper, and I can't imagine not wanting to discover hidden secrets, here's a whole paper on it: https://www.rroij.com/open-access/chemical-formulations-for-acrylic-matt-and-acrylic-gloss-paints.pdf

Celebrate the new year with some home-made pyrotechnics!

I've made saltpeter/sugar smoke bombs before, and they're a lot of fun. I haven't tried with baking soda and crayons, though.

I used a campstove outside to "cook" the bombs, in case the mixture ignited, and wrapped them in cupcake-sized tinfoil disks with a bunch of matcheads.

Without colour, the smoke burns white and the fire is purple.

Try not to breathe the smoke and don't die.

If you manage to perfect the art or flint knapping — you can upcycle any dense, broken glass into usefull knives, too.

My first attempt at blacksmithing — a butter knife made from a piece of iron rebar.

It doesn't take a whole lot of equipment to forge a knife, but it does take significant practice. My cousin (who owned the forge) made much nicer pieces. The forge itself was only a couple hundred bucks, but we easily went through a tank of propane in an evening. Didn't help that we fueled ourselves on a case of beer.

Also pictured: some cool rocks. Oh, and I made that red ceder shelf out of a canoe seat that didn't fit right, when I was building canoes.

Jessica Angel is a New York based artist who bridges physical and virtual spaces with her reality bending work.

I met her once, in person, where I found her passionate and genuine. She delivered an eloquent message on the language-transcending nature of art.

She gifted me the leftover screen-printed wall coverings from an installation (so she didn't have to haul it back to New York.) I've since used them in a ton of pieces and still have plenty left.

An update on the haul I got from the florist.

This paper is from all the red flowers after I extracted the dye, I'm working through the colours down to the white.

I made three different size papers purely from roses, these are the smallest. I got impatient and dried them fast rather than the right way since I prefer just ironing them later, anyway. Those pieces are the same, front and back, showing the difference between the rough(exposed) and smooth(screen) side. I left the pulp extra pulpy, for texture, so I can use it later for book covers.

Fun paper facts: Some commercial papers have a rough and a smooth side, too, especially with thicker artisan papers. In mills, pulp is pulled from the slurry on the "string" which is the screen. Mills use either one string or twin strings, with the later producing paper that's equally smooth on both sides. This production method also creates the "grain" of the paper, the way the fibres align in the direction the string is pulled. The grain is an important factor in high speed and mass printing operations.

Rate my set up:

I have my pulp bucket, screens and deckles from cheap canvases, screen material is from an old silk scarf, gloves are essential, sponge for sponging, board for drying, and a glass of water because I stay hydrated, homies.

...or get better at, or fantasize about, or buy all the tools for and forget about.

Nalbinding predates knitting and crochet, literally "needle-binding," where lengths of spun fibre are joined together using a needle.

The perfect technique if you want some authentic clothes for your costumes and re-enactments, or just want to channel some old school weavers from odin-times.

A much better set of instructions, since my quick and dirty run down on my last post left a lot to the imagination.

I made my screens and deckles from old matching picture frames and dollar store canvases, where I pulled the canvas off the frames and stretched old polyester or silk scarves for the screen half.

Here's a diagram with the staple order to get the tightest surface if you're MacGyvering your own paper-makers. It won't seem intuitive if you've never had to stretch your own canvas, but I've stretched dozens of screen and canvases — this is the best way. You'll get a better result if the fabric is wet, but careful not to put too much tension on a weak frame.